Robertson erin (38 resultados)

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Very Good. Signed by the author. Signed by Author(s).

Condición: New.

Paperback or Softback. Condición: New. What the River May Bring: Impressions of Interior Alaska. Book.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition. Chomichuk, GMB (ilustrador).

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. Chomichuk, GMB (ilustrador).

Paperback. Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condición: Fine. First Edition. Fine first edition inscribed by Lisa on the front fly. 59 pages, unmarked ; GDST B6B; 8.8 X 5.8 X 0.3 inches; 59 pages; Signed by Author.

Paperback. Condición: As New. Unread paperback with light shelf wear so we are listing it as used.

Soft cover. Condición: Fine. [56pp]. Graphic novel illustrated by GMB Chomichuk. Signed by David Alexander Robinson on title page. Illustrated wrapper is clean and without wear. Book appears unread. Reduced shipping may apply. Chomichuk, GMB (ilustrador). Signed by Author(s).

Paperback. Condición: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition. Chomichuk, GMB (ilustrador).

Condición: New. Chomichuk, GMB (ilustrador).

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The argument that culture is increasingly used as an economic and socio-political resource resonates strongly with the popular strategies of "urban gurus" such as Richard Florida, and increasingly with government policy. Such strategies both contrast with, but also speak to traditions of Canadian state support for culture that have shaped the national(ist) discipline of Canadian art history. The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders. Bringing together the work of scholars from diverse backgrounds and illustrated with dozens of works of Canadian art, Negotiations in a Vacant Lot unsettles the way we have used "nation" to examine art and culture and looks ahead to a global future. Contributors include Susan Cahill (Nipissing University), Mark A. Cheetham (University of Toronto), Peter Conlin (Academia Sinica, Taipei), Annie Gérin (Université du Québec à Montréal), Richard William Hill (York University), Kristy A. Holmes (Lakehead University), Heather Igloliorte (Concordia University), Barbara Jenkins (Wilfrid Laurier University), Alice Ming Wai Jim (Concordia University), Lynda Jessup (Queen's University), Erin Morton (University of New Brunswick), Kirsty Robertson (Western University), Rob Shields (University of Alberta), Sarah E.K. Smith (Queen's University), Imre Szeman (University of Alberta), and Jennifer VanderBurgh (Saint Mary's University).…

Hardcover/gebunden. Condición: leichte Gebrauchsspuren. reprint. A landmark survey that illuminates through paintings, pastels, and photographs how Georgia O'Keeffe discovered and refined her approach to nature at Lake George From 1918 until the early 1930s, Georgia O?Keeffe lived for part of the year on Alfred Stieglitz?s family estate at Lake George, New York. O'Keeffe and Stieglitz stayed there from spring until fall, and she reveled in the discovery of new subject matter. She found respite in the bucolic setting, and in her studio, nicknamed ?the shanty,? she could concentrate on her work without the distractions of city life and the Stieglitz clan that congregated at the lake in the summer months. The Lake George retreat provided the basic material for her art, while evoking the spirit of place that was essential to O?Keeffe?s modern approach to the natural world. This book, and the exhibition it accompanies, examines the extraordinary body of work O?Keeffe created there, from magnified botanical compositions of the flowers and vegetables she grew in her garden to a group of remarkable still lifes of the apples and pears that she picked. O?Keeffe became fascinated with the variety of trees that grew there, and they were the subject of at least twenty-five compositions. Architectural subjects emerged as a theme, as did a number of panoramic landscape paintings and bold, color-filled abstractions. During this highly productive period, O?Keeffe created more than two hundred paintings on canvas and paper in addition to sketches and pastels, making the Lake George years among the most prolific and transformative of her seven-decade career. In englischer Sprache. pages.…

Condición: New. In English.

Condición: New.

Paperback. Condición: Brand New. 289 pages. 9.75x8.25x1.00 inches. In Stock.

Hardcover. Condición: Good. No Jacket. Binding: Hardcover/No Jacket as issued - Condition: Very Good - Condition notes: Minimal signs of wear, colors bright, pages clean /all pages intact /tight spine /no markings inside (pen/pencil/highlighter).

Condición: As New. Unread book in perfect condition.

hardcover. Condición: New. New - unused and unread.

Hardcover. Condición: New.