Philip b welch (15 resultados)

Paperback. Condición: Fine.

Hardcover. Condición: Good. 1st Edition. Ex-library hard cover bound book in good condition with the usual library stamps, labels, and bar-codes. Contents are in good condition with no markings or highlighting.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Black paper over boards with title in copper on spine, xiv + 338 pp, photos, index. Jacket spine sunned, in Brodart archival wrapper. Oklahoma architect that worked with Frank Lloyd Wright, taught at University of Oklahoma. Shelf 23. 8/25.…

Soft cover. Condición: Fine. Shipped from the Calico Cat Bookshop, a brick and mortar bookshop established in 1975.

Softcover. Condición: Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have shelf wear with scraping, scuffing, and address label on back. Contents: Welch, President's Notes. Staudenmaier, Options for U.S. National Strategy in the 1980s and Beyond. Petersen, The Soviet Conceptual Framework for the Application of Military Power. Foster, Distortions in NATO Defense Trade. Underwood, Soviet THreat to the Atlantic Sea Lines of Communications: Lessons Learned from the German Capture of Norway in 1940. Horward, Portugal and the Anglo-Russian Naval Crisis (1808). Morris, Clientism Unbound: America and the Tactics of Third World Security. Stockdale, The Debate Concerning Our National Defense Policy: Toward Honor or Efficiency. Allin, The Integrated Inland Waterways of the U.S.S.R. The Barometer. Reviews. 9.0" tall; 133 pages.…

Paperback or Softback. Condición: New. Goff on Goff: Conversations and Lectures. Book.

Paperback. Condición: New. Architect Bruce Goff was not afraid to be different. One of the most innovative designers the United States has produced in the twentieth century-a member of a select band that included Frank Lloyd Wright (with whom Goff worked), Louis Sullivan, and Mies Van der Rohe-he rode the crest of the architectural wave that swept through the country with the post-World War II technological revolution.In the 1950s, when Goff was head of the University of Oklahoma School of Architecture, Oklahoma emerged as the nation's most daring, avant-garde training ground in the discipline. This book, edited by Philip B. Welch, is compiled from tapes recorded with Goff's permission by Welch, who was one of Goff's students, a longtime friend, and himself a prominent teacher of architecture. Goff on Goff embodies some of the architect's most stimulating lectures and conversations. They have never before been available to readers.Goff's now-legendary teaching method was to throw his students back onto themselves. He stressed honesty: honesty to materials and honesty to the creative impulse, the client, the total environment. An advocate of Gertrude Stein's ""continuous present,"" Goff himself embodied the idea: the torrents of words, ideas, and exhortations that rolled from his tongue held his hearers spellbound.The material reflects the breadth of Goff's mind and interests. A lifelong lover of the music of Debussy, he devotes much of one session to the composer's influence on his architectural work. To paraphrase Goff on music and architecture, ideas, not forms, are the best starting point for structures-and he once designed a house starting with the requirement that it have a revolving door. Goff praises traditional Japanese culture for its homogeneity-and immediately urges his students not to be daunted by the problems of diversity.Recalling the enthusiasm Goff's students felt for the future of architecture, Welch points out that the material is as pertinent today as it was when Goff delivered it.…

hardcover. Condición: Very Good. Jacket in Very Good condition. No markings on text. Historic Oklahoma Bookstore on Route 66. Packages shipped daily, Mon-Friday.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. First Edition. A compilation based on tapes of conversations and lectures of the acrhitect who was the contemporary of Frank Lloyd Wright, Louis Sullivan, and Mies Van der Rohe. Mild sun fading to the spine. A very good to fine copy.

