Pierre le gros (59 resultados)

Condición: New.

Condición: New.

Condición: New.

Condición: New. In English.

Condición: New. In English.

Softcover. Condición: Très bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 2001. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Different cover. Edition 2001. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Condición: New.

Condición: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condición: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condición: Assez bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture souple. Condición: Très bon. Description : De 1973 à 1978, à la fin des Trente Glorieuses, le secteur de l'imprimerie se restructure et se modernise, entraînant la disparition d'environ 15 000 emplois en 5 ans. En juin 1975, les travailleurs de l'imprimerie caennaise Caron-Ozanne, après avoir découvert un plan de licenciement, décident d'occuper et d'utiliser leur outil de travail pour résister : « On occupe, on imprime ! » Et l'idée d'autogestion n'est pas loin. Des solidarités se nouent, des propositions aventureuses osent s'exprimer, on « expérimente » le sentiment qu'ensemble, on est plus fort, on n'a plus peur. Le collectif qui naît est aussi traversé par un imaginaire vieux d'un siècle, celui des syndicalistes qui rêvaient un monde de producteurs sans patrons et sans exploitation : de « la mine aux mineurs » du XIXe siècle aux « hors-la-loi » de Lip qui mirent en pratique leur mot d'ordre : « C'est possible, on fabrique, on vend, on se paye ! ». Concrètement, dans l'usine normande, les machines redémarrent, simplement, pour continuer et contrôler une production mise au service du combat. L'outil, ici, c'est l'imprimerie. Le journal Ouest-Licenciements sera, dans la France du chômage et de la crise des années soixante-dix, le véhicule de cette aspiration à partager les expériences et ouvrir des perspectives pour des lendemains moins sombres. Après une brève histoire de la diffusion de l'écrit, de l'imprimerie et de la presse, le livre raconte cette lutte exemplaire dans le contexte de l'après 68 en Europe et en France. Il s'achève sur une évocation des coopératives ouvrières et des expériences de contrôle ouvrier et d'autogestion, en particulier en Argentine.…

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

souple. Condición: Bon. Tirage limité à 140 exemplaires sur grand vélin de Rives numéroté (n°139), 1 vol. grand in-4 en feuillets sous chemise cartonnée, chemise et étui, Rombaldi, Paris, 1944 Bon état Langue: Français.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

'L'HYVER'Plate 192: Engraving of "L'HYver" (Winter), personified as an old, bearded man wrapped in a heavy cloak, shivering from the cold. A withered branch or pine motif is depicted on the pedestal, symbolizing the season.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).WINTER, SEASONS, ALLEGORY, CLOAKED FIGURE, COLD, CLASSICAL STATUE, PERSONIFICATION | PCO-C52-65BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros the Elder (16291714), French sculptor noted for his baroque and allegorical works. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

'L'HYVER'Plate 192: Engraving of "L'HYver" (Winter), personified as an old, bearded man wrapped in a heavy cloak, shivering from the cold. A withered branch or pine motif is depicted on the pedestal, symbolizing the season.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).WINTER, SEASONS, ALLEGORY, CLOAKED FIGURE, COLD, CLASSICAL STATUE, PERSONIFICATION | PCO-C52-65BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros the Elder (16291714), French sculptor noted for his baroque and allegorical works. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

'L'HYVER'Plate 192: Engraving of "L'HYver" (Winter), personified as an old, bearded man wrapped in a heavy cloak, shivering from the cold. A withered branch or pine motif is depicted on the pedestal, symbolizing the season.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).WINTER, SEASONS, ALLEGORY, CLOAKED FIGURE, COLD, CLASSICAL STATUE, PERSONIFICATION | PCO-C52-65BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros the Elder (16291714), French sculptor noted for his baroque and allegorical works. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

'PANDORE'Plate 204: Engraving of Pandore (Pandora), the first woman in Greek mythology, partially draped, standing gracefully on a pedestal.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).PANDORA, GREEK MYTHOLOGY, FIRST WOMAN, CLASSICAL FIGURE, ENGRAVED STATUE, ALLEGORY | PCO-C52-69BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros the Younger (1666-1719), French sculptor known for Baroque statuary in Rome and collaboration on decorative projects. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

