Pierse simon (48 resultados)

Soft cover. Condición: Near Fine. (1988), Near Fine/no dj, long oblong quarto, 127pp., pictorial glossy softcover, b&w and color ill's throughout, binding tight, text unmarked, requires extra postage for International shipping.

Soft cover. Condición: Very Good. No Jacket. 1st Edition. VG+ / --. Colour and b/w illustrations. To accompany exhibition at Oxford Gallery 15th February - 17th March 1999. Stapled booklet with dark blue mottled card covers. Binding is firm and tight. Some small spots at the bottom corner of the first two pages, otherwise interior is clean with no inscriptions. Not ex-library. A fascinating book.…

Trade Paperback. Condición: New. 1st Edition. MINT - a NEW copy. Illustrated with Black and White Photographs. xvii, 364 pages. A luminary in the London art scene of the 1960s, Alannah Coleman was admired as a free spirit and loved by many for her creative energy and physical beauty. Born in Melbourne where she trained as an artist, she became part of a bohemian enclave that included artists and literary figures such as Arthur Boyd, Charles Bush, Alister Kershaw, Sidney Nolan, Elizabeth Paterson, Albert Tucker and Phyllis Waterhouse. In London, she sought tirelessly to promote Australian art as a gallery director and curator. In this biography, Simon Pierse reveals the fascinating and turbulent life of an influential figure in British and Australian post-war art. Robust, professional packaging and tracking provided for all parcels.…

Condición: Used Like New. NEW & UNREAD. Light storage wear to the softcover. Marks on the edges of the textblock. Content as new.

Soft cover. Condición: Very Good. 1st Edition. Signed with dedication to title page. Signed by Author(s).

1st. Near Fine pp127. numerous illustrations. pict. colour softcover p.b. landscape quarto.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. pp.xx+274. 24.5cm. 20 colour plates. Black and white photographic illustrations in the text. Appendix. Bibliography. Index. Hard cover in dust jacket. Small ink splash on fore edge of pages, extends some way onto the margin but not affecting the text or illustrations.…

hardcover. Condición: Very Good. Legacy smart filter userdata3=general (pricing criteria).

Soft cover. Condición: Good. No Jacket. 1st Edition. Published by University of Wales School of Art Press in 2005, this is the first softback printing of Simon Kangchenjunga: Imaging a Himalayan Mountain. 127 pages, multiple photographs, pictorial card covers, the book is in good condition with some card cover creasing and edge rubbing and some spotting to the page edges at the base. Please be aware that the image provided may not correspond to this book itself.…

Soft Cover. Condición: F-. First Edition. Oblong 4to. original printed paper wraps (a trifle rubbed); pp. 128 (last blank), with numerous illustrations. A near fine copy.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Soft cover. Condición: Near Fine. No faults.

Condición: New.

Condición: New.

First edition, first printing. Fine paperback original.

Condición: New.

Paperback. Condición: Fine. First Edition. Wraps. Dimensions 210mm x 300mm.pp. 127. ISBN:1899095225. Loosely inserted receipt on headed paper, with a note signed by the author. An "anthology of word and image." Book published alongside the exhibition 'Kangchenjunga: imaging a Himalayan mountain.' Original publishers matte card binding with an atmospheric black and white photograph of Kangchenjunga. Foreword by George band, The Alpine Club, March 2005. Contents include photographs and history of expeditions to the Mountain. Fine. Signedes. …

Condición: New. 1st edition NO-PA16APR2015-KAP.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Paperback. Condición: Brand New. 132 pages. 8.66x5.91x0.30 inches. In Stock.

Condición: New. Num Pages: 316 pages. BIC Classification: 1DBKESL; 1MBF; 3JJPG; 3JJPK; ACX. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 246 x 174. Weight in Grams: 581. . 2016. 1st Edition. paperback. . . . .

Hardcover. Condición: Used. Estado de la sobrecubierta: Very Good. First Edition. First Edition in Near Fine Condition. Pages are crisp, clean, and bright. Spine is straight and tight. Overall a first edition in near fine condition.

Taschenbuch. Condición: Neu. The Role of Drawing in the frescoes of Benozzo Gozzoli & his workshop | Simon Pierse | Taschenbuch | 132 S. | Englisch | 2016 | LAP LAMBERT Academic Publishing | EAN 9783659928673 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.…

Kartoniert / Broschiert. Condición: New. Simon Pierse was born in London. He is Lecturer in Art at Aberystwyth University where his research focuses on British perceptions of Australian art and identity.Subtle and wide-ranging in its account, this study explores the impact of Australian art in.

Condición: New. Num Pages: 316 pages. BIC Classification: 1DBKESL; 1MBF; 3JJPG; 3JJPK; ACX. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 246 x 174. Weight in Grams: 581. . 2016. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

First Edition. First edition, oblong 4to, pp. 127, [1]; 61 color and black & white illustrations and a map; many from contemporary sources; one corner bumped, else near fine in original pictorial wrappers. There was no hard-cover version of this book. After Everest and K2, it's the highest peak in the Himalayas.…

Taschenbuch. Condición: Neu. Neuware - Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the 'Swinging Sixties'. In a transitional period of decolonization in Britain, Australian painting was briefly seized upon as a dynamic and reinvigorating force in contemporary art, and a group of Australian artists settled in London where they held centre stage with group and solo exhibitions in the capital's most prestigious galleries. The book traces the key influences of Sir Kenneth Clark, Bernard Smith and Bryan Robertson in their various (and varying) roles as patrons, ideologues, and entrepreneurs for Australian art, as well as the self-definition and interaction of the artists themselves. Simon Pierse interweaves multiple issues of the period into a cohesive historical narrative, including the mechanics of the British art world, the limited and frustrating cultural scene of 1950s Australia, and the conservative influence of Australian government bodies. Publishing for the first time archival material, letters, and photographs previously unavailable to scholars either in Britain or Australia, this book demonstrates how the work of expatriate Australian artists living in London constructed a distinct vision of Australian identity for a foreign market.…

Condición: As New. Unread book in perfect condition.