owyoung steven (46 resultados)

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Oversized.

Condición: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Fine. 1st. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

hardcover. Condición: New.

Hardcover. Condición: Good.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. Phoenix Art Museum, 1999. 131 pages; 62 color plates, including a 4-page foldout. The artist is a modern Chinese painter using ink and color on a paper ground. His subjects include Lotus, Landscapes, Flowers and Birds, Faces and Figures.Clean throughout, no marks, tears, creases. First Edition. Cloth. Fine/Fine. 4to. Exhibition Catalogue. Language: ENG.

hardcover. Condición: Very Good.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, 131 pages, illustrations (chiefly colour); 30 cm. Catalogue of an exhibition held at the National Museum of History in Taipei, Taiwan, December 24, 1998 to January 17, 1999 and the Phoenix Art Museum, Phoenix, Ariz., May 15 to July 18, 1999. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. Richly illustrated with colour plates. *** "In his own way the Japanese artist Minol Araki had developed a cross-cultural mind-set by an early age. Born in 1928 in Dairen, now Luda, China, a port city in Japanese-occupied Manchuria, he grew up in a place of Japanese, Chinese and Russian influences. He began painting when he was 6 and as an adult became one of the postwar era's most successful industrial designers. About 20 million units of one of his lamps were sold worldwide, but still he considered himself a painter first. But until recently, Mr. Araki had never exhibited his work or sold it through galleries. This unassuming purveyor of a unique variety of Chinese-derived ink-brush painting is now the subject of 'Minol Araki: Art of Two Worlds,' a retrospective exhibition that remains at the Phoenix Art Museum through July 18. 'I've always lived and worked in the gap,' the 71-year-old artist said, describing a self-awareness that he says has informed every aspect of his personal life and professional career as he has shuttled among homes in Tokyo, Taipei and New York. He was here because of his show. 'There's the gap between my past in China and my past in Japan,' Mr. Araki explained. ''Between my experiences as a businessman in the East and in the West. And the gap I've felt between design and fine art.'' - Publisher. *** CONTENTS: Capturing the spirit; Acknowledgements; Preface; Fruit from the wild tree: the paintings of Minol Araki, by Claudia Brown; A distant road: Minol Araki and the roots of style, by Richard Barnhart; The painting of Minol Araki and the Lotus in Chinese culture, by Steven D. Owyoung; Landscapes; Lotus; Flowers and birds; Faces and figures; Miscellaneous subjects. Size: 4to. Collectible.

Soft cover. Condición: Very Good. New Series, Volume Xix, No. 2. Pictorial Over Black Stapled Wraps. Minor Wear.

Cloth. Condición: Very Good +. Estado de la sobrecubierta: Very Good. Stated First Edition. First Edition, Clean tight unmarked copy, dj shows ordinary mild shelfwear, 131 pages, approx 9 3/4" x 11 3/4" tall.

Cloth Hard Cover. Condición: Fine. Estado de la sobrecubierta: Fine Dust Jacket. First Edition. 131pp. Beautfully illustrated in color. Fold-outs. Crisp unread condition. Size: Large Square 4to. FINE ART.

Condición: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condición: VG+. Estado de la sobrecubierta: VG+. Hardcover stated first edition bound in green cloth covers with scant wear. Pages tight, clean, unmarked. Crisp, glossy DJ, also with scant wear. A very attractive copy. ;

Hardbound. Condición: VG (as new). Dark green cloth with silver lettering and illus. dj; 131 pp. with 8 gatefolds and 62 color plates in the catalogue. A beautiful book, with three essays and a biography.

Hardcover. Condición: New. This volume accompanied the first international travelling exhibition of the work of the Japanese artist Minol Araki (1928-2010). Having found fame as an industrial designer, Araki became a prolific painter later in life, producing work that amalgamated traditional Chinese and Japanese ink painting techniques with Western influences. The introductory essays are followed by highlights from his impressive body of work, including landscapes, flowers, birds and faces, and reproductions of his seals.

Hardcover. Condición: New. Estado de la sobrecubierta: New. New oversized green cloth covered hardcover with silver lettering to spine and front cover. New Dust jacket. 4to. (11.5x9.5x1 inches) Clean text free of marks or underlining. Color plates on glossy paper. 131 pp. In his own way the Japanese artist Minol Araki had developed a cross-cultural mind-set by an early age. Born in 1928 in Dairen, now Luda, China, a port city in Japanese-occupied Manchuria, he grew up in a place of Japanese, Chinese and Russian influences. He began painting when he was 6 and as an adult became one of the postwar era's most successful industrial designers. About 20 million units of one of his lamps were sold worldwide, but still he considered himself a painter first. But until recently, Mr. Araki had never exhibited his work or sold it through galleries. This unassuming purveyor of a unique variety of Chinese-derived ink-brush painting is now the subject of ''Minol Araki: Art of Two Worlds,'' a retrospective exhibition at Phoenix Art Museum. ''I've always lived and worked in the gap,'' the 71-year-old artist said, describing a self-awareness that he says has informed every aspect of his personal life and professional career as he has shuttled among homes in Tokyo, Taipei and New York. He was here because of his show. ''There's the gap between my past in China and my past in Japan,'' Mr. Araki explained. ''Between my experiences as a businessman in the East and in the West. And the gap I've felt between design and fine art.''.

