Kienholz edward (388 resultados)

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condición: New. 1st Edition. Published on the occasion of "Edward and Nancy Reddin Kienholz: The Hoerengracht" at the Museum of Contemporary Art, San Diego 31 October 1993 - 20 January 1994. Includes a preface by Hugh M. Davies, Director, and Kathryn Kanjo, Assistant Curator, and the essay "The Hoerengracht" by William Wilson. Softcover, 32 pages. Still sealed; new.…

Paperback. Condición: Very Good. 32 page paperback exhibition catalog with color illustrations. Exhibition was held at Museum of Contemporary Art, San Diego October 31, 1993 through January 20, 1994. No flaws - unmarked, tight and clean.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Good. 100% Satisfaction Guaranteed.

Paperback. Condición: New. . . . . 4to, paperback. NEW. No wear inside or out: crisp, clean - pristine, color illus. art modern contemporary assemblage.

Condición: Fine. gift quality. 1 40 p. Includes illustrations. The catalogue of an exhibition at L. A. Louver, Venice, California, January 24-March 3, 2012.

paperback. Condición: As New. Used softcover like new. No spine creases, breaks, writing, highlighting or underlining. Clean, sharp serviceable copy.

First Edition. First edition. Softcover. 52 pages. Exhibition catalog for a show that ran March 13 through April 26, 2014. Features essays by David Anfam and Tom Preiss. Includes numerous color and black and white illustrations. A near fine copy in wrappers.

Soft cover. Condición: Good. No Jacket. Edward and Nancy Kienholz: The Merry-Go-World or Begat By Chance and The Wonder Horse Trigger. Nancy Kienholz, Edward Kienholz. L.A. Louver Gallery. 2020. 84p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked, front acetate title page nearly detached (reproduced on the next non-acetate page)--7.00.…

Trade Paperback. Condición: Used - Very Good. Open copy. Slight scratching/scuffing on cover. Interior pages in very nice condition. Book has minor shelf wear. Sold as is.

Trade Paperback. Condición: New.

Paperback. Condición: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Soft cover. Condición: Near Fine. 1st Edition. Tiny bump to heel, else fine catalog. BP/Art.

Paperback. Condición: Good. First Edition. A good first edition (spine bumped with tears, some edge wear).

Paperback. Condición: Fine. 1st. 55 pages, illustrations (chiefly colour), portraits; 27 cm. Published on the occasion of the exhibition "Kienholz: The Hoerengracht" held at the National Gallery, London, 18 November 2009 to 21 February 2010. Firm binding, clean inside copy. *** "'The Hoerengracht' (1983-88) is an installation artwork by Ed Kienholz (American, 1927-1994) and his wife, Nancy Reddin Kienholz. This tableau - a surprising sight in the National Gallery - is a walk-through evocation of Amsterdam's red-light district, with glowing windows and claustrophobic streets. With its statements on morality, vanitas and composition of secret spaces and receding views, 'The Hoerengracht' resonates powerfully with painting by Dutch masters of the 17th century. The work was the last major piece made by the Kienholzes before Ed died and remains a major reference point for contemporary artists such as Mike Kelley, Paul McCarthy and Damien Hirst. The generously illustrated catalogue positions 'The Hoerengracht' and Kienholz in a new perspective." - Publisher. Size: 4to. Collectible. …

Hardcover with dustjacket, 128 pages, in English; very good condition; crimps to upper right corner of covers and dj; no internal marks. Foreign shipping may be extra.

Softcover, 54 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.

paperback. Condición: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Trade Paperback. Condición: Very Good. First Edition. A very good copy of the first edition. Slight rubbing to wrappers. 145, [1] pages. Spine title: Tableau Drawings. Catalogue of the exhibition of graphic works and other pieces by Edward and Nancy Reddin Kienholz at LA Louver, March 1-31, 2001. Includes 'tableaux chronology', with commentary by Nancy Reddin Kienholz; foreword by Peter Goulds; main essay by Livingstone.Over 100 Color & b/w Photographs. …

softcover. Condición: Collectible; Like New. First Edition; First Printing. Numerous full page color plates. Foreword by Lisa Jann and Peter Goulds. Published on the occasion of the exhibition at the L. A. Louver, Venice CA, 24 February - 2 April, 2016. ; Tight, clean and crisp. A faint hint of wear to bottom front corner, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library.…

softcover. Condición: Collectible; Very Good. First Edition; First Printing. Numerous full page color plates. Foreword by Peter Goulds. Introduction by Lisa Jann. Essay by Nancy Kienholz. Published on the occasion of the exhibition at Louver Gallery, Venice, CA, 24 October, 24, 2019 - 18 January 2020. ; Tight, clean and crisp. A couple of scratches to cover, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library.…

Paperback. Condición: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Hardcover. First edition. Very Good+ hardcover with a couple of light scuffs, small bumps to the tips, and a vertical crease to the back cover; appears to be new otherwise; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for an exhibition of work by Edward and Nancy Kienholz, held at Haunch of Venison, London, October 7 - November 9, 2005. Essays by Marco Livingstone and Craig Burnett; foreword by Graham Southern. From an edition limited to 1250 unnumbered copies. 96 pages; profusely illustrated in color; 9.75 x 11.75 inches. Biography, list of works.…

Paperback. Condición: New. Estado de la sobrecubierta: Art, Contemporary, Modern. . . . . 4to, paperback. NEW. No wear inside or out: crisp, clean - pristine. 50 pp., illus.

Softcover, 40 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

softcover. Condición: Collectible; Very Good. First Edition; First Printing. Numerous full page color plates. Foreword by Peter Goulds. Published on the occasion of the exhibition at Louver Gallery, Venice, CA, September 26 - October, 24, 1992. ; Tight, clean and crisp. A hint of very light shelf wear, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library.…

Paperback. Condición: Good. First Edition. A good first edition (general shelf wear; spine title hand-lettered - spine is otherwise blank).

Paperback. Condición: Fine. 1st. 145 pages, illustrations (some colour); 27 cm. Catalogue of an exhibition held at L.A. Louver, March 1 to 31, 2001. Firm binding, clean inside copy. Richly illustrated with colour plates. *** "Drawings are conventionally thought of as handmade objects, on a flat surface, that can be hung on a wall. The works that Edward Kienholz termed drawings are, like his freestanding sculptures, assemblages of things found ready-made. They appeared as early as 1961, the year in which Kienholz produced the first of the room-sized sculptural tableaux that became synonymous with his name. The evolution of the drawings runs precisely parallel with that of the tableaux, stretching across the whole of his career, first as a sculptor working alone, and from 1972 in collaboration with his wife, Nancy Reddin Kienholz.Includes original text and an historical chronology by Nancy Reddin Kienholz, and an essay by Marco Livingstone, a London-based art historian, curator, and writer." - Publisher. Size: 4to. Collectible.…