paul fyfe (145 resultados)

paperback. Condición: Very Good. Fyfe, Andrew Ilustrador. Bunter's Brexit This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condición: Like New. Fyfe, Andrew Ilustrador. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Very Good. Fyfe, Andrew Ilustrador. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Single Issue Magazine. Condición: Very Good. Cover art by Paul Orban with interior art by Edd Cartier, Hubert Rogers and Paul Orban Ilustrador. First Edition, First printing. NY, Smith & Smith Publications, 1949 First Edition 162 pages edited by John W. Campbell, Jr. with stories by Poul Anderson, Arthur C. Clarke, L. Sprague de Camp, H.B. Fyfe and others. Cover art by Paul Orban with interior art by Edd Cartier, Hubert . A very good copy with dust soiling , crease to front cover and first 100 pages., small edge chips,text lightly toned. See Photos whb17E.

Paperback. Condición: Very Good. AQA A-level Geography Fourth Edition This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Hardcover. Condición: Like New. Estado de la sobrecubierta: Very Good. Lisa Fyfe (Jacket Design) Ilustrador. 1st Edition. 304 pp. Solidly bound copy with light signs of use. Dust jacket has small tear in top binding corner. Otherwise, flawless.

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Soft Cover. Condición: Very Good. Paul Orban (front cover) Ilustrador. First Edition. ----------pulp magazine, digest size. COLLECTORS PLEASE NOTE: Astounding changed cover price from 25¢ to 35¢ effective the AUGUST 1951 issue. However, this MARCH 1951 issue bears a cover price of 35¢. The seller feels there are 2 possible reasons for this variant: (1) this is a test issue released in some areas to gauge the acceptability of the coming price increase, or (2) this is the rumoured Canadian edition (this issue was purchased, used, in Canada). Other than the cover price, the only difference between the 25¢ and 35¢ issues is on the copyright page, where the statement "25¢ per Copy" at the bottom of the 25¢ page has been blackened out on the 35¢ page. Notable stories in this issue are Space Fear by Schmitz (part of his Agent of Vega series), and Cole's FIRST story Philosophical Corps. Pen "R" in circle on front cover, small splits to spine extremities, faint cover creases, a VG copy. Back cover advertisement is for Plastic Seat Cover Company.

Single Issue Magazine. Condición: Very Good. Cover art by Van Dongen with interior artwork by Paul Orban, Edd Cartier, Van Dongen Ilustrador. First Edition, First printing. NY, Smith & Smith Publications, 1951 First Edition 170 pages edited by John W. Campbell, Jr. with stories by Hal Clement, Lester Del Rey, H.B. Fyfe, Eric Frank Russell and others. Cover art by Van Dongen with interior artwork by Paul Orban, Edd Cartier, Van Dongen. A very good copy with light dust soiling, small chip to rear cover, text lightly toned, small creases. See Photos whb17E.

Paperback. Condición: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Paperback. Condición: Used; Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Paperback. Condición: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Paperback. Condición: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Hard Cover. Condición: Fine. Estado de la sobrecubierta: Very Good.

Soft cover. Condición: New. 1st Edition. Flawless, unread. No marks in text. No inscriptions etc. Not a library book. Ships today in a cardboard enclosure. Tim's Used Books, open shop in Provincetown, Massachusetts, providing good books at reasonable prices on the same spot since 1991.

paperback. Condición: Like New. Like new paperback copy (NOT ex-library). Spine is uncreased, binding tight and sturdy; text also very good. Exterior looks great, shelfwear is very minor. An excellent copy. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.

Mass Market Paperback. Condición: Very Good. Bergey, Earle; Orban, Paul; Gari; Ebel, Alex; Emsh, Ed; Raymond Ilustrador. First Edition. UK edition. Contents similar to November 1952 US issue but without most of the non-fiction. Contains Moonwalk by Fyfe; 'Be Fruitful and Multiply' by Shaara; 'Unto Him that Hath' by St. John; 'A Lack of Versimilitude' by Sheldon; 'Walk to the World' by Budrys; 'Hero's Way' by Merril; articles by Shaw and del Rey and an editorial by del Rey. Heavy chipping and tearing to the spine with some surface loss at the top and bottom. Creasing to the front cover. The page edges are browned with some spotting and there is some staining to the edges of the pages at the front. Browning to the pages which are generally otherwise unmarked. Cover art by Bergey and interior illustrations by Ebel, Emsh, Gari, Orban and Raymond. Postage charge will be reduced by £1.50 when the order is processed.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Mass Market Paperback. Condición: Good. Valigursky, Ed; Orban, Paul; ; Fagg, Ken; Emsh, Ed; Beecham, Tom; Finlay, Virgi; Freas, Kelly; Brush Ilustrador. First Edition. UK edition. Includes 9 of the 10 stories in the July 1953 US edition and has the same cover art by Ken Fagg. The Lombino (Evan Hunter) story is missing. Contains Sjambak by Vance (illustrated by Finlay), Brink of Madness by Sheldon (illustrated by Freas), Irresistible Weapon by Fyfe (illustrated by Emsh), A Bottle of Old Wine by Lewis (illustrated by Freas), Celebrity by McKimmey (illustrated by Orban), One Martian Afternoon by Leahy (illustrated by Brush), Weak on Square Roots by Burton (illustated by Beecham), The Lonely Ones by Ludwig (illustrated by Orban) and Progress Report by Clifton and Apostolides (illustrated by Orban). There are large stains across the bottom corners of the front and back covers, creasing to the front cover and the back cover has a two inch piece missing from the top left corner. The spine is a little worn. Light page browning but the pages are otherwise unmarked. Postage charge will be reduced by £1.50 when the order is processed.

