minol araki (18 resultados)

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Oversized.

hardcover. Condición: New.

Hardcover. Condición: Good.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, 131 pages, illustrations (chiefly colour); 30 cm. Catalogue of an exhibition held at the National Museum of History in Taipei, Taiwan, December 24, 1998 to January 17, 1999 and the Phoenix Art Museum, Phoenix, Ariz., May 15 to July 18, 1999. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. Richly illustrated with colour plates. *** "In his own way the Japanese artist Minol Araki had developed a cross-cultural mind-set by an early age. Born in 1928 in Dairen, now Luda, China, a port city in Japanese-occupied Manchuria, he grew up in a place of Japanese, Chinese and Russian influences. He began painting when he was 6 and as an adult became one of the postwar era's most successful industrial designers. About 20 million units of one of his lamps were sold worldwide, but still he considered himself a painter first. But until recently, Mr. Araki had never exhibited his work or sold it through galleries. This unassuming purveyor of a unique variety of Chinese-derived ink-brush painting is now the subject of 'Minol Araki: Art of Two Worlds,' a retrospective exhibition that remains at the Phoenix Art Museum through July 18. 'I've always lived and worked in the gap,' the 71-year-old artist said, describing a self-awareness that he says has informed every aspect of his personal life and professional career as he has shuttled among homes in Tokyo, Taipei and New York. He was here because of his show. 'There's the gap between my past in China and my past in Japan,' Mr. Araki explained. ''Between my experiences as a businessman in the East and in the West. And the gap I've felt between design and fine art.'' - Publisher. *** CONTENTS: Capturing the spirit; Acknowledgements; Preface; Fruit from the wild tree: the paintings of Minol Araki, by Claudia Brown; A distant road: Minol Araki and the roots of style, by Richard Barnhart; The painting of Minol Araki and the Lotus in Chinese culture, by Steven D. Owyoung; Landscapes; Lotus; Flowers and birds; Faces and figures; Miscellaneous subjects. Size: 4to. Collectible.

Condición: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover exhibition catalog with dustjacket, 132 pages; essays in English; titles also in Chinese; as new condition, clean and crisp, no internal marks. Foreign shipping may be extra for this book.

Hardcover. Condición: New. Estado de la sobrecubierta: New. New oversized green cloth covered hardcover with silver lettering to spine and front cover. New Dust jacket. 4to. (11.5x9.5x1 inches) Clean text free of marks or underlining. Color plates on glossy paper. 131 pp. In his own way the Japanese artist Minol Araki had developed a cross-cultural mind-set by an early age. Born in 1928 in Dairen, now Luda, China, a port city in Japanese-occupied Manchuria, he grew up in a place of Japanese, Chinese and Russian influences. He began painting when he was 6 and as an adult became one of the postwar era's most successful industrial designers. About 20 million units of one of his lamps were sold worldwide, but still he considered himself a painter first. But until recently, Mr. Araki had never exhibited his work or sold it through galleries. This unassuming purveyor of a unique variety of Chinese-derived ink-brush painting is now the subject of ''Minol Araki: Art of Two Worlds,'' a retrospective exhibition at Phoenix Art Museum. ''I've always lived and worked in the gap,'' the 71-year-old artist said, describing a self-awareness that he says has informed every aspect of his personal life and professional career as he has shuttled among homes in Tokyo, Taipei and New York. He was here because of his show. ''There's the gap between my past in China and my past in Japan,'' Mr. Araki explained. ''Between my experiences as a businessman in the East and in the West. And the gap I've felt between design and fine art.''.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. Araki, Minol Ilustrador. Facsimile Edition. With Signed Copy sticker on front cover. Expedited or International shipping may cost more. Signed by Author(s).

Exhibition catalogue. First edition first printing 1999. 131 pages. Illustrated in colour throughout, with fold-outs. Cloth in dustjacket. Fine. As new. In his own way the Japanese artist Minol Araki had developed a cross-cultural mind-set by an early age. Born in 1928 in Dairen, now Luda, China, a port city in Japanese-occupied Manchuria, he grew up in a place of Japanese, Chinese and Russian influences. He began painting when he was 6 and as an adult became one of the postwar era's most successful industrial designers. About 20 million units of one of his lamps were sold worldwide, but still he considered himself a painter first. But until recently, Mr. Araki had never exhibited his work or sold it through galleries. This unassuming purveyor of a unique variety of Chinese-derived ink-brush painting is now the subject of ''Minol Araki: Art of Two Worlds,'' a retrospective exhibition that remains at the Phoenix Art Museum through July 18. ''I've always lived and worked in the gap,'' the 71-year-old artist said, describing a self-awareness that he says has informed every aspect of his personal life and professional career as he has shuttled among homes in Tokyo, Taipei and New York. He was here because of his show. ''There's the gap between my past in China and my past in Japan,'' Mr. Araki explained. ''Between my experiences as a businessman in the East and in the West. And the gap I've felt between design and fine art.''.

paperback. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Soft cover. Condición: New. New in shrink wrap.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. First edition hardcover stated. Signed/dated by Araki to the ffep. Fine condition in like DJ in mylar. ; quarto; 131 pages; Signed by Author.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Paperback. Condición: New.

Hardcover. Condición: New.

Hardcover, in dust jacket. First edition, first printing. Hand-stamped with one of Araki's designed seals. Small bump lower corner, else fine in fine dust jacket, in mylar cover.