Phyllis peet (16 resultados)

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Soft cover. Condición: As New in Original Wraps. Estado de la sobrecubierta: No Jacket(as issued). Brand New, large softcover still in its original plastic shrink-wrap. Offered For Sale- AS NEW. Stored in yet, a second layer of sealed plastic protection and mailed I(bubble-wrapped) in a cardboard box. We ship daily from Roswell, GA. Serving satisfied customers since 1999.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. Demy folio, [27.75cm/11inches], full embossed peach-coloured cloth with mylar-protected dust jacket, pp. 216, indexed. Illustrated with 75 annotated colour plates. Please feel free to ask for particulars and/or additional photographs. . The Museum's website notes: "The High Museum's historical American art collection includes over 1,200 paintings, sculptures, drawings, and prints made by American artists between 1780 and 1980. With particular strengths in historical American sculpture and painting, the collection demonstrates the evolution of a distinctly American point of view in artistic representation. Over the course of the 1800s, America shed its colonial identity as a cultural outpost for its new international role as a cosmopolitan society with increasing global influence. From early American portraiture to the splendor of the Gilded Age, the High's nineteenth-century collection includes works by John Singleton Copley, Benjamin West, Eastman Johnson, Sanford Robinson Gifford, Frederick Kensett, John Henry Twachtman, Harriet Hosmer, Edmonia Lewis, Henry Ossawa Tanner, Mary Cassatt, and John Singer Sargent. In the twentieth century, American artists began to take a lead role in shaping modern expression. The High holds works by America's most progressive artists of the modern age, from the Stieglitz Circle and abstract painters, to artists concerned with social justice and reform, to those rooted in the American art scene.…

Hardback. Condición: Fine. Estado de la sobrecubierta: Fine. First Editiion. Book.

Soft cover. Condición: Very Good. No Jacket. 72 pp. with bibliography, biographies of the artists, and 45 B/W illustrations. Usual ex-library markings with cover laminated. Catalogue of an exhibition from February 9 to May 9, 1988, at the High Museum of Art, Atlanta, Georgia; from June 11 to August 21, 1988 at the Woodmere Art Museum; from October 30, 1988 to February 12, 1989 at the Hudson River Museum of Westchester; from March 15 to May 31, 1989 at National Museum of American History, Smithsonian. The exhibition celebrated the centennial of Women Etchers of America, an important show at the Boston Museum in 1887 and New York's Union League Club in 1888. Includes work by Mary Nimmo Moran, Gabrielle Devaux Clements, Emily Kelley Moran, Blanche Dillaye, Martha Scudder Twachtmann, Ellen Day Hale, Margaret M. Taylor Fox, Mary Louise Mclaughlin, Florence May Este, Margaret White Leslie Bush-Brown, Eliza Pratt Greatorex, Mary Stephenson Casoc, Ann Massey Lea Merritt, Katherine Levin Farrell, Gertrude Rummel Hurlbut, Edith Loring Peirce Getchell, and Edith Penman.…

Hardcover. Condición: As New. Estado de la sobrecubierta: Yes, As New. The book is in as new condition. 216 pages.

Wrappers. Condición: Near Fine. 184 pp., many illus. 1 in color. A small fine crease to the back cover. A tiny bit of sticker residue to the front cover, top right-hand side. Published on the occasion of the exhibition from the Amon Carter Museum of Art, Fort Worth TX July 8-August 22, 1976 and the Frederick S. Wright Art Gallery, University of California, Los Angeles CA October 12-December 12, 1976.…

hardcover. Condición: fine. Estado de la sobrecubierta: fine. First. Introduction by Gudmund Vigtel. Foreword by Ned Rifkin. 78 color plates, 196 black & white illustrations. 216pp., 4to, cloth, d.w. New York: Hudson Hills, (1994). First edition. A fine copy in a fine dust wrapper.

Hardcover. Condición: Fine. Estado de la sobrecubierta: fine. First Edition. 216p quarto, illustrated. A fine copy ion a fine dust jacket. Inscribed/signed by Judy Larson as "JudY" to donors to the museum.

Condición: New. Satisfaction Guaranteed or your money back.

Couverture rigide. Condición: Très bon. 1 vol.; 216 p.; 31 cm ; Broché couv. souple. Nombreuses ill. en couleurs hors texte. Très bon état, comme neuf. 1A1.

Paperback. Condición: New.

Condición: Very Good. First edition thus hard back binding in publisher's original chestnut brown buckram covered boards, blocked and lettered gilt back. 8vo. 9'' x 6''. Contains (xvi), 844 pp with 17 folding maps, many coloured, 2 other maps, 1 table. Volume 1 of 7, but complete in itself and impressive in respect of the 19 maps and distinguished contributors. Slight sun fading down the spine and in Very Good clean and bright condition, no dust wrapper. Member of the P.B.F.A. EUROPE & EUROPEANS.…