robert young director (40 resultados)

Poster. Condición: Good. Original Quad Poster. Measures 40 x 30 inches. Crease folds, nicks & tears to edges. Else good.

Vintage reference photograph of actors Robert Young and Ruth Hussey from the 1973 television film. Provenance stamp and mimeo snipe advertising the film's broadcast as part of ABC's "Wednesday Movie of the Week" on Wednesday, December 25, affixed to the verso. A sequel to the 1972 television film "All My Darling Daughters." One year after marrying off all of his daughters on the same day, a father is now engaged to be married himself. Actress Ruth Hussey's final film appearance. 7 x 9 inches. Near Fine.

Vintage studio still photograph of Hugh O'Brian and Dean Jagger from the 1979 film. Bruce Lee's final film. Lee's footage, shot between August and October 1972, when the film was suspended for Lee to work on Robert Clouse's "Enter the Dragon" (1973) and Lee died before returning to the film. Six years later Clouse would flesh out a feature around Lee's footage with a new cast, using stand-ins for Lee when needed. Billy Lo (Lee) is threatened by a racketeering syndicate after gaining international success as a martial arts movie star. When Lo refuses to be intimidated by henchman Steiner (O'Brian) and his thug, boss Dr. Land (Dean Jagger) orders his assassination. Set in and shot on location in Hong Kong and Macau, China. 8 x 10 inches. Near Fine.

Two vintage color studio still photographs from the 1975 film. Two children with extraordinary abilities are sought by a millionaire and his attorney who wish to exploit the children's supernatural powers. Shot on location in California. 10 x 8 inches. One manuscript pencil notation to the verso, else Near Fine.

Vintage black-and-white hand tinted color studio still photograph from the 1938 film. Remake of the 1929 film "The Idle Rich," and both films based on Edgar Franklin's 1925 play "White Collars." A wealthy businessman moves in with his girlfriend's family in an attempt to rescue their relationship. The second MGM film featuring Lana Turner. Shot on location in California. 10 x 8 inches. Near Fine with soiling and a manuscript notation to the verso.

Vintage studio still photograph from the 1943 film musical. A loose remake of the 1937 film, "Love is News" with Tyrone Power and Loretta Young, "Sweet Rosie O'Grady" finds Betty Grable in London, seeking to better herself as an artist, which in 1943 means landing a wealthy duke for a husband. But newspaperman Robert Young has other plans for her love life. Remade once more as a comedy in 1948, as "That Wonderful Urge," with Tyrone Power and Gene Tierney. Shot on location in California. 10 x 8 inches. Good, with profuse manuscript annotations to the verso and three to the recto, although not obscuring the image. Stamped to the verso.

Five vintage full-color British front-of-house cards from the 1957 English-American film. Based on James Wellard's 1955 novel, about an American contraband runner approached by a French woman to help rescue her brother from Albania where he is being held as a political prisoner. With Sean Connery in an early supporting role, his first with director Young before their collaborations on several James Bond films. Shot on location in Greece and Spain. 8 x 10 inches. A few light bruises, and a large chunk from 1 still, else Near Fine.

Eight vintage studio still photographs from the 1950 film. A young woman visiting her aunt in California finds herself attracted to her aunt's neighbor, a wealthy man unexplainably plagued by bad luck. Set and shot on location in California. 10 x 8 inches. Very Good plus, with light edgewear and faint toning. Grant US. Selby US. Silver and Ward.

Vintage publicity portrait photograph from the 1957 British film, showing actress Martine Carol. A ship captain is hired by a French woman who wants him to track down and free her brother, a political prisoner in Albania. Set in Albania and Greece, shot on location in Almuñécar, Spain and Athens, Greece. 8 x 10 inches. Lightly toned, else about Fine.

Vintage reference photograph from the 1940 film. Annotations in manuscript pencil on the verso. Loosely based on Kenneth Roberts' 1937 novel, a partially fictionalized account of the 1759 St. Francis Raid, a violent attack on a Canadian settlement of the Abenaki tribe during the French and Indian War. 10 x 8 inches. Near Fine.

Vintage German program for the 1952 film. A man comes to town and attempts to facilitate communication between the half-Apache leader of the Apache tribe and the white townspeople who believe there is gold under the ground of the reservation. Set in Arizona, shot on location in Los Angeles, California, and Flagstaff, and Sedona, Arizona. 8 x 11.25 inches folded bi-fold. 16.25 x 11.25 inches unfolded. Very Good, with creasing at the top left and right corners and one small tear at the bottom right edges through both pages folded. Also one large crease across the center of the program.

