Le gros pierre (54 resultados)

Condición: New.

Condición: New.

Condición: New.

Condición: New. In English.

Condición: New. In English.

Condición: New.

Condición: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condición: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condición: Assez bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture souple. Condición: Très bon. Description : De 1973 à 1978, à la fin des Trente Glorieuses, le secteur de l'imprimerie se restructure et se modernise, entraînant la disparition d'environ 15 000 emplois en 5 ans. En juin 1975, les travailleurs de l'imprimerie caennaise Caron-Ozanne, après avoir découvert un plan de licenciement, décident d'occuper et d'utiliser leur outil de travail pour résister : « On occupe, on imprime ! » Et l'idée d'autogestion n'est pas loin. Des solidarités se nouent, des propositions aventureuses osent s'exprimer, on « expérimente » le sentiment qu'ensemble, on est plus fort, on n'a plus peur. Le collectif qui naît est aussi traversé par un imaginaire vieux d'un siècle, celui des syndicalistes qui rêvaient un monde de producteurs sans patrons et sans exploitation : de « la mine aux mineurs » du XIXe siècle aux « hors-la-loi » de Lip qui mirent en pratique leur mot d'ordre : « C'est possible, on fabrique, on vend, on se paye ! ». Concrètement, dans l'usine normande, les machines redémarrent, simplement, pour continuer et contrôler une production mise au service du combat. L'outil, ici, c'est l'imprimerie. Le journal Ouest-Licenciements sera, dans la France du chômage et de la crise des années soixante-dix, le véhicule de cette aspiration à partager les expériences et ouvrir des perspectives pour des lendemains moins sombres. Après une brève histoire de la diffusion de l'écrit, de l'imprimerie et de la presse, le livre raconte cette lutte exemplaire dans le contexte de l'après 68 en Europe et en France. Il s'achève sur une évocation des coopératives ouvrières et des expériences de contrôle ouvrier et d'autogestion, en particulier en Argentine.…

Paperback. Condición: new. Paperback. Dans La Peche aux peches, Pierre Le Gros fait parler un diablotin malicieux, Ramiskyne, ni ange ni demon, observateur railleur de la comedie humaine. D'en haut, l'Homme lui apparait ridicule, pris dans ses contradictions et ses petites grandeurs. Ramiskyne descend alors sur Terre, sous les fastes decrepits de l'Ancien Regime, pour mener l'enquete: sept chapitres, sept plongees dans les sept peches capitaux - orgueil, avarice, luxure, envie, gourmandise, paresse, colere. Le Mal, loin d'etre ne dans les abysses, s'est enracine dans le coeur des Hommes, cultive par des seigneurs gourmands et repandu par des ames egarees. De la boue des champs a la splendeur des salons bourgeois, Ramiskyne, peu a peu, perd son sourire railleur pour laisser place a un sombre constat: l'humanite s'est faconnee ses propres chaines. La Peche aux peches est une oeuvre ou le rire grince, ou l'ironie perce la douleur, et ou l'on oscille sans cesse entre l'eclat de la moquerie et l'amer constat d'une humanite devoyee. Mais la morale demeure: face a tout cela, mieux vaut rire que pleurer ! This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

souple. Condición: Bon. Tirage limité à 140 exemplaires sur grand vélin de Rives numéroté (n°139), 1 vol. grand in-4 en feuillets sous chemise cartonnée, chemise et étui, Rombaldi, Paris, 1944 Bon état Langue: Français.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

'L'HYVER'Plate 192: Engraving of "L'HYver" (Winter), personified as an old, bearded man wrapped in a heavy cloak, shivering from the cold. A withered branch or pine motif is depicted on the pedestal, symbolizing the season.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).WINTER, SEASONS, ALLEGORY, CLOAKED FIGURE, COLD, CLASSICAL STATUE, PERSONIFICATION | PCO-C52-65BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros the Elder (16291714), French sculptor noted for his baroque and allegorical works. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

