Robert filliou (267 resultados)

Paperback. Condición: new. Paperback. Inside one of the final works of a Fluxus artist for whom artmaking was part of a permanent, endless process embedded in everyday lifeThis book showcases Eins. Un. One. (1984), one of the last major works of French American artist Robert Filliou (192687), which consists of 5,000 blue, red, yellow, black, white and wood-colored dice of various sizes, each with a single dot on its face, randomly distributed over a surface of nine meters in diameter. This new volume of the MAMCO Collection series contains an introductory text by Michel Collet, who explains the conceptual power of Filliou's practice, while Sophie Costes carefully surveys all the artist's works in the museum's collection. She shows how Filliou used play, action, philosophy and language to question the foundations of artistic creation with humor and benevolence. While Filliou rubbed shoulders with Joseph Beuys, George Brecht, John Cage, Allan Kaprow and Daniel Spoerri, he remained a discrete figure who wanted to abolish the arbitrary hierarchies established by art history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Paperback. Condición: New. Inside one of the final works of a Fluxus artist for whom artmaking was part of a permanent, endless process embedded in everyday lifeThis book showcases Eins. Un. One. (1984), one of the last major works of French American artist Robert Filliou (1926-87), which consists of 5,000 blue, red, yellow, black, white and wood-colored dice of various sizes, each with a single dot on its face, randomly distributed over a surface of nine meters in diameter. This new volume of the MAMCO Collection series contains an introductory text by Michel Collet, who explains the conceptual power of Filliou's practice, while Sophie Costes carefully surveys all the artist's works in the museum's collection. She shows how Filliou used play, action, philosophy and language to question the foundations of artistic creation with humor and benevolence. While Filliou rubbed shoulders with Joseph Beuys, George Brecht, John Cage, Allan Kaprow and Daniel Spoerri, he remained a discrete figure who wanted to abolish the arbitrary hierarchies established by art history.…

Paperback. Condición: As new. First Edition. A SOMETHING ELSE READER edited by Dick Higgins with pieces by Eleanor Antin, George Brecht, Pol Bury, Augusto de Campos, Clark Coolidge, Philip Corner, William Brisbane Dick, Robert Filliou, Albert M. Fine, Ian Hamilton Finlay, Hugh Fox, Buckminster Fuller, Eugen Gomringer, Brion Gysin, Richard Hamilton, Al Hansen, Jan J. Herman, Dick Higgins, Åke Hodell, Ray Johnson, Allan Kaprow, Kitasono Katue, Bengt af Klintberg, Alison Knowles, Richard Kostelanetz, Ruth Krauss, Jackson Mac Low, Robert K. Macadam, Toby MacLennan, Hansjörg Mayer, Charles McIlvaine, Richard Meltzer, Manfred Mohr, Claes Oldenburg, Pauline Oliveros, Nam June Paik, Benjamin Patterson, Charles Platt, Bern Porter, Dieter Roth, Aram Saroyan, Tomas Schmit, Carolee Schneemann, Mary Ellen Solt, Daniel Spoerri, Gertrude Stein, André Thomkins, Wolf Vostell, and Emmett Williams. 368 pages, paper with stiff cover. BLACK AND WHITE REPRODUCTIONS. As new.…

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Near Fine. 2016. Reprint edition. Bright, unmarked pages in a tight, square binding. No DJ as issued. Printed boards are free of marks, scrapes, etc, with minimal shelf wear to edges & corners. Reprinted from Atlas edition of 1996. ". . . done with the help of [author's] very dear friend Robert Filliou and translated from the French and Further anecdoted by their very dear friend Emmett Williams, enriched still further anecdotations by their very dear friend Dieter Roth (translated fom the German by Malcolm Green), with 100 reflective illustrations by Topor". An excellent, gift or collectible copy. Topor (ilustrador).…

Paperback. Condición: Brand New. 96 pages. 9.00x6.25x9.00 inches. In Stock.

Paperback. Condición: Brand New. 96 pages. 9.00x6.25x9.00 inches. In Stock.

Condición: New.

Soft cover. Condición: Near Fine. 1st Edition. Published on the occasion of the exhibition at Nimes, Basel, Hamburg and Paris 1990/91. 225 pages, text in French and German, includes a catalogue raisonné; most works are reproduced. Copy has been read, but no markings at all, no stains or creases.

Hardcover. Condición: Fine. Illustrated white cloth, large octavo. 271 pages, text illustrations by Topor. Fine copy in a clear mylar protective cover. Issued without dust jacket. Topor, Roland (ilustrador).

paperback. Condición: New. Special order direct from the distributor.

Condición: As New. Unread book in perfect condition.

Softcover. Condición: Fine. First Edition. Stiff unmarked book in crisp covers with flaps.; 6 X 1.25 X 9 inches; 423 pages; An essay by Peggy Gale introduces this transcription of historic talks by internationally known artists, recorded some 30 years ago at the Nova Scotia College of Art and Design in Halifax, Nova Scotia. Included are talks by Vito Acconci (1977) , Carl Andre (1969) , Joseph Beuys (1976) , Daniel Buren (1973) , James Lee Byars (1970) , Paterson Ewen (1976) , Robert Filliou (1973) , Dan Graham (1973 and 1977) , Douglas Huebler (1973) , Joseph Kosuth (1969) , Sol LeWitt (1970) , Mel Ramsden for Art & Language (1972) , Alan Sondheim (1973) and Lawrence Weiner (1972). These transcriptions are all collected for the first time in this volume. An important resource for contemporary art and its attendant issues, Artists Talk: 1969-1977 reveals artists' concerns during a period bracketed by Conceptual art and an international restructuring of power and influence in the art world.…

Soft cover. Condición: Good. No jacket. The cover is shelf worn and slightly rubbed with residue from a torn off sticker on the back cover, but not affecting legibility. Binding is secure and inside is clean and unmarked. Roland Topor (ilustrador).