Paperback. Condición: New. Architect Bruce Goff was not afraid to be different. One of the most innovative designers the United States has produced in the twentieth century-a member of a select band that included Frank Lloyd Wright (with whom Goff worked), Louis Sullivan, and Mies Van der Rohe-he rode the crest of the architectural wave that swept through the country with the post-World War II technological revolution.In the 1950s, when Goff was head of the University of Oklahoma School of Architecture, Oklahoma emerged as the nation's most daring, avant-garde training ground in the discipline. This book, edited by Philip B. Welch, is compiled from tapes recorded with Goff's permission by Welch, who was one of Goff's students, a longtime friend, and himself a prominent teacher of architecture. Goff on Goff embodies some of the architect's most stimulating lectures and conversations. They have never before been available to readers.Goff's now-legendary teaching method was to throw his students back onto themselves. He stressed honesty: honesty to materials and honesty to the creative impulse, the client, the total environment. An advocate of Gertrude Stein's ""continuous present,"" Goff himself embodied the idea: the torrents of words, ideas, and exhortations that rolled from his tongue held his hearers spellbound.The material reflects the breadth of Goff's mind and interests. A lifelong lover of the music of Debussy, he devotes much of one session to the composer's influence on his architectural work. To paraphrase Goff on music and architecture, ideas, not forms, are the best starting point for structures-and he once designed a house starting with the requirement that it have a revolving door. Goff praises traditional Japanese culture for its homogeneity-and immediately urges his students not to be daunted by the problems of diversity.Recalling the enthusiasm Goff's students felt for the future of architecture, Welch points out that the material is as pertinent today as it was when Goff delivered it.…

Paperback. Condición: Brand New. reprint edition. 338 pages. 8.25x5.50x1.00 inches. In Stock.

Kartoniert / Broschiert. Condición: New.

Paperback. Condición: New. Architect Bruce Goff was not afraid to be different. One of the most innovative designers the United States has produced in the twentieth century-a member of a select band that included Frank Lloyd Wright (with whom Goff worked), Louis Sullivan, and Mies Van der Rohe-he rode the crest of the architectural wave that swept through the country with the post-World War II technological revolution.In the 1950s, when Goff was head of the University of Oklahoma School of Architecture, Oklahoma emerged as the nation's most daring, avant-garde training ground in the discipline. This book, edited by Philip B. Welch, is compiled from tapes recorded with Goff's permission by Welch, who was one of Goff's students, a longtime friend, and himself a prominent teacher of architecture. Goff on Goff embodies some of the architect's most stimulating lectures and conversations. They have never before been available to readers.Goff's now-legendary teaching method was to throw his students back onto themselves. He stressed honesty: honesty to materials and honesty to the creative impulse, the client, the total environment. An advocate of Gertrude Stein's ""continuous present,"" Goff himself embodied the idea: the torrents of words, ideas, and exhortations that rolled from his tongue held his hearers spellbound.The material reflects the breadth of Goff's mind and interests. A lifelong lover of the music of Debussy, he devotes much of one session to the composer's influence on his architectural work. To paraphrase Goff on music and architecture, ideas, not forms, are the best starting point for structures-and he once designed a house starting with the requirement that it have a revolving door. Goff praises traditional Japanese culture for its homogeneity-and immediately urges his students not to be daunted by the problems of diversity.Recalling the enthusiasm Goff's students felt for the future of architecture, Welch points out that the material is as pertinent today as it was when Goff delivered it.…

Hardcover.

Paperback. Condición: New. Architect Bruce Goff was not afraid to be different. One of the most innovative designers the United States has produced in the twentieth century-a member of a select band that included Frank Lloyd Wright (with whom Goff worked), Louis Sullivan, and Mies Van der Rohe-he rode the crest of the architectural wave that swept through the country with the post-World War II technological revolution.In the 1950s, when Goff was head of the University of Oklahoma School of Architecture, Oklahoma emerged as the nation's most daring, avant-garde training ground in the discipline. This book, edited by Philip B. Welch, is compiled from tapes recorded with Goff's permission by Welch, who was one of Goff's students, a longtime friend, and himself a prominent teacher of architecture. Goff on Goff embodies some of the architect's most stimulating lectures and conversations. They have never before been available to readers.Goff's now-legendary teaching method was to throw his students back onto themselves. He stressed honesty: honesty to materials and honesty to the creative impulse, the client, the total environment. An advocate of Gertrude Stein's ""continuous present,"" Goff himself embodied the idea: the torrents of words, ideas, and exhortations that rolled from his tongue held his hearers spellbound.The material reflects the breadth of Goff's mind and interests. A lifelong lover of the music of Debussy, he devotes much of one session to the composer's influence on his architectural work. To paraphrase Goff on music and architecture, ideas, not forms, are the best starting point for structures-and he once designed a house starting with the requirement that it have a revolving door. Goff praises traditional Japanese culture for its homogeneity-and immediately urges his students not to be daunted by the problems of diversity.Recalling the enthusiasm Goff's students felt for the future of architecture, Welch points out that the material is as pertinent today as it was when Goff delivered it.…