Librería: Big River Books, Powder Springs, GA, Estados Unidos de America
EUR 13,13
Cantidad disponible: 2 disponibles
Añadir al carritoCondición: like_new. This book is in Like New condition. It is unused, but has a remainder mark on the edge of the pages. Otherwise it is a new book.
Idioma: Inglés
Publicado por MIT Press (MA) February 2014, 2014
ISBN 10: 0262525682 ISBN 13: 9780262525688
Librería: Hennessey + Ingalls, Los Angeles, CA, Estados Unidos de America
EUR 16,80
Cantidad disponible: 1 disponibles
Añadir al carritoTrade Paperback. Condición: New. For more than four decades, the elusive but influential Los Angeles-based artist John Knight has developed a practice of site specificity that tests both architectural and ideological boundaries of the museum, gallery, and public sphere. Knight's works defy notions of stylistic coherence, even, at times, of instant recognizability. Grounded in a sustained method of inhabiting the material, discursive and economic conditions of varied sites, his works systematically challenge notions of object, sign, context, authorship, and value, and they confront audiences not only with mailers, posters, and journals but also with carpenter levels, commemorative plates, deck chairs, bicycle bells, flower arrangements, and credit cards. This volume offers essays and interviews that trace the critical thinking on Knight, discussing the artist's trajectory from 1969 to 2011. These texts, by such prominent figures as Benjamin H. D. Buchloh, Anne Rorimer, Alexander Alberro, and Birgit Pelzer, offer close readings of Knight's pivotal projects in situ while also considering them in terms of such art-historical paradigms as the readymade, the anti-aesthetic, institutional critique, and the relationship between art- and design as well as corporate culture at large. The book provides the first collection of these often hard-to-find texts on Knight and will serve as an essential guide for further consideration of his oeuvre.
EUR 35,97
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Brand New. 96 pages. 8.50x6.00x0.79 inches. In Stock.
Idioma: Inglés
Publicado por The Museum of Modern Art, New York, 2024
ISBN 10: 1633451631 ISBN 13: 9781633451636
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 47,62
Cantidad disponible: 8 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por The Museum of Modern Art, New York, 2024
ISBN 10: 1633451631 ISBN 13: 9781633451636
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 51,96
Cantidad disponible: 8 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por The Museum of Modern Art, New York, 2024
ISBN 10: 1633451631 ISBN 13: 9781633451636
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 48,35
Cantidad disponible: 12 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por The Museum of Modern Art, New York, 2024
ISBN 10: 1633451631 ISBN 13: 9781633451636
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 56,97
Cantidad disponible: 12 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Librería: buchversandmimpf2000, Emtmannsberg, BAYE, Alemania
EUR 13,99
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Gut. Gebraucht - Gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Einband durch Lager- oder Transportschaden -A strikingly original analysis of Isa Genzken's move towards merging sculptural and architectural morphologies into a trailblazing practice of contemporary assemblage.Fuck the Bauhaus, a series of audacious architectural models for future high-rise buildings in Manhattan, marks a poetic and provocative shift in Isa Genzken's artistic oeuvre. Made in the year 2000, out of quotidian objects and cheap materials foraged in the streets and stores of New York, these sculptural assemblages depart from the German artist's 'post-Minimalist' works begun in the 1970s. The earlier works conjured the haunting spectres of catastrophe, destruction and failed utopia, as well as the potential for freedom amidst the ruins of post-War reconstruction culture.Analysing Genken's post2000 penchant for appropriation, collage and montage, André Rottmann draws on the writings of Deleuze and Guattari, Bruno Latour and other theorists of 'assemblage,' to show how her 'late style' is not a return to (neo-)avant-garde traditions but a powerful reimagining of them for the contemporary moment.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 96 pp. Englisch.
Idioma: Inglés
Publicado por The Museum of Modern Art, New York, 2024
ISBN 10: 1633451631 ISBN 13: 9781633451636
Librería: Revaluation Books, Exeter, Reino Unido
EUR 70,34
Cantidad disponible: 2 disponibles
Añadir al carritoHardcover. Condición: Brand New. 232 pages. 9.80x1.00x12.30 inches. In Stock.
Idioma: Inglés
Publicado por The Museum of Modern Art, New York, 2024
ISBN 10: 1633451631 ISBN 13: 9781633451636
Librería: Revaluation Books, Exeter, Reino Unido
EUR 83,85
Cantidad disponible: 2 disponibles
Añadir al carritoHardcover. Condición: Brand New. 232 pages. 9.80x1.00x12.30 inches. In Stock.
Idioma: Inglés
Publicado por Museum of Modern Art (9/2024), 2024
ISBN 10: 1633451631 ISBN 13: 9781633451636
Librería: BOOKIT!, Genève, Suiza
EUR 127,18
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781633451636.