Hardcover. Condición: Very Good. 35 pages.

hardcover. Condición: Fine copy in fine dust jacket. Profusely illustrated Ilustrador. 1st. 4to, 131 pp.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. Araki, Minol Ilustrador. Facsimile Edition. With Signed Copy sticker on front cover. Expedited or International shipping may cost more. Signed by Author(s).

Exhibition catalogue. First edition first printing 1999. 131 pages. Illustrated in colour throughout, with fold-outs. Cloth in dustjacket. Fine. As new. In his own way the Japanese artist Minol Araki had developed a cross-cultural mind-set by an early age. Born in 1928 in Dairen, now Luda, China, a port city in Japanese-occupied Manchuria, he grew up in a place of Japanese, Chinese and Russian influences. He began painting when he was 6 and as an adult became one of the postwar era's most successful industrial designers. About 20 million units of one of his lamps were sold worldwide, but still he considered himself a painter first. But until recently, Mr. Araki had never exhibited his work or sold it through galleries. This unassuming purveyor of a unique variety of Chinese-derived ink-brush painting is now the subject of ''Minol Araki: Art of Two Worlds,'' a retrospective exhibition that remains at the Phoenix Art Museum through July 18. ''I've always lived and worked in the gap,'' the 71-year-old artist said, describing a self-awareness that he says has informed every aspect of his personal life and professional career as he has shuttled among homes in Tokyo, Taipei and New York. He was here because of his show. ''There's the gap between my past in China and my past in Japan,'' Mr. Araki explained. ''Between my experiences as a businessman in the East and in the West. And the gap I've felt between design and fine art.''.

Hardcover. Condición: As New. Estado de la sobrecubierta: Dustjacket included. First Edition. ISBN 0910407363. Oversized Hardback. First Printing. Near Fine Condition book in a Near Fine Condition Dustjacket. Tight, bright, attractive copy with no markings to the book. As new condition. No Signature.

Trade Paperback. Condición: Very Good. In gray wraps with silver lettering and a small inlaid image on the front cover; book is in Very Good condition with moderate edgewear, light rubbing/bumping to corners, and some slight staining on the top text block edge. Clean, bright, and unmarked internally, with a tight spine (front rice paper leaf is slightly creased). 4to. - over 9¾ in. - 12 in. 357pp. Color illus. with several full-page illustrated plates. A discussion of both Chinese and Japanese works.

Softcover. Condición: VG. Black wraps, silver lettering. 357 pp. 75 color and profuse bw plates. This corresponds to the exhibition of March - April 2000, being a sleek and lavishly-illustrated catalogue of 75 pieces of Chinese and Japanese art, all annotated and detailed. A beautiful book with several insightful essays, followed by the catalogue of works.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. First edition hardcover stated. Signed/dated by Araki to the ffep. Fine condition in like DJ in mylar. ; quarto; 131 pages; Signed by Author.

Paperback. Condición: Very Good. Kaikodo; Hong Kong, 2000. Softcover. Volume XV. A Very Good, grey binding with silver lettering on front cover and spine and paper illustration on front cover, binding firm, interior and extremities tidy, trace use/handling marks, some cover edge/corner wear and bit of spine edge wear, stress crease to spine, a nice, clean and unmarked copy in Oversize wraps. 4to[quarto or approx. 9.5 x 12 inches], 355pp., color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Softcover. Estado de la sobrecubierta: No Dust Jacket. First Edition. Pictorial cardstock cover with glued; slight shelf wear to edges; no bent corners, creases, underlining; seems unread; No marks or writing, clean tight binding;; An exhibit catalog of their Chinese bronze collection with some exceptional qyality; forty one vessels with detail description; indexed; ; 190 pages Very Good- binding or highlightling.

Softcover. Glossy softcover book with the title in gilt lettering down a navy blue spine. Pages: (5), 6-351. Profusely illustrated with color images. "Nihonga is an art form which merges Japanese tradition and Western influences. This study examines the first century of the development of Nihonga, from the middle decades of the 19th century through modern masterpieces of abstraction and representation created in the 1960s." VG: Exlibrary copy. Sticker at the base of the spine. Stamp on the inside front cover. Stamp, sticker, and due date card on the back inside cover. Stamp on top and bottom text blocks.