Ralph rosen (195 resultados)

Paperback. Condición: Good.

Condición: New. Comic. Rik Levins; Bud LaRosa; Joe Rosen; Witterstaetter Javins (ilustrador).

Mass Market Paperback. Condición: Good. Paperback magazine. Cover art by Howard Rogers. Includes "Editor's Notes"; "Innocence" by Harold Brodkey; "The Way Was Wine, the Voyage Was the Night" by Herbert Morris; "Greying" by Larry Rubin; "Lovers Leaving My Bed" by Maura Stanton; "Our Place in Winter, Looking for Spring" by Stephen Dobyns; "Interview With the Author of Caryatids: Excerpts from a Tape" by George Dennison; "Grand Tour/ Last Things/ Houdini at the Gates of Hell" by Alvin Greenberg; "Being in Sound: A Conversation with Stockhausen" by Jonathan Cott; "Variations on a Text by Vallejo" by Donald Justice; "The Money Room" by Jill Hoffman; "To a Cow" by Mary Gordon; "Primitive" by Rodney Phillips; "The Universal Fears" by John Hawkes; "Ecologue" by Allen Ginsberg; "Poetry and the Body" by John Vernon; "Meditations for a Savage Child" by Adrienne Rich; "God of Many Names" by Peter Schneeman; "Aaron" by Terry Bagg; "Hope Diamonds" by Madeline Defrees; "Anatolian Institutions, Katherine" by Sam Courtney; "Sister Francetta and the Pig Baby/ The Queen of Moths" by Kenneth Bernard; "Semele Recycled" by Carolyn Kizer; "Among the Dead" by Clark Blaise; "The Art of Poetry" by Richard Hugo; "Laughter" by Allen Wiggins; "Buying the Child" by Maxine Kumin; "Going Home" by Kenneth Rosen; "A Letter to a Friend" by Arvind Khrisna Mehrotra; "Cadillac Flambe" by Ralph Ellison; "Contributors". Tears and tape mends; creasing; edge and corner wear; tanning; rubbing. Book. …

Hardcover, no dust jacket. Ex-library. Aside from library matter, this is a pristine copy that appears unread. 103 pages. 103 pp.

hardcover. Condición: New.

Hardcover. Condición: New. New copy.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Good+. No Dust Jacket. Ex-library copy with usual stamps, call numbers and pocket. Else very minor shelfwear.; American Classical Studies 19; 103 pages.

No Binding. Condición: VG+. A-COL-16-40. A VG or better original 8 x 10 still. Size: 8" x 10". Photographic Image.

Condición: New.

Condición: As New. Unread book in perfect condition.

hardcover. Condición: New.

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: New. New softcover in printed wraps. 8vo. (9 x 0.25 x 6 inches) Clean text free of marks or underlining. Includes a list of abbreviations, bibliography, Index Locorum, Index of selected Greek words, and a general index. 103 pp. Fast shipping in a secure book box mailer with tracking.…

Condición: new.

Condición: New.

Hardback. Condición: New. Considering the topic of time in antiquity, juxtaposing cultures and societies, yields remarkable intersections, continuities, and discontinuities in the ways people have engaged with temporality. One of the most persistent dichotomies we find across many premodern societies is that between cyclical and teleological time-time marching inexorably forward, toward a goal, and the markers of nature that seem repetitive, cyclical, and fundamentally stable. Over the millennia much ingenuity has been directed at these models. Specific examinations range from the construction of time and space in prehistory, Roman Britain, quantifications of time in Assyria and Babylonia, through aspects of time in classical India, the Hebrew Bible, China, Greece, and the Roman Empire. With contributions by John C. Barrett (University of Sheffield), Marc Brettler (Brandeis University), Chris Gosden (Pitt Rivers Museum, Oxford), Astrid M÷ller (University of Freiburg), David Pankenier (Lehigh University), Alex Purves (University of California, Los Angeles), Eleanor Robson (University of Cambridge), Ludo Rocher (University of Pennsylvania), and Michele Renee Salzman (University of California, Riverside).…

Condición: New.

Hardcover. Condición: Brand New. 200 pages. 9.00x6.00x1.25 inches. In Stock.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Text is unmarked; pages are bright, though the page edges are a bit age toned. Binding is sturdy. Dust jacket is shelf scuffed and edge worn, with a small split in the paper at one of the front corners. International/Priority shipping at cost.…

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 288 pages. 9.25x6.12x9.25 inches. In Stock.

Condición: New.

Paperback. Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 288 pages. 9.25x6.12x9.25 inches. In Stock.

Paperback. Condición: New. Making Mockery explores the dynamics of comic mockery and satire in Greek and Roman poetry, and argues that poets working with such material composed in accordance with shared generic principles and literary protocols. It encourages a synoptic, synchronic view of such poetry, from archaic iambus through Roman satire, and argues that if we can appreciate the abstract poetics of mockery that governs individual poets in such genres, we can we better understand how such poetry functioned in its own historical moment. Rosen examines in particular the various strategies deployed by ancient satirical poets to enlist the sympathies of a putative audience, convince them of the justice of their indignation and the legitimacy of their personal attacks. The mocking satirist at the height of his power remains elusive and paradoxical--a figure of self-constructed abjection, yet arrogant and sarcastic at the same time; a figure whose speech can be self-righteous one moment, but scandalous the next; who will insist on the "reality" of his poetry, but make it clear that this reality is always mediated by an inescapable movement towards fictionality. While scholars have often, in principle, acknowledged the force of irony, persona-construction and other such devices by which satirists destabilize their claims, very often in practice--especially when considering individual satirists in isolation from others--they too succumb to the satirist's invitation to take what he says at face value. Despite the sophisticated critical tools they may bring to bear on satirical texts, therefore, classicists still tend to treat such poets ultimately as monochromatically indignant, vindictive individuals on a genuine self-righteous mission. This study, however, argues that that a far subtler analysis of the aggressive, poeticized subject in Classical antiquity--its target, and its audience--is called for.…