Vintage studio still photograph from the 1973 film. Based on the 1970 novel by Darryl Ponicsan. Two foul-mouthed sailors are assigned a shore patrol to escort a young seaman to a Navy prison in Maine to begin a heavy-handed eight year sentence. The pair decides to take their captive out for a few adventures before his prison term, including getting drunk, skating in Rockefeller Center, going to a brothel, and more. Screenwriter Robert Towne faced difficulty adapting Ponicsan's novel for the screen, largely due to Columbia Studios' concern over the novel's profanity. The film eventually gained the dubious distinction of the most uses (65) of the word "f*ck" in a motion picture at the time of its release. Set and shot on location in New Jersey, Massachusetts, New Hampshire, Maine, New York, and Virginia in the US, and Ontario in Canada. 10 x 8 inches. Near Fine.

Six vintage reference photographs from the 1952 film. A man comes to town and attempts to facilitate communication between the half-Apache leader of the Apache tribe and the white townspeople who believe there is gold under the ground of the reservation. Set in Arizona, shot on location in Los Angeles, California, and Flagstaff, and Sedona, Arizona. Five photographs 10 x 8 inches, one photograph 8 x 10 inches. Near Fine.

Eight vintage studio still photographs from the 1969 film. Based on Elmore Leonard's 1969 novel. A Vietnam veteran with a shady past falls into a secretary's scheme to steal $50,000 from the owner of a California farm. Set and shot on location in Carmel and Monterey, California. 10 x 8 inches. Near Fine. Grant US.

Complete set of eight vintage color studio still photographs from the 1969 film. Based on Elmore Leonard's 1969 novel. A Vietnam veteran turned migrant farm laborer falls into a secretary's scheme to steal $50,000 from the owner of a California farm. Set and shot on location in Carmel and Monterey, California. 10 x 8 inches. Seven Near Fine, one Very Good plus, with a small closed tear with accompanying creasing to the right edge. Grant US.

Vintage publicity photograph from the 1941 Western comedy film, showing actors Loretta Young and Robert Preston. Printed mimeo snipe and stamp of studio photographer Ray Jones on the verso. A Quaker schoolteacher moves to Wyoming, where she plans to establish a school for settler children, only to have her plans waylaid by a corrupt tycoon. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Shot on location in the Mojave Desert. 8 x 10 inches. Near Fine.

Two vintage studio still photographs from the 1964 film. An African American railroad worker attempts to maintain his dignity and self-respect in the face of small-town racism and a troubled familial past. While initially the film faced a limited release due to its complex portrayal of southern prejudice and class divides, it has since become regarded as an important example of neorealistic American cinema, and was selected for preservation in the National Film Registry in 1993. Set outside Birmingham, Alabama, and shot on location in Atlantic City and Cape May, New Jersey. 8 x 10 inches. Very Good, with light creasing and fading. National Film Registry.

Vintage studio still photograph from the 1950 film noir. A young, recently engaged woman is raped by a man working at her job. She tries to run away from her life but cannot outrun her trauma. Shot on location in Marysville, California. 8 x 10 inches. Very Good, with a small chip missing at the bottom right corner. Godard, Histoire(s) du cinema. Scorsese, A Personal Journey Through American Movies. Selby US. Spicer US. Grant US.

Draft script for the 1970 British film. Cinematographer Douglas Slocombe's name written and underlined in manuscript ink on the title page, as well as an encircled "71" in red manuscript marker. Based on Janice Elliott's 1967 novel about cousins born on the same day to twin sisters. Inseparable and maybe in love they agree to find suitable romantic partners for each other. Nominated for the Palme d'Or. Set in and shot on location in England, Spain and Sweden. ornamental embossed titled wrapper. Title page present, dated 1969, with credits for screenwriter Peter Draper and novelist Janice Elliott. PAGES leaves, with last page of text numbered 111. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with three flat metal brads.

Draft script for the 1977 British television movie, which originally aired on May 21, 1977, on NBC in America. Single annotation in manuscript ink on the front wrapper, noting, "S.80." An occult investigator and his physician friend investigate a woman's claims that her brother, a high-powered businessman, is dabbling in black magic. Originally intended as a pilot for a television series. Shot in Hertfordshire, England. Goldenrod titled Twentieth Century-Fox wrappers, dated November 12, 1976, on the front wrapper. Title page present, dated November 12, 1976, with credits for screenwriters Gene Roddenberry and Sam Peeples. 109 leaves, with last page of text numbered 108. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two silver brads.

Early Draft script for the 1974 film, file copy belonging to director Sam Peckinpah. Dated July 8, 1972, over a year before production commenced, and notably featuring the original ending with Bennie getting away-in true Peckinpah fashion, the director would later rewrite the ending to show Bennie dying in a shootout. With Peckinpah's brief annotations in manuscript ink on the title page and two leaves of the script. Warren Oates stars as Bennie, a bartender who travels through the Mexican underworld, accompanied by his sex worker girlfriend, to collect the bounty on the head of a gigolo. The only Peckinpah film not re-cut by the studio. Shot on location in Mexico. Yellow titled wrappers. Title page present, dated July 8, 1972, with credits for Peckinpah and screenwriter Gordon Dawson. 128 leaves, with last page of text numbered 126. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold brads. Ebert II. Nilsen, Warped and Faded. Rosenbaum 1000. Twilight Time 497.

