Peter voulkos (38 resultados)

First Edition. Softcover. First Edition. Published in conjunction with an exhibition held from January 21 through April 8, 2012, at Scripps College in Claremont. Near Fine in perfect-bound wrappers.

Soft cover. Condición: Near Fine. Book: Near Fine/, $33.80 50`s ABSTRACT. A summary of Los Angeles painting from 1957 through 1960. * REED, Dennis; KIENHOLZ, Edward; SMITH, Vic; VOULKOS, Peter; McLAUGHLIN, John; LUNDEBERG, Helen; JARVAISE, James; FRANCIS, Sam; FOULKES, Llyn; et al Conejo Valley Art Museum Thousand Oaks, California * * * * * 1980 UnStated 1sT Edition Tall Wide S/c Two Stapled Off White Spine With No Title Soft Cover Book: Near Fine/, Shelf, Edge And Corner Wear. Spine Is Tight. Pages Printed On 0ff~White Paper, Clean And Tight To The Spine, In Fine/ Condition. Appears To Be Lightly Viewed. D/j: None This Book Will Be Sent Wrapped In Plastic, Taped Shut And In A = Padded Mailing Envelope * To Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This B00K, Only. = No Odors, No Writing, No Names, No Rippling, Not Stuck Together, No Book Plate, Not X~Library, No Other Marks. = Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE *. 1980 Book: Near Fine/, (ilustrador).…

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Very Good. Houston: Contemporary Arts Museum, 1978. Three panel folding invitation card for a show held June 10 - July 30, 1978, with an essay by Jean Romeril and a reproduction in sepia of the sculpture "Hall of Justice". Two HCA ink stamps to rear panel; wraps creased, else VG or better.…

Soft cover. Condición: Very good. No jacket. 1st edition. Cover is rubbed, worn and creased on corners, and creased along length of spine, but text and images are clear and bright. Spine is cracked, but all pages are secure. Inside is clean and unmarked.

First Edition. First edition. Softcover. 191 pages. Published in conjunction an exhibition that ran July 22 through November 12, 1995 at the Oakland Museum and then traveled to several other locations for additional dates. Features a foreword by Dennis M. Powers, an introduction by Rose Slivka and texts by Slivka and Karen Tsuijimoto. Includes numerous color and black and white illustrations, a chronology by Sam Jornlin and Garna G. Muller, a checklist, a list of previous exhibitions compiled by Garna G. Muller and Susan Starling, a bibliography, and an index. A clean very near fine copy in wrappers.…

Condición: Good. Sq. 4to.; wraps. [16] pp. Eng. Ill. 24 black & white plates. Essay. Exhib. 14 Oct, 1972 - 14 Jan, 1973. Stamped ex-lib. copy P. Iannetti int. fr. cover; title p. Some cover wear; else VG.

Soft cover. Condición: Fine. No jacket. 1st edition. Light shelfwear.

Square 4to, unpaged; black and white photographic illustrations throughout; original white pictorial staplebound wrappers, back cover toned along spine and fore-edge, else fine. Catalogue for an exhibition held at the Museum, October 14, 1972 through January 14, 1973.

Staplebound. Condición: VG. Quarto. Staplebound exhibition catalog. Pictorial wraps. 32 pages : illustrations ; 26 cm. Catalog of the exhibition held Sept. 7-26, 1999, at Mussi Artworks Foundry Gallery, Berkeley, California.

Condición: Good. Stapled 4to., printed wraps. 32 pp. Eng. Ill. 22 color & 1 black & white plates / 23 works; 6 black & white photo reprod. Essay. Fine.

112 pp.; 24.5 x 20 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at ICA Institute of Contemporary Art, University of Pennsylvania, January 16 - June 21, 2009. Traveled to Walker Art Center, Minneapolis, July 11 - November 29, 2009. Organized and with an introduction by Ingrid Schaffner and Jenelle Porter. Texts by Ingrid Schaffner, Jenelle Porter, and Glenn Adamson. Artists include Robert Arneson, Lucio Fontana, Beverly Semmes, Paul Swenbeck, Eugene Von Bruenchenhein, Peter Voulkos, Ann Agee, Nicole Cherubini, Viola Frey, Jessica Jackson Hutchins, Ken Price, Sterling Ruby, Arlene Shechet, Betty Woodman, Jane Irish, Jeffrey Mitchell, Ron Nagle, Adrian Saxe, Glenn Adamson, Kathy Butterly, George Ohr, Rudolf Staffel, and Beatrice Wood. Includes exhibition checklist. Good / Very Good. Significant creasing across verso cover. Light rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Condición: Good. 8vo. [32] pp. Soft Cover. Stapled Wraps. Color and black and white illustrations throughout. Dedication to Peter Selz from Voulkos, dated '99 in ink on inside cover. Included is the checklist list of 37 works in the exhibition. Very Good, edge wear to covers.Provenance: From the collection of UC Berkeley art historian Peter Selz (1919 - 2019).…

4°, 144 S., zahlr. teilw. farb. Abb., OLwd. m. OU., OU gebrauchsspurig, min. Verletzung beim Gelenk , sonst tadell. Mit den Künstlern: Peter Voulkos, John Mason, Kenneth Price, Robert Arneson, David Gilhooly u. Richard Shaw. Anlässlich der Ausstellung im Whitney Museum, New York. Text engl. 1200 gr. Schlagworte: Kunst - Ausstellungen, Sammlungen. …

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good-. 0DJ has wrinkles; 11.8110236100 X 9.1338582584 X 1.1023622036 inches; 192 pages.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 1st Edition. 1st edition, 1st printing. edge wear, creasing, some scuffing, fading on dust jacket. name written on upper corner of free facing end page. text is unmarked. binding tight.

