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Idioma: Inglés
Publicado por Harvard University Press, 2015
ISBN 10: 0674417151 ISBN 13: 9780674417151
Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
EUR 26,58
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Añadir al carritoHardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Idioma: Inglés
Publicado por Harvard University Asia Center, 2015
ISBN 10: 0674417151 ISBN 13: 9780674417151
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Añadir al carritoCondición: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
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Idioma: Inglés
Publicado por Harvard University Asia Center, 2015
ISBN 10: 0674417151 ISBN 13: 9780674417151
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 73,39
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Idioma: Inglés
Publicado por Harvard University Press, 2015
ISBN 10: 0674417151 ISBN 13: 9780674417151
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 76,49
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Harvard University, Asia Center, US, 2015
ISBN 10: 0674417151 ISBN 13: 9780674417151
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EUR 86,09
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Añadir al carritoHardback. Condición: New. Ink landscape painting is a distinctive feature of the Northern Song, and painters of this era produced some of the most celebrated artworks in Chinese history. The Efficacious Landscape addresses how landmark works of this pivotal period first came to be identified as potent symbols of imperial authority and later became objects through which exiled scholars expressed disaffection and dissent. In fulfilling these diverse roles, landscape demonstrated its efficacy in communicating through embodiment and in transcending the limitations of the concrete.Building on decades of monographic writings on Song painting, this carefully researched study presents a syncretic vision of how ink landscape evolved within the eleventh-century court community of artists, scholars, and aristocrats. Detailed visual analyses of surviving works and new insight about key landscapes by the court painter Guo Xi support the perspective put forward here and introduce original methodologies for interpreting painting as an integral element of political and cultural history. By focusing on the efforts of emperors, empresses, and eunuchs to cultivate ink landscape and its iconography, this investigation also tackles the social and class dichotomies that have long defined and frustrated existing scholarship on this period's paintings, highlighting instead the interconnectedness of painting practice's elite modalities.
Idioma: Inglés
Publicado por Harvard University Press, 2015
ISBN 10: 0674417151 ISBN 13: 9780674417151
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Harvard University Asia Center, 2015
ISBN 10: 0674417151 ISBN 13: 9780674417151
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 79,00
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Añadir al carritoCondición: New. Ink landscape painting is a distinctive feature of the Northern Song, and Song painters created some of the most celebrated artworks in Chinese history. Foong Ping shows how landmark works of this era came to be identified first as potent symbols of imperial authority and later as objects by which exiled scholars expressed disaffection and dissent. Series: Harvard East Asian Monographs. Num Pages: 320 pages, illustrations. BIC Classification: ACBP; HBJF. Category: (G) General (US: Trade). Dimension: 191 x 265 x 24. Weight in Grams: 1002. . 2015. Hardcover. . . . .
Idioma: Inglés
Publicado por Harvard University, Asia Center, 2015
ISBN 10: 0674417151 ISBN 13: 9780674417151
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 76,49
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Añadir al carritoHardback. Condición: New. New copy - Usually dispatched within 4 working days.
Idioma: Inglés
Publicado por Harvard University Asia Center, 2015
ISBN 10: 0674417151 ISBN 13: 9780674417151
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 98,35
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Añadir al carritoCondición: New. Ink landscape painting is a distinctive feature of the Northern Song, and Song painters created some of the most celebrated artworks in Chinese history. Foong Ping shows how landmark works of this era came to be identified first as potent symbols of imperial authority and later as objects by which exiled scholars expressed disaffection and dissent. Series: Harvard East Asian Monographs. Num Pages: 320 pages, illustrations. BIC Classification: ACBP; HBJF. Category: (G) General (US: Trade). Dimension: 191 x 265 x 24. Weight in Grams: 1002. . 2015. Hardcover. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Harvard University Press, 2015
ISBN 10: 0674417151 ISBN 13: 9780674417151
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 111,24
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Idioma: Inglés
Publicado por Harvard Univ Council on East Asian, 2015
ISBN 10: 0674417151 ISBN 13: 9780674417151
Librería: Revaluation Books, Exeter, Reino Unido
EUR 101,14
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Añadir al carritoHardcover. Condición: Brand New. 295 pages. 10.00x7.25x1.00 inches. In Stock.
Idioma: Inglés
Publicado por Harvard University, Asia Center, US, 2015
ISBN 10: 0674417151 ISBN 13: 9780674417151
Librería: Rarewaves.com UK, London, Reino Unido
EUR 76,48
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Añadir al carritoHardback. Condición: New. Ink landscape painting is a distinctive feature of the Northern Song, and painters of this era produced some of the most celebrated artworks in Chinese history. The Efficacious Landscape addresses how landmark works of this pivotal period first came to be identified as potent symbols of imperial authority and later became objects through which exiled scholars expressed disaffection and dissent. In fulfilling these diverse roles, landscape demonstrated its efficacy in communicating through embodiment and in transcending the limitations of the concrete.Building on decades of monographic writings on Song painting, this carefully researched study presents a syncretic vision of how ink landscape evolved within the eleventh-century court community of artists, scholars, and aristocrats. Detailed visual analyses of surviving works and new insight about key landscapes by the court painter Guo Xi support the perspective put forward here and introduce original methodologies for interpreting painting as an integral element of political and cultural history. By focusing on the efforts of emperors, empresses, and eunuchs to cultivate ink landscape and its iconography, this investigation also tackles the social and class dichotomies that have long defined and frustrated existing scholarship on this period's paintings, highlighting instead the interconnectedness of painting practice's elite modalities.