Early Draft script for the 1974 film, dated July 8, 1972, over a year before production commenced. Script notably features the original ending with Bennie getting away-in true Peckinpah fashion, Peckinpah would later rewrite the ending to show Bennie dying in a shootout. Annotations in manuscript ink and pencil on fifteen pages, largely regarding spelling and grammatical corrections. Warren Oates stars as Bennie, a bartender who travels through the Mexican underworld, accompanied by his sex worker girlfriend, to collect the bounty on the head of a gigolo. The only Peckinpah film not re-cut by the studio. Shot on location in Mexico. Yellow titled wrappers. Title page present, dated 7/8/72, with credits for screenwriters Gordon Dawson and Sam Peckinpah. 128 leaves, with last page of text numbered 126. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Ebert II. Nilsen, Warped and Faded. Rosenbaum 1000. Twilight Time 497.

Three vintage photographs of director King Vidor, two on the set and one with his wife, contributing writer Elizabeth Hill, after a day of shooting the 1940 film. Mimeo snipe, manuscript annotations and a rubber stamp on the verso of each. Loosely based on Kenneth Roberts' 1937 novel of the same name. The film gives a partially fictionalized account of the St. Francis Raid, a violent attack on a settlement of the Abenakis tribe, seen by the perpetrators as an act of vengeance for the Abenakis many attacks on British settlers. Nominated for an Academy Award. 10 x 8 inches. Near Fine.

Vintage pressbook for the 1969 film. Based on the 1935 debut novel by Horace McCoy. One of the darkest films of the 1960s, bringing to the screen McCoy's classic, grim depiction of the dance marathons of the Depression era. An uncompromising and daring work, in our opinion the best film of Sydney Pollack's career. Nominated for nine Academy Awards, winning one for Best Supporting Actor for Gig Young. Set in Hollywood. 8.75 x 13.75 inches. Ten pages, saddle stapled. Near Fine, with faint wear on the bottom edge. Grant US. Spicer US.

Vintage publicity photograph from the 1942 film, showing child actors Elizabeth Taylor and Carl Switzer. Annotations in manuscript pencil on the verso. Taylor's first film, and one of her only films with Universal Pictures. The then ten-year-old actress was offered a contract by Universal in 1941, but the contract was terminated after a year, attributed to her unusually adult-looking face and the directness of her stare. Taylor would later move to Metro-Goldwyn-Mayer, where she was cast in her first starring role, in "National Velvet" (1944), kick-starting her rise to fame in Hollywood. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 10 x 8 inches. Near Fine.

Vintage borderless photograph from the 1973 film, showing actress Florence Cayrol. Stamp of Prime Pictures on the verso. A sword-and-sandal film about an all-female society of Amazon warriors as they select their new queen, who must mate with the Greek king Theseus to carry on the bloodline of the tribe. Shot on location in Italy and Spain. 8 x 10 inches. Very Good plus, with a light crease at the bottom right corner.

Vintage reference photograph of director Terence Young on the set of the 1948 British film. Printed mimeo snipe affixed to the verso, along with the stamp of J. Arthur Rank. . A wealthy, misogynistic bachelor makes a bet that he can seduce and jilt a French film star, but begins to fall for the woman instead. Shot on location in Warwickshire at Compton Wynyates. 10 x 8 inches. Near Fine.

Vintage photograph of director King Vidor, his wife and screenwriter Elizabeth Hill, and actors Hedy Lamarr and Robert Young, taken to publicize the 1941 film. With provenance stamps on the verso, along with a stamp noting No. 81-422. From the archive of film historian and author Joel Finler. Based on John P. Marquand's 1941 novel. A married businessman locked in a monotonous life recalls his passionate relationship with a beautiful, independent young woman twenty years prior. Lamarr's second film with Vidor, following "Comrade X" in 1940. Set in Boston. 10 x 8 inches. Very Good plus, with light soil to the top edge.

Vintage studio still photograph from the 1937 film, showing Claudette Colbert and Melvyn Douglas in an intimate moment. Mimeo snipe, provenance stamp, and annotations in manuscript pencil on the verso. A woman is unexpectedly caught in a love triangle during a trip to Paris. Shot on location in Sun Valley and Ketchum, Idaho. 8 x 10 inches. Near Fine, with light creases at the bottom corners.

Six vintage borderless reference photographs from the 1972 Hammer horror film. A traveling circus in Eastern Europe holds a terrifying secret: its performers are bloodthirsty vampires who kill and eat the children of the villages the circus visits. Often noted as one of Hammer Productions' last great films, a stylish, grotesque fairy tale romp. Set in Serbia. Approximately 9.5 x 7 inches. Very Good plus overall.