Peucker brigitte (127 resultados)

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Pictorial Softcover. Paperback. Condición: Near Fine. Estado de la sobrecubierta: No Jacket, as Issued. 1st Edition. Pictorial Stiff Wraps, Paperback. A bright, clean, tight copy. Ink underlining on 4 of the 256 total pages (priced accordingly)."Focusing on intermediality, "The Material Image" situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns." GB12. …

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

tan cloth hardbound 8vo. 8º (octavo). dustwrapper in protective plastic book jacket cover. pencil marked copy. good cond. binding square & tight. covers clean. edges clean. approximately 50 pages with faint tiny pencil marks in the margin here and there & a few pencil notes (erasable). dustwrapper in fine cond. not worn or torn or price clipped (no price listed). no library markings or store stamps, no stickers or bookplates, no names, no inking , no remainder markings etc ~. first edition. first printing ( # 1 in # line). review copy card from Publisher laid in. x+232p. notes. index. poetry. literary criticism. philosophy. romanticism. goethe. novalis. rilke. ~ In this account of the personal fictions devised by German Romantic poets and their descendants to enable writing, Brigitte Peucker argues that the celestial longings of the Romantic lyric are overborne by intimations about nearer sources of inspiration. What takes precedence is a buried site that is at once underworld and unconscious; and the descent to that natural origin proves at the same time to have been a descent through the literary tradition. From the origins of this tradition the poet is also estranged by the mediation of intervening poets, especially Goethe, Novalis, and Holderlin, to whom Peucker devotes a first chapter. This and the ensuing four chapters argue that what lyric descent in this tradition always encounters and fails to transmute is the organicism of Goethe. Joseph von Eichendorff subtly criticizes Novalis for having failed to rid himself of Goethe's influence by having merely inverted its terms, but Eichendorffs preoccupation with "voices in the ground" shows that he continues to wrestle with the same alternatives. Identifying myths of transcendence with the male literary tradition, Annette von Droste~Hiilshoff turns back to the world of natural process, discovering a daemonic figure of her poetic self in that world, only to find Goethe there before her. Holderlin's revisionary view of Goethe as an emblem both of ascent and descent~as patriarch and child of nature~becomes exemplary for modern poets, so much so that he rather than Goethe becomes the chief ancestral rival of Rainer Maria Rilke and Georg Trakl, Especially in the Sonnets to Orpheus, Rilke identifies the subterranean voice of Orpheus~Holderlin with Goethean organicism and celebrates writing by contrast as a medium detached from all originary determinacies. Trakl understands the language of lyric to be overburdened with accumulated meanings, and empties it of its content in order to recover a "pure language" ~a nonreferential state of nature which then becomes, ironically, still another version of organic immediacy.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Cloth. Condición: Near Fine. Near Fine. First Edition. 232pgs, signed by the author, very nice copy.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Hardcover. First edition. First printing, fine hardcover in near fine jacket showing some mild shelf wear. 232 pages. Nice copy of "this account of the personal fictions devised by German Romantic poets and their descendants to enable writing, Brigitte Peucker argues that the celestial longings of the Romantic lyric are overborne by intimations about nearer sources of inspiration" Near Fine in Near Fine Dust Jacket.…

Condición: New.

Paperback or Softback. Condición: New. The Material Image: Art and the Real in Film. Book.

Condición: New.

Paperback. Condición: New. Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is "real" even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the body-images and the real-are juxtaposed and entwined in a set of relations.…

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First edition. Near fine in near fine dust jacket. (Pages: 232).

(1987). First edition, first printing. Fine in a fine dust jacket. 232 pages, including index. Both confirms the important role of the Romantic tradition in German lyric poetry and deepens our understanding of it."--Ronald Salter. "Will substantially and irresistibly change our interpretation of romantic poetry."--Peter Demetz.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: new.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 272.

Condición: New. Focusing on intermediality, The Material Image situates film within questions of representation familiar from painting and theatrical practices. Series: Cultural Memory in the Present. Num Pages: 272 pages. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 153 x 15. Weight in Grams: 372. . 2006. 1st Edition. Paperback. . . . . …

Condición: New. In English.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Paperback. Condición: Brand New. 1st edition. 251 pages. 8.75x6.00x0.50 inches. In Stock.

Condición: New. pp. 272.

Paperback. Condición: Brand New. 210 pages. 9.00x6.00x0.23 inches. In Stock.

Condición: As New. Unread book in perfect condition.