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

AK. Städtische Kunsthalle Düsseldorf, 1988. Düsseldorf: Druckerei Heinrich Winterscheidt, 1988. Olivgrüne OBrosch. m. montierter Silberfolie auf Vorderdeckel. 149 Seiten mit zahlr. teils ganzs. u. farbigen Werkabbildungen, Bio- und Bibliographie des Fluxus-Künstlers. - 24 x 16,5. * Enthält Texte von R. Filliou, Wolfgang Becker, René Block, Johannes Cladders, Wolfgang Feelisch, Jürgen Harten, Armin Hundertmark, Thomas Kellein, Jürgen H.Meyer, Tony Morgan, Karl Ruhrberg, Daniel Spoerri, Emmett Williams, u.v.a. - Einbandkanten ganz minimal berieben; sonst sauber und sehr gut .…

Paperback. First English-language edition, first printing. "Following a rambling conversation with his dear friend Robert Filliou, Daniel Spoerri one day mapped the objects lying at random on the table of his room, adding a rigorously scientific description of each. These objects subsequently evoked associations, memories, anecdotes; not only from the original author, but from his friends as well. It is a novel of digressions; it's a game, a poem, an encyclopedia, a cabinet of wonders: a celebration of friendship and creativity. The Topography personifies (and pre-dates) the whole FLUXUS spirit and constitutes one of the strangest and most compelling insights into the artist's life." Text by Daniel Spoerri with notes by Robert Filliou, Emmett Williams, Dieter Roth, and others; translated from the French by Williams; illustrated by Roland Topor. xviii + [2] + 214 pages; 100 b&w illustrations; 5.5 x 8 inches. Appendices; index. Condition: Fine/As New paperback with hints of aging. Ships the next business day, wrapped in padding, in a box.…

Catalogus no. 512. Stapled paperback. Text in English and Dutch. Many ills in black and white. . -good.-(Cover toned, but otherwise the catalogue is in good condition.).

Exhibition invite that unfolds to 9 x12 inches; very good condition; an unmailed copy.

Hardcover. Condición: Near Fine in Fine dust jacket. 28 x 23.5 cm. Quarto. 296.

40 pp.; 21.7 x 14.3 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Catalogue offering an overview of the exhibition work of The Artist's Institute, a project by Hunter College, City University of New York, which involved graduate students in research and programming of exhibitions in a Lower East Side, Manhattan, exhibition space. Exhibitions included Robert Filliou, September 2010 - January 2011; Jo Baer, February - July, 2011; Jimmie Durham, August 2011 - January, 2012 and Rosemarie Trockel, February - July, 2012. "Rooted in ongoing discussions in a graduate seminar at Hunter but based in a storefront space on the Lower East Side, The Artist's Institute pays tribute to the spirit of a single artist with rigor, commitment, and imagination." -- publisher's statement. Very Good. Rubbing of covers and cover edges. Light dust soiling of covers and light bumping of corners. Contents clean and unmarked.…

81 pp.; 21.8 x 29.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; June / July 1982 issue of the periodical Artistes. Edited by Bernard Lamarche-Vadel. Contents include: "Editorial," by Michel Enrici; "Gutai ou Le Concret Aux Eclats;" "Ben excessif;" "B.M.T. Moi et les autres;" "Georges Rousse;" "Entretien Avec Markus Raetz," Markus Raetz interviewed by Bernard Lamarche-Vadel; "Lawrence Weiner;" "Roy Lichtenstein," interviewed by Bernard Lamarche-Vadel; "Robert Filliou," by Jacque Donguy; "Actualités livres," by Jean-Claude Hauc, Philippe Thenot, Alain Cueff, and Patrice Bloch, and Laurent Pesenti; "Actualités expositions," by Delphine Renard, Bernard Lamarche-Vadel, Patrice Bloch, Laurent Pesenti, Elisabeth Valles, Philippe Thenot, Hervé Perdriolle, Alain Cueff, Claude Forget, Elisabeth Valles, Philippe Thénot, Laurence Imbernon, Gérard-Georges Lemaire, Patrick Javault, A. Kleinberger, andPierre-François Marietti "Traité des fouilles." Text in French. Fair / Good. Heavy bumping of right side corners with creasing to recto and verso. Rubbing of cover edges. Notations and underlining in blue ink on pages 27 - 30 with significant yellow soiling to page 30.…

14,8:10,4 cm. 20 unpag. S. m. 18 Abb. OBr. Original-Ausgabe. Einband mit leichten Lagerspuren. Covers with slight shelf wear.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. First edition, the uncommon issue in hardcover and dust jacket. Full cream cloth covered boards spine titled in gilt and black in illustrated dust jacket. Unmarked copy of the book with a bit of soiling to outer page edges. Price clipped dust jacket has a couple tiny closed tears and edgewear, the jacket is printed on both sides, the recto being an illustrated "map" of the laid out items which is also reproduced on the endpages. Uncommon.…

Exhibition catalogue. Paperback. Many ills in color. 189 p. -(Minor shelf-wear, but overall in very good condition.). ISBN 3775712895.

Encuadernación de tapa blanda. Condición: Bien. G404283. Alias 3 - 72pp (H) Edición en castellano, inglés y japonés. In.

paperback. Condición: Good. Something Else Press, NY, 1966, matching dates, trade paperbk., 214pp., VG $.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.…

Exhibition catalogue. Paperback. Ills in b/w. 96 p. -(Some signs of use to the cover and the upper corner of the first pages, but overall the book is in good condition.). ISBN 0888653085.