Palazzo michela (13 resultados)

Condición: new.

Hardback. Condición: New. The Monochrome of the Sala delle Asse is a portion of wall decoration left at the drawing stage and represents the roots of one of the sixteen mulberry trees that, regularly spaced on the walls of the room, intertwine above to create a polychrome arboreal pavilion on the vault. The decoration of the room, which was never completed, is historically tied to the name of Leonardo da Vinci by a letter written in April 1498 by Gualtiero da Bascapé, the secretary of Ludovico il Moro, to the duke of Milan, explaining that Lunedì si desarmarà la camera grande da le Asse c[i]oè da la tore. Magistro Leonardo promete finirla per tuto Septembre. The room was subjected to radically changing fortunes over the centuries, and was later the object of two complex restoration campaigns, the first carried out between 1893 and 1902 by Luca Beltrami and the second between 1955 and 1956 by Costantino Baroni. This volume provides an account of the result of these restorations. It describes the complex diagnostic research and the technical assessments that form the foundations of a broader project for the conservation of the painted area. Text in English and Italian.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: new. Hardcover. The Monochrome of the Sala delle Asse is a portion of wall decoration left at the drawing stage and represents the roots of one of the sixteen mulberry trees that, regularly spaced on the walls of the room, intertwine above to create a polychrome arboreal pavilion on the vault. The decoration of the room, which was never completed, is historically tied to the name of Leonardo da Vinci by a letter written in April 1498 by Gualtiero da Bascape, the secretary of Ludovico il Moro, to the duke of Milan, explaining that Lunedi si desarmara la camera grande da le Asse c[i]oe da la tore. Magistro Leonardo promete finirla per tuto Septembre. The room was subjected to radically changing fortunes over the centuries, and was later the object of two complex restoration campaigns, the first carried out between 1893 and 1902 by Luca Beltrami and the second between 1955 and 1956 by Costantino Baroni. This volume provides an account of the result of these restorations. It describes the complex diagnostic research and the technical assessments that form the foundations of a broader project for the conservation of the painted area. Text in English and Italian. The Monochrome of the Sala delle Asse is a portion of wall decoration left at the drawing stage and represents the roots of one of the sixteen mulberry trees that, regularly spaced on the walls of the room, intertwine above to create a polychrome arboreal pavilion on the vault. This volume provides an account of the result of these restorations. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: new.

Gebunden. Condición: New. The Monochrome of the Sala delle Asse is a portion of wall decoration left at the drawing stage and represents the roots of one of the sixteen mulberry trees that, regularly spaced on the walls of the room, intertwine above to create a polychrome arboreal p.

Condición: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Buch. Condición: Neu. Neuware - Il cosiddetto 'Monocromo' della sala delle Asse è una porzione di decorazione lasciata a livello di disegno che rappresenta le radici di uno dei sedici alberi di gelso che scandiscono l¿ambiente, i cui rami si intrecciano in alto creando sulla volta un pergolato arboreo policromo. La decorazione della sala, rimasta incompiuta, è storicamente legata al nome di Leonardo da Vinci poiché nell¿aprile del 1498 Gualtiero da Bascapé, segretario di Ludovico il Moro, scrive in una lettera indirizzata al duca di Milano che ¿Lunedì si desarmarà la camera grande da le Asse c(i)oè da la tore. Magistro Leonardo promete finirla per tuto septembre¿. L¿intera sala subì gravi vicissitudini nei secoli e fu poi oggetto di due complessi interventi condotti tra il 1893 e il 1902 sotto la guida di Luca Beltrami e dal 1955 al 1956 sotto la direzione di Costantino Baroni. Il volume dà conto dei risultati dell¿intervento di restauro, delle articolate indagini diagnostiche e delle valutazioni tecniche elaborate anche al fine dell¿avvio del più ampio intervento conservativo sulla parte pittorica. Das Urheberrecht an bibliographischen und produktbeschreibenden Daten und an den bereitgestellten Bildern liegt bei Informazioni Editoriali, I.E. S.r.l., oder beim Herausgeber oder demjenigen, der die Genehmigung erteilt hat. Alle Rechte vorbehalten.…

Hardcover. Condición: new. Hardcover. The Monochrome of the Sala delle Asse is a portion of wall decoration left at the drawing stage and represents the roots of one of the sixteen mulberry trees that, regularly spaced on the walls of the room, intertwine above to create a polychrome arboreal pavilion on the vault. The decoration of the room, which was never completed, is historically tied to the name of Leonardo da Vinci by a letter written in April 1498 by Gualtiero da Bascape, the secretary of Ludovico il Moro, to the duke of Milan, explaining that Lunedi si desarmara la camera grande da le Asse c[i]oe da la tore. Magistro Leonardo promete finirla per tuto Septembre. The room was subjected to radically changing fortunes over the centuries, and was later the object of two complex restoration campaigns, the first carried out between 1893 and 1902 by Luca Beltrami and the second between 1955 and 1956 by Costantino Baroni. This volume provides an account of the result of these restorations. It describes the complex diagnostic research and the technical assessments that form the foundations of a broader project for the conservation of the painted area. Text in English and Italian. The Monochrome of the Sala delle Asse is a portion of wall decoration left at the drawing stage and represents the roots of one of the sixteen mulberry trees that, regularly spaced on the walls of the room, intertwine above to create a polychrome arboreal pavilion on the vault. This volume provides an account of the result of these restorations. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condición: New. The Monochrome of the Sala delle Asse is a portion of wall decoration left at the drawing stage and represents the roots of one of the sixteen mulberry trees that, regularly spaced on the walls of the room, intertwine above to create a polychrome arboreal pavilion on the vault. The decoration of the room, which was never completed, is historically tied to the name of Leonardo da Vinci by a letter written in April 1498 by Gualtiero da Bascapé, the secretary of Ludovico il Moro, to the duke of Milan, explaining that Lunedì si desarmarà la camera grande da le Asse c[i]oè da la tore. Magistro Leonardo promete finirla per tuto Septembre. The room was subjected to radically changing fortunes over the centuries, and was later the object of two complex restoration campaigns, the first carried out between 1893 and 1902 by Luca Beltrami and the second between 1955 and 1956 by Costantino Baroni. This volume provides an account of the result of these restorations. It describes the complex diagnostic research and the technical assessments that form the foundations of a broader project for the conservation of the painted area. Text in English and Italian.…

Condición: Ottimo (Fine). 1068 Michela Palazzo e Tasso Francesca (a cura di) Leonardo Da Vinci. La sala delle Asse del Castello Sforzesco / The Sala delle Asse of the Sforza Castle. Silvana Editoriale 2017. Cinisello Balsamo, Silvana Editoriale 2017 multilingual, in quarto pp. 289 282331068Leonardo Da Vinci. La sala delle Asse del Castello Sforzesco / The Sala delle Asse of the Sforza Castle. La diagnostica e il restauro del Monocromo / diagnostic Testing and Restoration of the Monochrome. Silvana Editoriale 2017. In-4. 289 pp.Brossura con alette. Ottimo. Ill. a colori. Testi in italiano e inglese. Book.…

brossura unknown_binding. Condición: Molto buono (Very Good). 2006. Copertina editoriale in brossura pieghevole alettata. 171 p.; Ill.; 30 cmPH.6. Book.

Condición: UsatoMoltoBuono. Bross., cm 30x21, pp 271, moltissime tavv. e ill. a col. e b/n. - ISBN: 9788849223019.