Idioma: Inglés
Publicado por University of Virginia Press, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
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Añadir al carritoPaperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Idioma: Inglés
Publicado por University of Virginia Press September 2008, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
Librería: 2nd Act Books, Charlottesville, VA, Estados Unidos de America
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Idioma: Inglés
Publicado por Harvard University Press, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
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Añadir al carritoHardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Book is New; dust jacket has one small closed tear. Extra clean! No marks in text. Not a library book. Ships in a cardboard enclosure. Tim's Used Books, open shop in Provincetown, Massachusetts, known since 1991 for good books at sane prices. 11 9 23.
Idioma: Inglés
Publicado por Harvard University Press, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
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Idioma: Inglés
Publicado por Harvard University Press, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
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Idioma: Inglés
Publicado por University of Virginia Press, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
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Idioma: Inglés
Publicado por University of Virginia Press 9/19/2008, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
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Añadir al carritoPaperback or Softback. Condición: New. What Should I Read Next?: 70 University of Virginia Professors Recommend Readings in History, Politics, Literature, Math, Science, Technology, T. Book.
Idioma: Inglés
Publicado por University of Virginia Press, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
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Idioma: Inglés
Publicado por University of Virginia Press, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
Librería: Ria Christie Collections, Uxbridge, Reino Unido
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Idioma: Inglés
Publicado por Harvard University Press, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
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EUR 47,72
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Idioma: Inglés
Publicado por Harvard University Press, Cambridge, Mass, 2021
ISBN 10: 0674984439 ISBN 13: 9780674984431
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Añadir al carritoHardcover. Condición: new. Hardcover. During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were "beginning at the end," skipping the inventive phase of youth for a decadence thought more typical of Europe's declining empires. Robert Stilling takes up Fanon's assertion to argue that decadence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art.In Stilling's account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art's sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siecle figures such as Wilde questioned the imperial ideologies of their own era.Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups-European decadents and postcolonial artists-maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions. Robert Stilling shows how aestheticisms decadence became a key idea in postcolonial thought, describing the failures of revolutionary nationalism and asserting cosmopolitanism in poetry and art. Breaking down the boundaries around decadent literature, he takes it outside Europe and emphasizes the global reach of its imaginative transgressions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Harvard University Press, US, 2021
ISBN 10: 0674984439 ISBN 13: 9780674984431
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 51,08
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Añadir al carritoHardback. Condición: New. During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were "beginning at the end," skipping the inventive phase of youth for a decadence thought more typical of Europe's declining empires. Robert Stilling takes up Fanon's assertion to argue that decadence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art.In Stilling's account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art's sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siècle figures such as Wilde questioned the imperial ideologies of their own era.Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups-European decadents and postcolonial artists-maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions.
Idioma: Inglés
Publicado por Harvard University Press, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 48,77
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Idioma: Inglés
Publicado por University of Virginia Press, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
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EUR 33,65
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Idioma: Inglés
Publicado por Harvard University Press, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
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Idioma: Inglés
Publicado por Harvard University Press, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
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Idioma: Inglés
Publicado por University of Virginia Press, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
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Idioma: Inglés
Publicado por Harvard University Press, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
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Idioma: Inglés
Publicado por Harvard University Press, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
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Añadir al carritoCondición: New. 2018. Hardcover. . . . . .
Idioma: Inglés
Publicado por Harvard University Press, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
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Idioma: Inglés
Publicado por Harvard University Press 2018-06-29, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
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EUR 49,68
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Añadir al carritoHardcover. Condición: New.
Idioma: Inglés
Publicado por Harvard University Press, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
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Añadir al carritoCondición: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Harvard University Press, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
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Añadir al carritoHardback. Condición: New. New copy - Usually dispatched within 4 working days.
Idioma: Inglés
Publicado por Harvard University Press, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
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EUR 54,68
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Idioma: Inglés
Publicado por Harvard University Press, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
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Añadir al carritoHardcover. Condición: Brand New. illustrated edition. 264 pages. 9.00x6.00x1.00 inches. In Stock.
Idioma: Inglés
Publicado por Harvard University Press, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Añadir al carritoHardcover. Condición: Brand New. 330 pages. 9.50x6.50x1.50 inches. In Stock.
Idioma: Inglés
Publicado por Harvard University Press, Cambridge, Mass, 2021
ISBN 10: 0674984439 ISBN 13: 9780674984431
Librería: CitiRetail, Stevenage, Reino Unido
EUR 48,29
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Añadir al carritoHardcover. Condición: new. Hardcover. During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were "beginning at the end," skipping the inventive phase of youth for a decadence thought more typical of Europe's declining empires. Robert Stilling takes up Fanon's assertion to argue that decadence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art.In Stilling's account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art's sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siecle figures such as Wilde questioned the imperial ideologies of their own era.Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups-European decadents and postcolonial artists-maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions. Robert Stilling shows how aestheticisms decadence became a key idea in postcolonial thought, describing the failures of revolutionary nationalism and asserting cosmopolitanism in poetry and art. Breaking down the boundaries around decadent literature, he takes it outside Europe and emphasizes the global reach of its imaginative transgressions. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Idioma: Inglés
Publicado por Harvard University Press, Cambridge, Mass, 2021
ISBN 10: 0674984439 ISBN 13: 9780674984431
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 83,07
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: new. Hardcover. During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were "beginning at the end," skipping the inventive phase of youth for a decadence thought more typical of Europe's declining empires. Robert Stilling takes up Fanon's assertion to argue that decadence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art.In Stilling's account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art's sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siecle figures such as Wilde questioned the imperial ideologies of their own era.Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups-European decadents and postcolonial artists-maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions. Robert Stilling shows how aestheticisms decadence became a key idea in postcolonial thought, describing the failures of revolutionary nationalism and asserting cosmopolitanism in poetry and art. Breaking down the boundaries around decadent literature, he takes it outside Europe and emphasizes the global reach of its imaginative transgressions. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.