Richardson mick (20 resultados)

Condición: Good. Updated. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Condición: Very Good. Part of a series entitled "Encyclopedia of Psychoactive Drugs", this book sets out to inform the reader about drugs and their use. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Unknown. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Unknown. Condición: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Unknown. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Unknown. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Fine,as New. Expanded Edition. 112 pages with Glossary, Index and Bibliography. Part of the Encyclopedia of Psychoactive Drugs. Illustrated. Photos provided upon request. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condición: Brand New. 224 pages. 9.25x6.25x0.94 inches. In Stock.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Forward written by Natasha Richardson, intro by Joan Didion. Neat publisher mark on bottom edge. B.W.PHOTO ILL (ilustrador).

Paperback. Condición: As New. Soft Cover. Book Palace Books Autumn 2013. The sumptuous ART quarterly presenting the world's finest illustrators. 1st Edition. Full Colour illustrations. Features in issue 5 include: Mick Brownfield - interview with the maestro and Radio Times illustrator; Brian Sanders - esteemed illustrator who painted the latest Mad Men poster; Derek Eyles - dapper doyen of equestrian action; Anne and Janet Grahame Johnstone - twin sisters who created an enchanted world familiar to children the world over; Frank Bellamy's Heros the Spartan plus our regular features including The Bookshelf and Letters. illustrators is the art quarterly devoted to the finest illustration art ever published. With its unique blend of art and insight, it guides you through the stories behind the artists and their art, with features written by some of the leading authorities on this vital art form. As well as building into an indispensable reference library, illustrators gives readers an insight into the creative process, from the initial idea to the image potentially seen by millions. Truly fabulous artwork abounds in every issue, much of the art taken from scans of the original work. A Book Palace Books publication. 96 pages. Size: 9" x 11" (216mm x 280mm). (0.7). Mick Brownfield, Brian Sanders, Derek Eyles, Anne and Janet Grahame Johnstone (ilustrador).…

Soft cover. Condición: Near Fine. Estado de la sobrecubierta: Published Without Jacket. Another Edition. Issue Five. The art quarterly magazine features artists work from books and magazines, graphic novels, comic books and newspaper strips, posters and all manner of cartoons. High quality illustrations of modern and vintage work. Size: 280mm Tall. Brownfield, Mick; Sanders, Brian; Eyles, Derek (ilustrador). Book.…

Magazine. The Spring 2006 Men's Fashion issue of the Sunday New York Times Style Magazine, with: fashion portfolios by Bruce Weber, Terry Richardson, Jean-Baptiste Mondino, Roxanne Lowitt, Mark Segal, and David Slijper; articles on Jamie Fox, Stella Tennant, Trovata, Mick Jagger, David Hicks, Christopher Bailey, and much more. Perfect-bound magazine; 172 pages; color and b&w reproductions throughout; 11.5 x 9.5 inches. Condition: Near Fine with light traces of handling wear and rubbing. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. …

Paperback. Condición: As New. Soft Cover. Book Palace Books Autumn 2012. The sumptuous ART quarterly presenting the world's finest illustrators. 1st Edition. Full Colour illustrations. Features in issue 1 include: Denis McLoughlin - his life and art: dames, guns and danger; Ian Kennedy - an interview with the UK comics legend; Angel Badia Camps - alluring, sensuous sensibility; Cheri Herouard - 1960's Chic; Mick Brownfield tells the story behind his 2009 Radio Times Christmas Cover (Daleks, Dancers, Decorations) plus our regular features including The Bookshelf and Letters. illustrators is the art quarterly devoted to the finest illustration art ever published. With its unique blend of art and insight, it guides you through the stories behind the artists and their art, with features written by some of the leading authorities on this vital art form. As well as building into an indispensable reference library, illustrators gives readers an insight into the creative process, from the initial idea to the image potentially seen by millions. Truly fabulous artwork abounds in every issue, much of the art taken from scans of the original work. A Book Palace Books publication. 96 pages. Size: 9" x 11" (216mm x 280mm). (0.7). Denis McLoughlin, Ian Kennedy, Angel Badia Camps, Cheri Herouard, Mick Brownfield (ilustrador).…

Paperback. Condición: Brand New. 206 pages. 8.00x5.00x0.52 inches. This item is printed on demand.

