Ross peter k (37 resultados)

Condición: New.

Soft cover. Condición: Very Good. First Printing - First Thus. 286 pp. Light edge and corner wear with some minor creasing on the spine; no interior markings. Book.

Soft cover. Condición: Very Good. First Edition. Very good in original wrappers.

Card - Paperback. Condición: Very Good. No Jacket. First. Used paperback in very good condition. No internal inscriptions, torn or missing pages. Covered in clear contact. 258pp. Without packaging this book weighs 450gms. Quantity Available: 1. Shipped Weight: Under 1 kilogram. ISBN: 1865081892. ISBN/EAN: 9781865081892. Pictures of this item not already displayed here available upon request. Inventory No: 001321. …

Condición: Very Good. . . All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.

Softcover. Condición: Very Good. Volume 10, Number 4. 200pp. Pictorial wrappers. Crease on the bottom corner of rear wrap and last several pages, light bumping at the crown, very good or better. British literary magazine that includes contributions from Ted Hughes, Hugo Williams, Herbert Lomas, Paul West, Donald Davie, Maurice Nadeau, Victor Pasmore, Thom Gunn, George Barker, Alan Ross, Patrick Procktor, A.K. Ramanujan, and many more.…

Paperback, 24 cm. Three dissertations about seals. Cond.: goed / good.

Hardcover. Condición: Fair. 1999 Oak Knoll Press hardcover edition. Ex library copy with stamps and labels else good condition. Contents: 1. A Two-Edged Sword Out of the Mouth of Babes, or, A Book is Known by the Company it Keeps by J. McL. Emmerson; 2. Italian Presses and Printing Techniques in the Hand-Press Period: Some Notes by Conor Fahy; 3. A propos de Francois Juste, imprimeur lyonnais de la Renaissance by Henri-Jean Martin; 4. Simon Millanges, imprimeur humaniste a Bordeaux (1572-1623) by Louis Desgraves; 5. La Survie des editions anciennes de Calvin by Jean-Francois Gilmont; 6. The English Eighteenth Century Short Title Catalogue in the Context of the International Programmes for Universal Bibliographic Control and Universal Availability of Publications by Ian Willison; 7. Les Imprimeurs parisiens de la premiere moitie du dix-huitieme siecle: elements pour de nouvelles approches by Francoise Weil; 8. Projet d'un cours de bibliographie a Mons a la fin du XVIIIe siecle by Marie-Therese Isaac; 9. Les Caracteres typographiques "Didot". Hegemonie d'un style by Andre Jammes; 10. "La Collection des petits formats in-18, edition de Cazin": Some Preliminary Observations by B.J. McMullin; 11. Denis Veiras, Histoire des Sevarambes: A Preliminary Checklist of Seventeenth- and Eighteenth-Century Editions by Aubrey Rosenberg; 12. The Question of Authorship in Cyrano de Bergerac's Voyage dans la Lune: A Computer-Assisted Statistical Analysis by Margaret Sankey and Murna King; 13. Did Aphra Behn Write 'Caesar's Ghost'? by John Burrows and Harold Love; 14. The Editorial Principles of Martinus Scriblerus by David L. Vander Meulen; 15. The Authority of the Two Versions of Fielding's Journal of a Voyage to Lisbon by Hugh Amory; 16. The First Edition of Madame de Graffigny's Cenie by Jo-Ann McEachern and David Smith; 17. Litterature ou de l'amitie? A la recherche