Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Publicado por The Scarecrow Press, Lanham, 2012
Librería: North Books: Used & Rare, Manchester, NH, Estados Unidos de America
Original o primera edición
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Añadir al carritoHardcover. First Edition, First Printing. 6.25 x 9.25in. vi. 257pp. Publisher's printed laminate boards. FINE/AS NEW. A flawless copy. As pictured.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Librería: Eat My Words Books, Minneapolis, MN, Estados Unidos de America
Ejemplar firmado
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Añadir al carritoHardcover. Condición: Near Fine. Inscribed by Peter Parshall to one of the acknowledged helpful readers. Binding is solid. Pages unmarked and barely aged. Glossy cover has little or no wear. No dustjacket, as issued. ; 152.4 X 19.05 X 9 millimeters; 264 pages; Signed by Author.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Librería: Ria Christie Collections, Uxbridge, Reino Unido
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Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Añadir al carritoHardback. Condición: New. In American cinema, films with multiple plots can be traced back to Grand Hotel in 1932, but the form was used only sporadically in subsequent decades. However, filmmakers of the 1970s and 80s, notably Robert Altman and Woody Allen, repeatedly employed complex narratives to weave sprawling stories in their films. Later filmmakers such as Quentin Tarantino, Paul Thomas Anderson, Wong Kar-Wai, Steven Soderbergh, and Paul Haggis embraced multiple plotlines, a device that eventually achieved mainstream respectability in such Oscar winners as Traffic and Crash. In the past two decades, more than 200 films utilizing some variation of this format have appeared worldwide. In Altman and After: Multiple Narratives in Film, Peter Parshall carefully examines films that feature various plotlines. Parshall asserts that although this form may lose some of the close psychological identification and forward drive of linear narratives, such films gain a corresponding strength by developing thematic relationships in the various story lines.In each of these chapters, Parshall examines a different example of the multi-plot form, such as network narrative and the multiple-draft narrative, demonstrating that the structure of each is central to their artistry. He also argues that these devices open up a variety of creative vistas, a strength that appeals to directors and audiences alike. Films studied in this book include Nashville, Pulp Fiction, Amores Perros, Code Unknown, The Edge of Heaven, Virgin Stripped Bare by Her Bachelors, The Double Life of Veronique, and Run Lola Run. A long overdue examination of this unique cinematic form, Altman and After will appeal to scholars, students, and fans eager to learn more about complex-narrative films.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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EUR 159,34
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Añadir al carritoHardcover. Condición: Brand New. 264 pages. 9.10x6.20x1.00 inches. In Stock.
EUR 116,01
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Añadir al carritoHardback. Condición: New. In American cinema, films with multiple plots can be traced back to Grand Hotel in 1932, but the form was used only sporadically in subsequent decades. However, filmmakers of the 1970s and 80s, notably Robert Altman and Woody Allen, repeatedly employed complex narratives to weave sprawling stories in their films. Later filmmakers such as Quentin Tarantino, Paul Thomas Anderson, Wong Kar-Wai, Steven Soderbergh, and Paul Haggis embraced multiple plotlines, a device that eventually achieved mainstream respectability in such Oscar winners as Traffic and Crash. In the past two decades, more than 200 films utilizing some variation of this format have appeared worldwide. In Altman and After: Multiple Narratives in Film, Peter Parshall carefully examines films that feature various plotlines. Parshall asserts that although this form may lose some of the close psychological identification and forward drive of linear narratives, such films gain a corresponding strength by developing thematic relationships in the various story lines.In each of these chapters, Parshall examines a different example of the multi-plot form, such as network narrative and the multiple-draft narrative, demonstrating that the structure of each is central to their artistry. He also argues that these devices open up a variety of creative vistas, a strength that appeals to directors and audiences alike. Films studied in this book include Nashville, Pulp Fiction, Amores Perros, Code Unknown, The Edge of Heaven, Virgin Stripped Bare by Her Bachelors, The Double Life of Veronique, and Run Lola Run. A long overdue examination of this unique cinematic form, Altman and After will appeal to scholars, students, and fans eager to learn more about complex-narrative films.
Idioma: Inglés
Publicado por Bloomsbury Publishing (UK), 2012
ISBN 10: 0810885069 ISBN 13: 9780810885066
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 98,82
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Añadir al carritoHRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Idioma: Inglés
Publicado por Bloomsbury Publishing (UK), 2012
ISBN 10: 0810885069 ISBN 13: 9780810885066
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
EUR 105,10
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Librería: moluna, Greven, Alemania
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Añadir al carritoGebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorrnrnPeter F. Parshall is Professor Emeritus of Film and Literature, Rose-Hulman Institute of Technology.InhaltsverzeichnisAcknowledgmentsChapter 1: IntroductionThe Potential of Complex Narratives.
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Fotografía Impresión bajo demanda
EUR 141,42
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Añadir al carritoBuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In Altman & After: Multiple Narratives in Film, Peter Parshall carefully examines films that feature various plotlines. In each chapter, Parshall looks at a different example of the multi-plot form, such as network narrative and the multiple-draft narrative, demonstrating that the structure of each is central to their artistry, and that these devices open up a variety of creative vistas. Films studied in this book include Nashville, Pulp Fiction, Amores Perros, Code Unknown, The Edge of Heaven, Virgin Stripped Bare by Her Bachelors, Run Lola Run, and Kieslowski's Three Colors trilogy: Red, White, and Blue.