Rouard danielle (34 resultados)

Paperback. Condición: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: new.

Softcover. Condición: Bon. Légères traces d'usure sur la couverture. Salissures sur la tranche. Couverture différente. Edition 1993. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slight signs of wear on the cover. Stains on the edge. Different cover. Edition 1993. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. pp. 158.

Soft cover. Condición: Very Good. 148 pp, index, b/wj photos. Wraps have edgewear.

Condición: New. In English.

Condición: New. pp. 158 Index.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 1st edition. 158 pages. 8.75x5.50x0.75 inches. In Stock.

In-8°, legatura in brossura editoriale, pp. 240, con illustrazioni intercalate nel testo.

Brossura. (Categ. Scienze) - (In 8.vo cm. 12x19,5) - (Legatura : brossura editoriale) - (Ed. : prima (nella collana)) - (pp. 240) - (Collana : Paperbacks Ricerca - Scienze - n. 25) Volume della collana - Paperbacks Ricerca - Scienze - diretta da Giorgio Tecce. Gli autori sono due giornalisti noti per le indagini che hanno condotto su problemi scientifici di attualità (51e). Segni d'uso ai piatti della coperta con alcune macchie e fioriture sparse anche alle pagine che tuttavia non ledono la leggibilità del testo.…

Paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Couverture souple. Condición: bon. RO80262243: Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 315 pages. Quelques photos monochromes dans le texte. . . . Classification Dewey : 130-Phénomènes paranormaux. Pseudo-sciences.

Condición: New. In 1948, at the age of 15, Manu Dibango left Africa for France, bearing three kilos of coffee for his adopted family and little else. This autobiography chronicles his life, from his birth in Cameroon to his achievements as a composer, producer, performer, .

Brossura. Condición: buone. Traduzione di Stefano Sudrié. Cm.20,5x12,5. Pg.240. Brossura editoriale. Illustrazioni. Collezione "Scienze", n°25. 350 gr.

Condición: New. Brand New.

Condición: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condición: New. pp. 158 Index.

Condición: New. pp. 158.

Condición: Used: Good. Occasion - Bon Etat - New York (1993) - Poche.

Hardcover. Condición: Brand New. 1st edition. 158 pages. 9.00x6.00x0.75 inches. In Stock.

Condición: New. In English.

Hardback. Condición: New. Illustrated. In 1948, at the age of 15, Manu Dibango left Africa for France, bearing three kilos of coffee for his adopted family and little else. This book chronicles Manu Dibango's remarkable rise from his birth in Douala, Cameroon, to his worldwide success - with "Soul Makossa" in 1972 - as the first African musician ever to record a Top 40 hit. Composer, producer, performer, film-score writer and humanitarian for the poor, Manu Dibango defines the "African sound" of modern world music. He has worked with and influenced such artists as Art Blakey, Don Cherry, Herbie Hancock, Harry Belafonte, Paul Simon and Johnny Clegg. In Africa, he has helped younger musicians, performed benefit concerts and transcribed for the first time the scores and lyrics of African musicians. The product of a "mixed marriage" (of different tribes and religions) who owes allegiances to both Africa and Europe, Dibango has always been aware of the ambiguities of his identity.This awareness has informed all of the important events of his life, from his marriage to a white French woman in 1957, to his creation of an "Afro-music" which blends blues, jazz, reggae, traditional European and African serenades, highlife, Caribbean and Arabic music. This music addresses the meaning of "Africanness" and what it means to be a Black artist and citizen of the world. This memoir is based on an extensive set of interviews in 1989 with French journalist Danielle Rouard. Illustrated with photographs, this book should be of interest to readers of jazz biographies, students of African music and ethnomusicology, and all those who are lovers of Manu Dibango's artistry and accomplishments.…

Condición: New.

Gebunden. Condición: New. KlappentextForeword by Danielle RouardNimele BoloReally the Blues Independance Cha-Cha African JazzThe Tam-Tam of LeopoldvilleNeighborhood BusinessSoul PartyI d Like to Be a Black Man Idiba Soul Makossa Agouti and Foutou: Of Field Rats a.

Condición: New.

Hardback. Condición: New. Illustrated. In 1948, at the age of 15, Manu Dibango left Africa for France, bearing three kilos of coffee for his adopted family and little else. This book chronicles Manu Dibango's remarkable rise from his birth in Douala, Cameroon, to his worldwide success - with "Soul Makossa" in 1972 - as the first African musician ever to record a Top 40 hit. Composer, producer, performer, film-score writer and humanitarian for the poor, Manu Dibango defines the "African sound" of modern world music. He has worked with and influenced such artists as Art Blakey, Don Cherry, Herbie Hancock, Harry Belafonte, Paul Simon and Johnny Clegg. In Africa, he has helped younger musicians, performed benefit concerts and transcribed for the first time the scores and lyrics of African musicians. The product of a "mixed marriage" (of different tribes and religions) who owes allegiances to both Africa and Europe, Dibango has always been aware of the ambiguities of his identity.This awareness has informed all of the important events of his life, from his marriage to a white French woman in 1957, to his creation of an "Afro-music" which blends blues, jazz, reggae, traditional European and African serenades, highlife, Caribbean and Arabic music. This music addresses the meaning of "Africanness" and what it means to be a Black artist and citizen of the world. This memoir is based on an extensive set of interviews in 1989 with French journalist Danielle Rouard. Illustrated with photographs, this book should be of interest to readers of jazz biographies, students of African music and ethnomusicology, and all those who are lovers of Manu Dibango's artistry and accomplishments.…