Hardcover. Condición: Very Good. Limited Edition. A limited collectors' edition of 950 copies. clean and firmly bound illustrated boards, no jacket was issued for this, two plain white front and back end paper pages has some foxing marks, all other pages are clean with no writing inside. Denis McLoughlin (ilustrador).…

An absorbing collection of accomplished portraits and location sketches by the Australian artist George Crossley (1919-1973), executed during the making of Tony Richardson's Ned Kelly (1970), which "appearedat thebeginningof what is considered a renaissance inAustralian cinema" and at a moment when Kelly was the cynosure of "related constructions of the Australian past and identity" (Basu, p. 131). The film starred Mick Jagger as the iconic bushranger and he is pictured in two drawings: "Mick Jagger as 'Ned Kelly' addressing the Jury, Braidwood Courthouse 27th Aug '69. Ned Kelly Location Rehearsals" and "Mick Jagger in the courtroom, Braidwood, Ned Kelly location. Aug '66". Approximately 54 drawings are finely executed close up portraits of cast members, extras, and crew (including Jagger's stuntman, Bill Peter), caught during breaks from filming, each meticulously captioned, giving the sitter's identity and the location. A group of half a dozen feature members of the folk band the Wild Colonial Boys, some of whom appear in the film and are pictured in performance. Kelly's final gun fight is recorded in an action sequence of looser pencil drawings: "Rehearsals for the Ambush of Kelly", "Kelly fights his way out of the cutting, emerging from the fog", and finally "Kelly, overcome with loss of blood, weakens and collapses". A single pencil drawing depicts Kelly's famous bulletproof armour. Richardson himself makes an appearance in "Kelly's collapse when wounded and identification - by Inspector Nicholson - Glenrowan location. Tony Richardson directing". Crossley was born in Perth and studied at the Melbourne National Gallery School under the renowned portraitist William Dargie. Afterwards, he worked as a television artist for the BBC in London. He held exhibitions in Europe, the Middle East, and Australia. His work is represented in a number of Australian institutions. Ned Kelly was filmed entirely in Australia, largely around Braidwood, New South Wales. The supporting cast of mainly Australians actors included Frank Thring as the colonial judge Sir Redmond Barry, who sentenced Kelly to hang. Thring remains best known for his unforgettable high camp performances in a string of Hollywood blockbusters: Ben-Hur, King of Kings, and El Cid. Ian McKellen was originally considered for the role of Kelly but the studio wanted a bankable "big personality" and it was offered to Mick Jagger. The film "garnered a lot of attention for the bushranger both at home and abroad, as well as causing a fracas for having as lead and director not only non-Australians but Britons Although none of the producers of Kelly products from this period was directly associated with the New Left, it is clear that, through Kelly, they were intervening in related constructions of the Australian past and identity. They situated their past firmly within the structural inequalities necessitated by colonialism, at a time when British colonies in Africa and the Caribbean were rapidly gaining independence, and affirmed a national identity not only separate from 'Britishness' but in opposition to it" (Basu, p. 122-25). "Ned Kelly was transformed with the help of the telegraph wire and the early mass media from a regional folk hero into a romanticised media celebrity [He] has progressed from outlaw to national hero. to international icon. The still-enigmatic, slightly saturnine and ever-ambivalent bushranger is the undisputed, if not universally admired, national symbol of Australia" (Seal, pp. 99-100). As the Australian Dictionary of Biography concludes, "The legend still persists and seemingly has a compelling quality that appeals to something deeply rooted in the character of the 'average' Australian". Laura Basu, Ned Kelly as Memory Dispositif: Media, Time, Power, and the Development of Australian Identities, 2012; Graham Seal, Outlaw Heroes in Myth and History, 2011. Together 99 drawings, most of them signed by the artist as "G. S. Crossley", the majority executed in black ink on paper, some with pencil under drawing and occasional watercolour wash, various sizes from 370 x 500 mm to 240 x 310 mm; all laid down on card and with detailed captioning, often with a first version jotted down in situ when the drawing were created, and a second, more formal caption. With a small quantity of research material compiled by a previous owner. Occasional marks but overall in very good condition.…