'PANDORE'Plate 204: Engraving of Pandore (Pandora), the first woman in Greek mythology, partially draped, standing gracefully on a pedestal.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).PANDORA, GREEK MYTHOLOGY, FIRST WOMAN, CLASSICAL FIGURE, ENGRAVED STATUE, ALLEGORY | PCO-C52-69BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros the Younger (1666-1719), French sculptor known for Baroque statuary in Rome and collaboration on decorative projects. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

Bon état. Marseille/Paris. 17 cm x 23 cm. 1943. Broché. 95 pages. Marseille/Paris Les Cahiers du Sud novembre 1943. Broché 17 cm x 23 cm 95 pages. Directeur : Jean Ballard textes et poèmes de Pierre Delisle Paul Arnold A. Métérié André de Richaud Tudor Arghesi Lucian Blaga Jean-Paul Sartre François Le Lionnais Léon-Gabriel Gros; publicités marseillaises. Bon état. Bon état.…

Softcover. Condición: gut. Palais et pouvoir : De Constantinople à Versailles pages.

[11932].

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Plate 157: A sculptural fountain base showing three intertwined triton-like figures with youthful faces and fishtails. They stand back-to-back, supporting a shallow basin from which water spurts upward. Each figure exhibits distinct expressions and gestures.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.8 x 14 cm. (3.46 x 5.51 inch).TRITONS, FOUNTAIN, BAROQUE, VERSAILLES, GARDEN ORNAMENT, MYTHOLOGICAL FIGURES, CLASSICAL SCULPTURE | PCO-C52-53BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros (1666-1719), French sculptor and draftsman. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

Plate 157: A sculptural fountain base showing three intertwined triton-like figures with youthful faces and fishtails. They stand back-to-back, supporting a shallow basin from which water spurts upward. Each figure exhibits distinct expressions and gestures.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.8 x 14 cm. (3.46 x 5.51 inch).TRITONS, FOUNTAIN, BAROQUE, VERSAILLES, GARDEN ORNAMENT, MYTHOLOGICAL FIGURES, CLASSICAL SCULPTURE | PCO-C52-53BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros (1666-1719), French sculptor and draftsman. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

Plate 157: A sculptural fountain base showing three intertwined triton-like figures with youthful faces and fishtails. They stand back-to-back, supporting a shallow basin from which water spurts upward. Each figure exhibits distinct expressions and gestures.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.8 x 14 cm. (3.46 x 5.51 inch).TRITONS, FOUNTAIN, BAROQUE, VERSAILLES, GARDEN ORNAMENT, MYTHOLOGICAL FIGURES, CLASSICAL SCULPTURE | PCO-C52-53BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros (1666-1719), French sculptor and draftsman. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

'DEUX FLEUVES EN BAS-RELIEF'Plate 143: Allegorical representation of two river gods in bas-relief style. Each figure is seated with classical drapery, flanked by flowing water urns and reeds symbolizing riverbanks. One holds a sheaf of reeds, suggesting fertility or abundance. The figures are set in a semi-reclined posture, communicating calm strength and nature's rhythm.Made by Simon Thomassin after Pierre Le Gros and Etienne Le Hongre.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 14 x 8.8 cm. (5.51 x 3.46 inch).RIVER GODS, BAS-RELIEF, ALLEGORY, CLASSICAL SCULPTURE, WATER DEITIES, VERSAILLES, NATURE SYMBOLISM | PCO-C52-47BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on statues by Pierre Le Gros (1666-1719) and Etienne Le Hongre (1628-1690). Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros and Etienne Le Hongre (ilustrador).…

'DEUX FLEUVES EN BAS-RELIEF'Plate 143: Allegorical representation of two river gods in bas-relief style. Each figure is seated with classical drapery, flanked by flowing water urns and reeds symbolizing riverbanks. One holds a sheaf of reeds, suggesting fertility or abundance. The figures are set in a semi-reclined posture, communicating calm strength and nature's rhythm.Made by Simon Thomassin after Pierre Le Gros and Etienne Le Hongre.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 14 x 8.8 cm. (5.51 x 3.46 inch).RIVER GODS, BAS-RELIEF, ALLEGORY, CLASSICAL SCULPTURE, WATER DEITIES, VERSAILLES, NATURE SYMBOLISM | PCO-C52-47BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on statues by Pierre Le Gros (1666-1719) and Etienne Le Hongre (1628-1690). Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros and Etienne Le Hongre (ilustrador).…

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.