Robert james brook (6 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Softcover. Condición: Very Good with no dust jacket. Sound binding. Pages clean, bright. Wrappers have light overall shelf wear. Contents: Staley, Introduction. Ricardou, Time of the narration, time of the fiction. Levine, Rejoycings in Tel Quel. Kestner, Virtual text/virtual reader: the structural signature within, behind, beyond, above. Sosnowski, Reading acts and reading warrants: some implications for readers responding to Joyce's portrait of Stephen. Scholes, Semiotic approaches to a fictional text: Joyce's "Eveline." Thomas, Not a reading of, but the act of reading Ulysses. Schneidau, One eye and two levels: on Joyce's "Cyclops." Hayman, Two eyes at two levels: a response to Herrbert Shneidau on Joyce's "Cyclops." Ferguson, A Sherlook at Dubliners: structural and thematic analogues in detective stories and the modern short story. Senn, The challenge: "ignotas animum" (an old-fashioned close guessing at a borrowed structure). Hayman, Nodality and the infra-structure of Finnegans Wake. Cohn, Current JJ checklist (7). Schutte, An index of recurrent elements in Ulysses: "Cyclops." Reviews. 9.0" tall; 212 pages.…

Paperback. Condición: Brand New. In Stock.

Condición: Very Good. Original souvenir theatre programme 10'' x 7½''. Contains 4 printed pages. In Very Good condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

Condición: Good. Folio. 4pp. 37 x 28cm. Calligraphy on cover. Signatures on pp. 2 and 3.Losses of some signatures at to pand bottom.Schedule for the first fourteen weeks of the 1950 Shakespeare Festival; the Festival was under the direction of Anthony Quayle, and five plays were in the repertoire: MEASURE FOR MEASURE, KING HENRY VIII, MUCH ADO ABOUT NOTHING, JULIUS CAESAR, and KING LEAR; the company consisted of:John Gielgud, Peggy Ashcroft, Gwen Ffrangcon-Davies, Leon Quartermaine, Anthony Quayle, Harry Andrews, Andrew Cruickshank, Rosalind Atkinson, Barbara Jefford, Alan Badel, Michael Gwynn, George Rose, Maxine Audley, Cecil Winter, Paul Hardwick, Nigel Green, Mairhi Russell, Evelyne Volney, Jean Short, Romany Evens, Michael Bates, Geoffrey Bayldon, Eric Lander, Robert Hardy, Richard Dare, David Lytton, John Money, Ronald Hines, Harold Siddons, Michael Atkinson, Peter Jackson, James Lund, Harold Kasket, Peter Norris, Robert Shaw, Timothy Bateson, John Dunbar, John Gay, Cyril Conway, Peter Halliday, Michael Ney, Ward Williams, David Woodman, Charles Lepper; the directors were Peter Brook, Tyrone Guthrie, Anthony Quayle, Michael Langham and John Gielgud; the designers were Peter Brook, Tanya Moiseiwitsch, Warwick Armstrong, Mariano Andreu, and Leslie Hu.Gwen Ffrangcon-Davies (1891-1992) played the following roles in 1950: Regan, King Lear, Royal Shakespeare Company 18th July 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon.Beatrice, Much Ado About Nothing, Royal Shakespeare Company 6th June 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon.Portia, Julius Caesar, Royal Shakespeare Company 2nd May 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon.Queen Katherine, Henry VIII, Royal Shakespeare Company 28th March 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon. .Appointed Dame Commander of the Order of the British Empire (DBE) in 1991,?at the age of 100. …