de l'authentique Songe vert by Didier Kahn; 18. Acquiring Enlightenment: Oxford and the Encyclopedie by Giles Barber; 19. Volcanoes Unbound? The Reception of French Geological Research by the Irish Mineralogist, Richard Kirwan, 1783-1794 by B. Taylor Brown; 20. Orwell, France and the French by Peter Davison; 21. Histoire d'une bergere by Anne Sauvy; 22. Reading in Eighteenth-Century Paris by David Garrioch; 23. Literary History and Book History: the Approach to an Eighteenth-Century Best-Seller: Raynal's Histoire des deux Indes by C.P. Courtney; 24. The Uses of Generic Bibliography: French Prose Fiction in the Age of Napoleon by Angus Martin; 25. Pages d'un carnet bibliographique: Etienne Pivert de Senancour (1770-1846) by Roger E. Stoddard; 26. Some Early Discounting and Remaindering Initiatives in the Paris Book Trade by Lorraine M. David; 27. Reading Practices, Writing Practices: Love Letters and ecritures intimes in Nineteenth-Century France and Australia by Martyn Lyons; 28. Fiction, Readers and Libraries in Early Colonial New South Wales and Van Diemen's Land by Elizabeth Webby; 29. John Carfrae (c.1795-1862): Bookseller of Edinburgh, Auctioneer of Melbourne and Sydney by Brian Hubber; 30. 'Ghosts Here, There, and Everywhere': The Strange History of the Victorian Almanac by Ian Morrison; 31. 'Two Books for Every Horse': A Nineteenth-Century Regional Library System for Otago and Southland by K.I.D. Maslen; 32. Peripatetic Pressmen: Some Trans-Tasman Connections in the Book Trade by Ross Harvey; 33. The Peregrinations of Sam Slick; or, Glimpses of Canadian Books in Australia in the Nineteenth Century by Mary Jane Edwards; 34. The Courrier australien and French-Australian Relations during the Biard d'Aunet Years (1892-1905) by Ivan Barko; 35. Colonial King: Grant Madison Hervey, and the Bulletin of the 1900s by Paul Eggert.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardback. Condición: New. The world of work is rapidly changing. What then do 21st century workplaces look like, and what factors are supporting these workplace changes? Globalisation, financial and labour market deregulation, and rapid technological advances have accelerated workplace change and skill requirements. Organisations, for example, need to increasingly manage geographically diverse and technologically-mediated workplace relationships. Advances in artificial intelligence and automation are further questioning the future and nature of work itself. This book identifies and examines the institutions, frameworks and technologies that are emerging to support these new work practices. It analyses changing work environments, entrepreneurial and self-employment strategies, global virtual labour markets and the impacts of data analytics and automation on work practices and skill sets. It is critical for governments, practitioners and academics to better understand how to harness the benefits and meet the challenges of these new organisational workplace practices. Further, it requires informed choices and decisions on the part of individuals, as they seek to log on to work in the 21st century.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. In English.