Hardcover. Condición: New. Clay?s Tectonic Shift focuses on artists John Mason (b. 1927), Kenneth Price (1935-2012), and Peter Voulkos (1924?2002) and their radical early work in postwar Los Angeles where they formed the vanguard of a new California ceramics movement. The three artists broke from the craft tradition that emphasized the function of a piece. Experimenting with scale, surface, color, and volume, their work was instrumental in elevating ceramics from a craft to a fine art. Earlier exhibitions and publications stated that key innovations in this new ceramics movement were made at the Otis Art institute and that its direction was defined by a group of students surrounding the charismatic leader Voulkos. The truth is that the new trend in ceramics was driven by the works that Price, Mason, and Voulkos made in a subsequent, independent phase when they were working as professional artists in Los Angeles, and the goal of Clay?s Tectonic Shift is to correct that misperception. These three artists followed individual paths as they willfully propelled a new use of the medium into the mainstream professional arena, where it was widely recognized and documented. An exhibition of the same name will be on view at the Ruth Chandler Williamson Gallery at Scripps College from January 21 through April 8, 2012, as part of Pacific Standard Time, a collaboration of more than sixty cultural institutions across Southern California to tell the story of the birth of the Los Angeles art scene.…

Condición: Good. 11 x 17 inches. Very Good. Single sheet, printed both sides, and folded twice. Light shelf wear. Wear on folds, and starting at top fold. Postmarked to Gerald Nordland. Extremely Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.…

81 pp.; 21.5 x 30.4 cm.; staple bound; black-and-white & color; edition size 6200; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "The Museum as Site : Sixteen Projects," the second exhibtion in the two-part exhibition "Art in Los Angeles," held July 21 - October 4, 1981. Curated by Stephanie Barron. Photographs by Robbert Flick. Artists included in the "Museum as Site: Sixteen Projects" exhibition are Robert Irwin, Lloyd Hamrol, Terry Schoonhoven, Karen Carson, Jay McCafferty, Robert Graham, Michael Asher, Michael Brewster, John Baldessari, Roland Reiss, Richard Jackson, Michael C. McMillen, Jonathan Borofsky, Alexis Smith, Chris Burden, and Eric Orr. Includes exhibition histories and exhibition floorplans. Includes the floorplan for the first "Art in Los Angeles" exhibition "Seventeen Artists in the Sixties," curated by Maurice Tuchman, which included artists Larry Bell, Billy Al Bengston, Wallace Berman, Ronald Davis, Richard Diebenkorn, Sam Francis, Joe Goode, David Hockney, Craig Kauffman, Edward Kienholz, John McLaughlin, Edward Moses, Bruce Nauman, Kenneth Price, Edward Ruscha, and Peter Voulkos. Good / Very Good. Rubbing of cover edges. Vertical creasing across recto and verso. Light scratching of covers. 2 cm. original pricing sticker on recto. 3.5 cm. dog-ear to top left corner of verso. Light bumping of top right corner of page. Contents clean and unmarked.…

First Edition. Softcover. First Edition. Catalog for an exhibition held from April 14 through June 20, 1965, at the Los Angeles County Museum of Art. Very Good plus in saddle-stapled wrappers.

Condición: Good. 4to. [ca 40 pp.]. Very Good. Soft Cover. Illustrated paper wraps. Spiral binding. Crease on verso, and signs of handling. B&W plates; reproductions of letters, certificates, sketches. Three newspaper clippings laid in. Extremely Scarce.Peter Voulkos was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. He established the ceramics department at the Los Angeles County Art Institute and at UC Berkeley.From the Collection of the Art Historian Peter Selz (1919-2019).…

Poster for a show that ran October 28 through November 28, 1975. Measures 16.75" high by 10.5" wide when open. Features a work by each artist. A near fine machine folded copy. Uncommon.

Condición: Good. 8.5 x 5.5 inches. Very Good. Single sheet, printed both sides. Light wrinkle and creasing. Extremely Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright. …

Condición: Good. 7.5 x 11.5 inches. Very Good. Single sheet, printed both sides, folded once. Light wear from handling. Extremely Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.…

Condición: Good. 8.5 x 11 inches. Very Good. Single sheet, printed one side, folded once. Blank on inside. Extremely Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright. …

Condición: Good. Single Sheet 11 x 8.5 inches, with one fold. Very Good. Crease on verso, and signs of handling. B&W plate. Extremely Scarce.Peter Voulkos was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. He established the ceramics department at the Los Angeles County Art Institute and at UC Berkeley.From the Collection of the Art Historian Peter Selz (1919-2019).…

Condición: Good. Single Sheet 12 x 9 inches, folded into 8 pages. Very Good+. B&W plates; essay. Published on the occasion of the memorial service. Extremely Scarce.From the Collection of the Art Historian Peter Selz (1919-2019).

Black Dog Publishing, London 2016. 4to. 207 pages. Paperback. Very Good.

Softcover in cardboard slipcase with paper title label, 168 pages, in English and Japanese; good condition; tear to spine; no internal marks. Foreign shipping may be extra.

Condición: Very Good +. First Edition. San Francisco: Intersection, 1968. First Edition. Oblong octavo (15cm); 64pp. With single-sided map (31.5x45.5cm), as issued. Publisher?s stiff orange wraps; staple-bound. Black-and-white photographs throughout. Wraps lightly bumped; spine toned. Binding sound. Textblock, endsheets, and interior pages clean, if lightly toned. Map creased from pervious folding; toned along creases. Very Good or better. Catalog of a city-wide exhibition celebrating two decades of underground art. Map lists all participating galleries, including Lucien Labaudt, Cellini, and Arline Lind. Among the featured artists were Kenneth Patchen, Peter Voulkos, Imogen Cunningham, Ron Boise, and many others. …