Roger ebert (Más de 1200 resultados)

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Paperback. Condición: Good. What was in the briefcase in Pulp Fiction? Why don't movie actors wear seat belts? Was Fargo really based on a true story? Pulitzer Prize-winning film critic Roger Ebert answers these and hundreds more. Using wit, insight, and dozens of other experts, he resolves some of the most common questions about the moviesand some of the most bizarre.…

Paperback. Condición: Very Good. What was in the briefcase in Pulp Fiction? Why don't movie actors wear seat belts? Was Fargo really based on a true story? Pulitzer Prize-winning film critic Roger Ebert answers these and hundreds more. Using wit, insight, and dozens of other experts, he resolves some of the most common questions about the moviesand some of the most bizarre.…

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Hardback. Condición: Good. He was fixture on television for over 30 years, co-hosting Siskel & Ebert at the Movies until Gene Siskel's death in 1999, and then with Richard Roper until 2006. Since 1967, he's been an influential film critic (and was the first to ever win a Pulitzer Prize for film criticism.) In 2006, complications from thyroid-cancer treatment resulted in the loss of ability to eat, drink, or speak. But with the loss of his voice, Ebert has only become a more prolific and influential writer. And now, for the first time, he tells the full, dramatic story of his life and career. He chronicles his loves, losses, and obsessions; his recovery from alcoholism, his marriage, his politics, and his spiritual beliefs. He also provides details about his years at the Sun-Times, his colorful newspaper friends, his friendships with Oprah Winfrey, Studs Terkel, and others, insights into stars like John Wayne, Lee Marvin, and Robert Mitchum, and his perspective on such influential directors as Ingmar Bergman, Martin Scorsese, and Werner Herzog. At the heart of all of Roger Ebert's work is his gift as a storyteller. And he will tell his own story with the wit, humor, poignancy, and insight that have been the hallmarks of his career for half a century.…

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Paperback. Condición: Good. Roger Ebert's I Hated Hated Hated This Movie, which gathered some of his most scathing reviews, was a best-seller. This new collection continues the tradition, reviewing not only movies that were at the bottom of the barrel, but also movies that he found underneath the barrel.From Roger's review of Deuce Bigalow: European Gigolo (0 stars): The movie created a spot of controversy in February 2005. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year's Best Picture nominees and wrote that they were 'ignored, unloved, and turned down flat by most of the same studios that . . . bankroll hundreds of sequels, including a follow-up to Deuce Bigalow: Male Gigolo, a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic.'Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: 'Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind. . . . Maybe you didn't win a Pulitzer Prize because they haven't invented a category for Best Third-Rate, Unfunny Pompous Reporter Who's Never Been Acknowledged by His Peers. . . .'Schneider was nominated for a 2000 Razzie Award for Worst Supporting Actor, but lost to Jar-Jar Binks. But Schneider is correct, and Patrick Goldstein has not yet won a Pulitzer Prize. Therefore, Goldstein is not qualified to complain that Columbia financed Deuce Bigalow: European Gigolo while passing on the opportunity to participate in Million Dollar Baby, Ray, The Aviator, Sideways, and Finding Neverland. As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.…

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