paperback. Condición: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardback. Condición: New. The world of work is rapidly changing. What then do 21st century workplaces look like, and what factors are supporting these workplace changes? Globalisation, financial and labour market deregulation, and rapid technological advances have accelerated workplace change and skill requirements. Organisations, for example, need to increasingly manage geographically diverse and technologically-mediated workplace relationships. Advances in artificial intelligence and automation are further questioning the future and nature of work itself. This book identifies and examines the institutions, frameworks and technologies that are emerging to support these new work practices. It analyses changing work environments, entrepreneurial and self-employment strategies, global virtual labour markets and the impacts of data analytics and automation on work practices and skill sets. It is critical for governments, practitioners and academics to better understand how to harness the benefits and meet the challenges of these new organisational workplace practices. Further, it requires informed choices and decisions on the part of individuals, as they seek to log on to work in the 21st century.…

Condición: New.

Hardcover. Condición: New.

Condición: New.

Condición: New.

Hardcover. Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: Brand New. 304 pages. German language. 9.53x0.91x11.30 inches. In Stock.

Hardcover. Condición: Fine. 1st Edition. No. 1-4, Winter to Autumn, 1950. HC, Orig. Red cloth and gilt stamping to spine. B/W photography, ads, illustrations and collected writings from celebrated authors. 4to. xxiv++ (ea. quarter differs in roman numeral pages), 332pp + 4 page Index to all 4 quarters. Fine, Clean, with no markings or writings, never read. Mint Interior with near fine exterior; spine is sunned. Includes stories, poems and other writings by J. Frank Dobie, William Goyen, James Pipes, Boyd McDonald, John B. Jackson, William Burford, W.M. Frohock, Arthur Marvin Shaw, Herschell Brickell, Ted Robins, Joseph Leach, John Rosenfield, William A. Owens, Peter Viereck, Ben Jeffrey, Robert G. Payne, Vernon Young, John T. Flanagan, Jordan Mason, Esther McCoy, T.M. Pearce, Clarence K. Streit, Charlie Masters, Wilson Owen Henderson, Ruth M. Sanders, Umphrey Lee Jr., Joseph Ross and many more. Hard to find in such nice condition. RARE. Collectible. BR Box 152.…

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "All Around Esthetes: Jeffrey Slonim on the Book Picture, Take Two," by Jeffrey Slonim; "Music: Howard Hampton on the Plastic People of the Universe," by Howard Hampton; "Weather Report," by Andrew Ross; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Books: Thyrza Nichols Goodeve on 'The Diary of Jack the Ripper,'" by Thyrza Nichols Goodeve; "Letter: Lars O. Ericsson, from Stockholm," by Lars O. Ericsson; "Flesh for Phantasy: Lucien Freud, Fresh Freud," by Donald Kuspit; "Flesh for Phantasy: Lucien Freud, Frayed Fraud," by Linda Nochlin; "Vital Signs: Gillian Wearing's Talking Pictures," by Jon Savage; "Gore Girl!," David Rimanelli and Rhonda Lieberman talk with John Waters; "Siva's in the House: Izhar Patkin's Dance-floor Deity," by Carlo McCormick; "Wiretap: A Walk Through the Whitney, or What We Really Say When We Talk About Art," by Gary Indiana; "Jasper Johns: 'In Memory of My Feelings - Frank O'Hara, 1961," by Wayne Koestenbaum; "Cream of Wheat Paste: Cost and Revs," by Glenn O'Brien; "Haunting Grounds: Joel Sternfeld's Crime Sights," by A.M. Homes. Reviews by Donald Kuspit, David Rimanelli, Jan Avgikos, Kirby Gookin, Jan Avgikos, Joshua Decter, Tom McEvilley, K. Marriott Jones, Justin Spring, Lois Nesbitt, Barry Schwabsky, Keith Seward, Jenifer P. Borum, Patricia C. Phillips, Thomas McEvilley, Howard Risatti, James Yood, Maria Porges, Laura U. Marks, Catherine Cafopoulos, Massimo Carboni, Juan Vicente Aliaga, Jean-Pierre Criqui, Christian Kravagna, Peter Funken, Norbert Messler, Marek Bartelik, and Michael Archer. Cover: Gillian Wearing.…

116 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1971 issue of Studio International, with a cover specially designed for this issue by Eduardo Paolozzi. Edited by Peter Townsend. Contents include: "Some Concerns in fine-arts education," by Philip Pilkington, Kevin Lole, David Rushton, and Charles Harrison; "Report from Canada," by Charlotte Townsend; "Correspondence;" "News and notes;" "The Inflation of art media," by Jonathan Benthall; "The Los Angeles look today," by Helene Winer; "A question of epistemic adequacy," by Ian Burn and Mel Ramsden; "Speculative illustrations," Eduardo Paolozzi in discussion with J.G. Ballard and Frank Whitford; "Clement Greenberg and the idea of the avant garde," by Andrew Higgens; "Belgian commentary," by K.J. Geirlandt; "The Belgian contribution to Surrealism," Roland Penrose and Gisele Ollinger-Zinque; "Ben Nicholson's new reliefs," by David Piper; "Melbourne commentary," by Ross Lansell; "Inn70" "APG." Very Good. Light rubbing and bumping of cover edges and corners. 4.8 cm. of pencil writing on verso edge. Contents clean and unmarked.…

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.…

392 pp. Enc. en tapa blanda de la editorial. Editorial Fundamentos. Madrid, 1978.

392 Rustica Ciencia, Serie Psicologia 85 Traducción de Esther Alperin.