'L'HYVER'Plate 192: Engraving of "L'HYver" (Winter), personified as an old, bearded man wrapped in a heavy cloak, shivering from the cold. A withered branch or pine motif is depicted on the pedestal, symbolizing the season.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).WINTER, SEASONS, ALLEGORY, CLOAKED FIGURE, COLD, CLASSICAL STATUE, PERSONIFICATION | PCO-C52-65BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros the Elder (16291714), French sculptor noted for his baroque and allegorical works. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

'PANDORE'Plate 204: Engraving of Pandore (Pandora), the first woman in Greek mythology, partially draped, standing gracefully on a pedestal.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).PANDORA, GREEK MYTHOLOGY, FIRST WOMAN, CLASSICAL FIGURE, ENGRAVED STATUE, ALLEGORY | PCO-C52-69BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros the Younger (1666-1719), French sculptor known for Baroque statuary in Rome and collaboration on decorative projects. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

'PANDORE'Plate 204: Engraving of Pandore (Pandora), the first woman in Greek mythology, partially draped, standing gracefully on a pedestal.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).PANDORA, GREEK MYTHOLOGY, FIRST WOMAN, CLASSICAL FIGURE, ENGRAVED STATUE, ALLEGORY | PCO-C52-69BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros the Younger (1666-1719), French sculptor known for Baroque statuary in Rome and collaboration on decorative projects. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

Bon état. Marseille/Paris. 17 cm x 23 cm. 1943. Broché. 95 pages. Marseille/Paris Les Cahiers du Sud novembre 1943. Broché 17 cm x 23 cm 95 pages. Directeur : Jean Ballard textes et poèmes de Pierre Delisle Paul Arnold A. Métérié André de Richaud Tudor Arghesi Lucian Blaga Jean-Paul Sartre François Le Lionnais Léon-Gabriel Gros; publicités marseillaises. Bon état. Bon état.…

'L'HYVER'Plate 192: Engraving of "L'HYver" (Winter), personified as an old, bearded man wrapped in a heavy cloak, shivering from the cold. A withered branch or pine motif is depicted on the pedestal, symbolizing the season.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).WINTER, SEASONS, ALLEGORY, CLOAKED FIGURE, COLD, CLASSICAL STATUE, PERSONIFICATION | PCO-C52-65BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros the Elder (16291714), French sculptor noted for his baroque and allegorical works. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

Softcover. Condición: gut. Palais et pouvoir : De Constantinople à Versailles pages.

[11932].

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Plate 157: A sculptural fountain base showing three intertwined triton-like figures with youthful faces and fishtails. They stand back-to-back, supporting a shallow basin from which water spurts upward. Each figure exhibits distinct expressions and gestures.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.8 x 14 cm. (3.46 x 5.51 inch).TRITONS, FOUNTAIN, BAROQUE, VERSAILLES, GARDEN ORNAMENT, MYTHOLOGICAL FIGURES, CLASSICAL SCULPTURE | PCO-C52-53BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros (1666-1719), French sculptor and draftsman. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

'DEUX FLEUVES EN BAS-RELIEF'Plate 143: Allegorical representation of two river gods in bas-relief style. Each figure is seated with classical drapery, flanked by flowing water urns and reeds symbolizing riverbanks. One holds a sheaf of reeds, suggesting fertility or abundance. The figures are set in a semi-reclined posture, communicating calm strength and nature's rhythm.Made by Simon Thomassin after Pierre Le Gros and Etienne Le Hongre.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 14 x 8.8 cm. (5.51 x 3.46 inch).RIVER GODS, BAS-RELIEF, ALLEGORY, CLASSICAL SCULPTURE, WATER DEITIES, VERSAILLES, NATURE SYMBOLISM | PCO-C52-47BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on statues by Pierre Le Gros (1666-1719) and Etienne Le Hongre (1628-1690). Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros and Etienne Le Hongre (ilustrador).…