Soft Cover. Condición: Like New. Peter Field Peck (Photos); Lisa Fyfe (Cover Design) Ilustrador. Copyright 2001. 145 pp. Author's Note and Inscription!!! Clean, fresh copy with very minor shelf wear on front and back cover, crisp pages and clean text. Author's Note & Inscription!!!

Paperback. Condición: New. Perhaps no period better clarifies our current crisis of digital information than the nineteenth century. Self-aware about its own epochal telecommunications changes and awash in a flood of print, the nineteenth century confronted the consequences of its media shifts in ways that still define contemporary responses. In this authoritative new work, Paul Fyfe argues that writing about Victorian new media continues to shape reactions to digital change. Among its unexpected legacies are what we call digital humanities, characterized by the self-reflexiveness, disciplinary reconfigurations, and debates that have made us digital Victorians, so to speak, struggling again to resituate humanities practices amid another technological revolution. Engaging with writers such as Thomas De Quincey, George Eliot, George du Maurier, Henry James, and Robert Louis Stevenson who confronted the new media of their day, Fyfe shows how we have inherited Victorian anxieties about quantitative and machine-driven reading, professional obsolescence in the face of new technology, and more-telling a longer history of how writers, readers, and scholars adapt to dramatically changing media ecologies, then and now. The result is a predigital history for the digital humanities through nineteenth-century encounters with telecommunication networks, privacy intrusions, quantitative reading methods, remediation, and their effects on literary professionals. As Fyfe demonstrates, well before computers, the Victorians were already digital.

Paperback or Softback. Condición: New. Digital Victorians: From Nineteenth-Century Media to Digital Humanities. Book.

First Edition. SPACEWAY SCIENCE FICTION, Fantasy Publication Co., Inc., February, 1955, first edition, Volume 2, #3, near fine in color pictorial wraps with artwork by Paul Blaisdell. Contains original contributions by H. B. Fyfe, Jeff Sutton, John Taine, A. E. Van Vogt (on Dianetics), Forrest Ackerman, et.al.

Paperback. Condición: new. Paperback. Perhaps no period better clarifies our current crisis of digital information than the nineteenth century. Self-aware about its own epochal telecommunications changes and awash in a flood of print, the nineteenth century confronted the consequences of its media shifts in ways that still define contemporary responses. In this authoritative new work, Paul Fyfe argues that writing about Victorian new media continues to shape reactions to digital change. Among its unexpected legacies are what we call digital humanities, characterized by the self-reflexiveness, disciplinary reconfigurations, and debates that have made us digital Victorians, so to speak, struggling again to resituate humanities practices amid another technological revolution. Engaging with writers such as Thomas De Quincey, George Eliot, George du Maurier, Henry James, and Robert Louis Stevenson who confronted the new media of their day, Fyfe shows how we have inherited Victorian anxieties about quantitative and machine-driven reading, professional obsolescence in the face of new technology, and moretelling a longer history of how writers, readers, and scholars adapt to dramatically changing media ecologies, then and now. The result is a predigital history for the digital humanities through nineteenth-century encounters with telecommunication networks, privacy intrusions, quantitative reading methods, remediation, and their effects on literary professionals. As Fyfe demonstrates, well before computers, the Victorians were already digital. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: Brand New. 423 pages. 8.00x5.25x1.06 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: new.

Paperback. Condición: New. Perhaps no period better clarifies our current crisis of digital information than the nineteenth century. Self-aware about its own epochal telecommunications changes and awash in a flood of print, the nineteenth century confronted the consequences of its media shifts in ways that still define contemporary responses. In this authoritative new work, Paul Fyfe argues that writing about Victorian new media continues to shape reactions to digital change. Among its unexpected legacies are what we call digital humanities, characterized by the self-reflexiveness, disciplinary reconfigurations, and debates that have made us digital Victorians, so to speak, struggling again to resituate humanities practices amid another technological revolution. Engaging with writers such as Thomas De Quincey, George Eliot, George du Maurier, Henry James, and Robert Louis Stevenson who confronted the new media of their day, Fyfe shows how we have inherited Victorian anxieties about quantitative and machine-driven reading, professional obsolescence in the face of new technology, and more-telling a longer history of how writers, readers, and scholars adapt to dramatically changing media ecologies, then and now. The result is a predigital history for the digital humanities through nineteenth-century encounters with telecommunication networks, privacy intrusions, quantitative reading methods, remediation, and their effects on literary professionals. As Fyfe demonstrates, well before computers, the Victorians were already digital.