rogers kory (19 resultados)

Softcover. Condición: Very Good. Very good softcover with light wear. Pages are clean and unmarked. book.

paperback. Condición: As New. Book is like new in all respects. Book was donated to Friends of Omaha Public Library.

Paperback. Condición: As New. Estado de la sobrecubierta: Not issued. ISBN: 9780939384365 Softcover. Appears unread. No markings. Lavishly illustrated with color and black and white photographs. 62 pp. Ships in a box. Fast shipping from NYC!

Condición: New.

Soft cover. Condición: New. Condition: New. International shipping will be extra. Thank you!

Condición: As New. Unread book in perfect condition.

PB. Condición: fine, wraps (softcover). B&W and color illustrations Ilustrador. 62pp ISBN 9780939384365.

Hardback. Condición: New. Bird decoys were used for hunting in North America until the advent of hunting regulations in the early twentieth century, when decoys started to be prized and collected as masterpieces of American folk art. This handsome book is the first examination of the historic and unparalleled decoy collection at Shelburne Museum. Featuring new photography of 250 of the museum s most important and artistically carved decoys, it includes examples made by the most respected American carvers: Charles Osgood, Lem and Steve Ward, John Blair, Bill Bowman, Nathan Cobb, Jr., Lee Dudley, James Holly, Jr., Nathan Horner, Albert Laing, Joseph Lincoln, A. Elmer Crowell, and Charles Shang Wheeler. The story of the collection begins with Joel Barber, the pioneer decoy enthusiast and New York architect, artist, and carver, whose gift of 400 superior examples established the collection in 1952. Several essays provide groundbreaking scholarship on the origins, construction, and attribution of bird decoys, imparting critical advancements to our modern understanding of this revered tradition.

Paperback. Condición: VG. Very nice clean copy. 62 p. : ill. (chiefly col.) ; 22 x 28 cm. Contents: Shelburne Museum's circus collection -- The golden age of the American circus -- Circus advertising -- Circus parade -- Peerless prodigies of physical phenomena: sideshow freaks -- Superlative specimens: menagerie animals -- The big top. "The circus collection made its debut at Shelburne Museum in 1959 when founder Electra Havemeyer Webb (1888-1960) acquired Roy Arnold's scale model circus parade . Inspired by the museum's acquisition, the family of Mrs. Webb's cousin Harry T. Peters, Sr. (1882-1948) donated his massive collection of circus posters . This gift was complemented by Roy Arnold's donation in 1965 of the posters he had displayed as a backdrop for his hand-carved parade at public venues and charity events. Today the Circus Building features changing exhibits of Shelburne Museum's poster collection along the inner wall of the concourse, opposite the Arnold parade. The collection is comprised of more than 500 wood-cut prints, lithographs, and serigraphs dating from the late-18th through the middle decades of the 20th century"--P. 3.

Paperback. Condición: Brand New. reprint edition. 189 pages. 10.75x9.00x0.75 inches. In Stock.

Condición: New. 2017. Hardcover. . . . . .

Hardback. Condición: New. Bird decoys were used for hunting in North America until the advent of hunting regulations in the early twentieth century, when decoys started to be prized and collected as masterpieces of American folk art. This handsome book is the first examination of the historic and unparalleled decoy collection at Shelburne Museum. Featuring new photography of 250 of the museum s most important and artistically carved decoys, it includes examples made by the most respected American carvers: Charles Osgood, Lem and Steve Ward, John Blair, Bill Bowman, Nathan Cobb, Jr., Lee Dudley, James Holly, Jr., Nathan Horner, Albert Laing, Joseph Lincoln, A. Elmer Crowell, and Charles Shang Wheeler. The story of the collection begins with Joel Barber, the pioneer decoy enthusiast and New York architect, artist, and carver, whose gift of 400 superior examples established the collection in 1952. Several essays provide groundbreaking scholarship on the origins, construction, and attribution of bird decoys, imparting critical advancements to our modern understanding of this revered tradition.

Condición: Very Good. Estado de la sobrecubierta: None. 62 pages. A little edge-wear, creasing of corners, and shelf-wear. First few pages lightly creased with small closed tears. Nice, tight copy. Record # 856488.

Condición: New. 2017. Hardcover. . . . . . Books ship from the US and Ireland.

Kartoniert / Broschiert. Condición: New. Traces the theme of hunting and fishing in American art from the early nineteenth century to World War II. Describing a remarkable group of American paintings and sculpture, the contributors reveal the pervasiveness of the subjects and the fascinating conte.

Hardcover. Condición: Brand New. 176 pages. 10.50x11.50x1.50 inches. In Stock.

Hardback. Condición: New. Bird decoys were used for hunting in North America until the advent of hunting regulations in the early twentieth century, when decoys started to be prized and collected as masterpieces of American folk art. This handsome book is the first examination of the historic and unparalleled decoy collection at Shelburne Museum. Featuring new photography of 250 of the museum s most important and artistically carved decoys, it includes examples made by the most respected American carvers: Charles Osgood, Lem and Steve Ward, John Blair, Bill Bowman, Nathan Cobb, Jr., Lee Dudley, James Holly, Jr., Nathan Horner, Albert Laing, Joseph Lincoln, A. Elmer Crowell, and Charles Shang Wheeler. The story of the collection begins with Joel Barber, the pioneer decoy enthusiast and New York architect, artist, and carver, whose gift of 400 superior examples established the collection in 1952. Several essays provide groundbreaking scholarship on the origins, construction, and attribution of bird decoys, imparting critical advancements to our modern understanding of this revered tradition.

Condición: New. Thomas Denenberg&#160is the director,&#160Kory W. Rogers&#160is a curator, and&#160Nancie Ravenel&#160is the objects conservator at Shelburne Museum.&#160Cynthia Byrd&#160is the executive director at the Julia A. Purnell M.

Hardback. Condición: New. Bird decoys were used for hunting in North America until the advent of hunting regulations in the early twentieth century, when decoys started to be prized and collected as masterpieces of American folk art. This handsome book is the first examination of the historic and unparalleled decoy collection at Shelburne Museum. Featuring new photography of 250 of the museum s most important and artistically carved decoys, it includes examples made by the most respected American carvers: Charles Osgood, Lem and Steve Ward, John Blair, Bill Bowman, Nathan Cobb, Jr., Lee Dudley, James Holly, Jr., Nathan Horner, Albert Laing, Joseph Lincoln, A. Elmer Crowell, and Charles Shang Wheeler. The story of the collection begins with Joel Barber, the pioneer decoy enthusiast and New York architect, artist, and carver, whose gift of 400 superior examples established the collection in 1952. Several essays provide groundbreaking scholarship on the origins, construction, and attribution of bird decoys, imparting critical advancements to our modern understanding of this revered tradition.