'DEUX FLEUVES EN BAS-RELIEF'Plate 143: Allegorical representation of two river gods in bas-relief style. Each figure is seated with classical drapery, flanked by flowing water urns and reeds symbolizing riverbanks. One holds a sheaf of reeds, suggesting fertility or abundance. The figures are set in a semi-reclined posture, communicating calm strength and nature's rhythm.Made by Simon Thomassin after Pierre Le Gros and Etienne Le Hongre.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 14 x 8.8 cm. (5.51 x 3.46 inch).RIVER GODS, BAS-RELIEF, ALLEGORY, CLASSICAL SCULPTURE, WATER DEITIES, VERSAILLES, NATURE SYMBOLISM | PCO-C52-47BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on statues by Pierre Le Gros (1666-1719) and Etienne Le Hongre (1628-1690). Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros and Etienne Le Hongre (ilustrador).…

Plate 157: A sculptural fountain base showing three intertwined triton-like figures with youthful faces and fishtails. They stand back-to-back, supporting a shallow basin from which water spurts upward. Each figure exhibits distinct expressions and gestures.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.8 x 14 cm. (3.46 x 5.51 inch).TRITONS, FOUNTAIN, BAROQUE, VERSAILLES, GARDEN ORNAMENT, MYTHOLOGICAL FIGURES, CLASSICAL SCULPTURE | PCO-C52-53BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros (1666-1719), French sculptor and draftsman. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

Plate 157: A sculptural fountain base showing three intertwined triton-like figures with youthful faces and fishtails. They stand back-to-back, supporting a shallow basin from which water spurts upward. Each figure exhibits distinct expressions and gestures.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.8 x 14 cm. (3.46 x 5.51 inch).TRITONS, FOUNTAIN, BAROQUE, VERSAILLES, GARDEN ORNAMENT, MYTHOLOGICAL FIGURES, CLASSICAL SCULPTURE | PCO-C52-53BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros (1666-1719), French sculptor and draftsman. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (ilustrador).…

0. Sprache: Deutschu.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Connaissez vous l'histoire de Vincent Dhautibus Vous ne le savez peut-être pas encore, mais cette histoire est la vôtre : celle de jeunes gens déracinés qui se perdent dans la grande Ville et qui, pour ne pas sombrer, se réfugient dans les Illusions. Ces transfuges malheureux ne trouvent leur voie que dans une forme de retour apaisé vers l'origine. Quand le chemin de l'existence est enfin compris et digéré, l'individu découvre l'Harmonie. Ainsi, l'écrit mélangeant conjointement philosophie, littérature tout autant que criminalité et romance, nous donne l'histoire d'une boucle de vie, d'une boucle de mort, d'une Voie Orphique qui s'entortille autour du destin d'un petit anarchiste estudiantin dans la ville de B. Pierre Le Gros nous propose un roman d'initiation où la quête est multiple : en quête de sens et de plénitude. Cette histoire pleine de doubles, de contraires et de dialectiques, est une fable actuelle, triste et morale, paraphée d'espoir. Le jeu d'écriture interroge sur la fonction de la fiction, et consigne l'urgence de tourner une page afin de tout recommencer à zéro. Voici alors un chant moderne et amer, une variation sur les faibles possibles d'un Monde en sursis. 254 pp. Französisch.…

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -C'est dans un esprit picaresque que ces nouvelles semblent avoir été écrites. Les villes européennes sont le décor de ces brefs contes fantaisistes où l'on croise tantôt le diable, un golem, un esclave facétieux, tantôt un conducteur de bus saugrenu. Le lecteur est ainsi promené de Salamanque à Prague mais aussi dans l'imaginaire du narrateur-auteur. Pierre Le Gros agrémente ses histoires burlesques avec des illustrations parfois aquarellées, parfois à la peinture à l'huile. Ce recueil est donc un livre d'artiste original destiné à ceux qui laissent un peu de liberté à leur imagination. 188 pp. Französisch.…