Prat sophie (9 resultados)

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: fine. très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie,Couverture abîmée. 399098-3 - London 53, Prat, Sophie, Editions Quartier libre.

Agrafé. Condición: Bon état. in-4 Description :54 pp. Couverture légèrement salie. Langue : français Nb de volumes : 1.

Hardcover. Condición: new. Hardcover. Germaine Richier, the first woman to have an exhibition of her work at the Museum of Modern Art in Paris (1956), is a remarkable figure in the world of modern sculpture, whose works are present in the worlds most prestigious museums, including the Centre Pompidou, MoMA and the Tate Modern. Her powerful and visionary art stands out in its profound desire to explore the human essence, the constant search for an authentic representation of mankind, likening it, indeed, to the work of her friend Alberto Giacometti. The Second World War had a shattering impact on the artistic and intellectual world of the Montparnasse of the 1920s and '30s; Germaine Richier spent the war years far from her family, in the native Switzerland of her husband, sculptor Otto Charles Baenninger. This painful exile would be one of the crucial turning points in the transformation of her art. Trained in the painstaking school of the bust by her teacher Antoine Bourdelle, she chose to stray from the beaten track, to invent something new. Natural elements tree branches or insects from the countryside of her native Languedoc merged into her creations: this was the origin of her hybrid creatures. The originality of her sculpture, of her forms, manifested itself with increasing intensity. In 1946, she decided to return to France, driven by the need to be reunited with her family and her country. With her return to Paris, her creative freedom underwent a veritable explosion: her sculptures came to embody daring, innovative and original representations of Man and Woman, which, as they come to life, reveal new visions of the human condition. The sculptor was captured in her studio by her friend, the photographer Brassai, surrounded by characters that seem to originate in some fantastic kingdom: L'Homme-foret, L'Araignee, La Mante and La Cigale co-exist with L'Ogre, Le Diabolo, La Feuille and Don Quichotte. These hybrid creatures, these new characters, fruit of a fervent imagination, populate her artistic universe, where the human form is transformed and enriched with mystery and colour, an element that Germaine Richier began incorporating into her works in the final years of her life, interrupted far too soon in 1959. Her sculpture is a world in constant evolution, a place where the figure never disappears but rather is reinvented, mutates, evading all attempts at classification. And her thought-provoking, visually stunning works continue to plumb the depths of the world around us.This work is accompanied by a booklet that provides a list of 687 exhibitions and more than 4,000 bibliographic references. A catalogue raisonne provides a complete overview of everything an artist has created over their lifetime, allowing viewers to appreciate the full extent of their oeuvre. Text in English and French. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: fine. vendeur professionnel. envoi soigne en 24/48h. le livre peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques.

Hardcover. Condición: Brand New. 664 pages. 11.50x9.50x11.50 inches. In Stock.

Hardcover. Condición: Brand New. 664 pages. 11.50x9.50x11.50 inches. In Stock.

Hardcover. Condición: new. Hardcover. Germaine Richier, the first woman to have an exhibition of her work at the Museum of Modern Art in Paris (1956), is a remarkable figure in the world of modern sculpture, whose works are present in the worlds most prestigious museums, including the Centre Pompidou, MoMA and the Tate Modern. Her powerful and visionary art stands out in its profound desire to explore the human essence, the constant search for an authentic representation of mankind, likening it, indeed, to the work of her friend Alberto Giacometti. The Second World War had a shattering impact on the artistic and intellectual world of the Montparnasse of the 1920s and '30s; Germaine Richier spent the war years far from her family, in the native Switzerland of her husband, sculptor Otto Charles Baenninger. This painful exile would be one of the crucial turning points in the transformation of her art. Trained in the painstaking school of the bust by her teacher Antoine Bourdelle, she chose to stray from the beaten track, to invent something new. Natural elements tree branches or insects from the countryside of her native Languedoc merged into her creations: this was the origin of her hybrid creatures. The originality of her sculpture, of her forms, manifested itself with increasing intensity. In 1946, she decided to return to France, driven by the need to be reunited with her family and her country. With her return to Paris, her creative freedom underwent a veritable explosion: her sculptures came to embody daring, innovative and original representations of Man and Woman, which, as they come to life, reveal new visions of the human condition. The sculptor was captured in her studio by her friend, the photographer Brassai, surrounded by characters that seem to originate in some fantastic kingdom: L'Homme-foret, L'Araignee, La Mante and La Cigale co-exist with L'Ogre, Le Diabolo, La Feuille and Don Quichotte. These hybrid creatures, these new characters, fruit of a fervent imagination, populate her artistic universe, where the human form is transformed and enriched with mystery and colour, an element that Germaine Richier began incorporating into her works in the final years of her life, interrupted far too soon in 1959. Her sculpture is a world in constant evolution, a place where the figure never disappears but rather is reinvented, mutates, evading all attempts at classification. And her thought-provoking, visually stunning works continue to plumb the depths of the world around us.This work is accompanied by a booklet that provides a list of 687 exhibitions and more than 4,000 bibliographic references. A catalogue raisonne provides a complete overview of everything an artist has created over their lifetime, allowing viewers to appreciate the full extent of their oeuvre. Text in English and French. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Couverture souple. Condición: Comme neuf. Edition originale. Paris 2010. 1 Volume/1. -- Comme Neuf Broché cousu. Couverture illustrée à larges rabats.Format in-4° ( 30,5 x 24,7 cm )( 1415 gr ). -------- 259 pages avec 200 illustrations couleurs. [ pagination alternée 195-LXIV ) ******************** À l'occasion du cinquantième anniversaire de la naissance de l'artiste américain Jean-Michel Basquiat, le musée d'Art moderne de la Ville de Paris a organisé une vaste rétrospective de son oeuvre. D'abord présentée à la Fondation Beyeler à Bâle (9 mai - 5 septembre 2010), elle a été ensuite reprise par le MAM. C'est la première exposition de cette ampleur consacrée à Basquiat. D'origine portoricaine et haïtienne, né en 1960 à Brooklyn il fait partie de la génération de graffiteurs qui a brusquement émergé à New York à la fin des années 1970. Sa fulgurante carrière démarre dans la rue en 1977. Dès le début des années 80, il passe au tableau. L'art conceptuel et l'art minimal étaient alors les courants dominants de l'esthétique avantgardiste américaine. Avec son univers mélangeant vaudou, religion, bande dessinée, publicité et héros afro-américains, il introduit une rupture et devient la vedette de la nouvelle peinture « néoexpressionniste ». Il définit alors une contre-culture urbaine, underground, violente et anarchique, pétrie de liberté et de vitalité. Ce réveil inattendu de la peinture revandiquant l'innoncence et la spontanéité, l'absence délibérée de savoir-faire et l'usage brutal d'une figuration violemment expressive, s'opère aux États-Unis et en Europe au début des années 80. En 1982, il est invité à participer à la Documenta 7 de Kassel. L'année suivante, il est le plus jeune et premier artiste noir à exposer à la Biennale du Whitney Museum of American Art of New York. De mieux en mieux intégré au monde de l'art newyorkais, il réalise, à partir de 1984, des peintures en commun avec Andy Wharol. Après sa mort prématurée en 1988, il laisse une oeuvre considérable, habitée par la mort, le racisme et sa propore destinée. Sa vie brûlante et explosive, mêlant le star-système et la révolte a inspiré en 1996, le film Basquiat du peintre et cinéaste Julian Schnabel. "" ********************. …