osterweil ara (36 resultados)

Hardcover. Condición: Good.

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Hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Paperback. Condición: New. Flesh Cinema: The corporeal turn in American avant-garde cinema explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning. Drawing upon unpublished archival materials, this book provides a rich account of the intimate artistic collaborations that inspired these films. Merging close readings with historical and biographical analysis, Flesh Cinema argues that queer forms of friendship were essential to the innovative representations of bodies on-screen. In doing so, it provides a fresh take on avant-garde cinema for film and art scholars and students.

Condición: New.

Paperback or Softback. Condición: New. Flesh Cinema PB: The Corporeal Turn in American Avant-Garde Film. Book.

Condición: New.

Paperback. Condición: New. Flesh Cinema: The corporeal turn in American avant-garde cinema explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning. Drawing upon unpublished archival materials, this book provides a rich account of the intimate artistic collaborations that inspired these films. Merging close readings with historical and biographical analysis, Flesh Cinema argues that queer forms of friendship were essential to the innovative representations of bodies on-screen. In doing so, it provides a fresh take on avant-garde cinema for film and art scholars and students.

Paperback. Condición: new. Paperback. Flesh Cinema: The corporeal turn in American avant-garde cinema explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning. Drawing upon unpublished archival materials, this book provides a rich account of the intimate artistic collaborations that inspired these films. Merging close readings with historical and biographical analysis, Flesh Cinema argues that queer forms of friendship were essential to the innovative representations of bodies on-screen. In doing so, it provides a fresh take on avant-garde cinema for film and art scholars and students. -- . Explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Condición: New. In.

Paperback. Condición: New.

Hardback. Condición: New. Sticky Pictures examines and celebrates the evolving work of Montreal-based artist Janet Werner. In her paintings, Werner builds a constellation of spatial and figurative explorations drawn from fashion magazines and art history to create collage-like composite figures that slip easily between articulations of beauty, gender, psychology and emotion. Werner's painterly operations are both unsettling and seductive, revealing the conditions of perception and looking as passageways to understanding the intensity of the world at hand. Werner's unique combination of abstraction, fictional portraiture, and the rich history of painting are explored in Sticky Pictures through texts by art and media historians, as well as an interview with the artist.Janet Werner's work has been featured in international solo exhibitions from New York to Los Angeles and as far away as Cape Town. Her work was included in the Prague Biennale in 2003 and is featured in the collections of the Musée national des beaux-arts du Québec, Musée d'art contemporain in Montreal, The Art Gallery of Ontario in Toronto, Winnipeg Art Gallery, the Canadian Embassy in Berlin, the University of Lethbridge, Owens Art Gallery in Sackville, the Mendel Art Gallery in Saskatoon, Dunlop Art Gallery in Regina, McEvoy Foundation for the Arts in San Francisco, and numerous private and corporate collections. Werner lives and works in Montreal.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. Explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits. Series: Rethinking Art's Histories. Num Pages: 304 pages, 45 black & white illustrations. BIC Classification: AC; APFA. Category: (P) Professional & Vocational. Dimension: 157 x 232 x 18. Weight in Grams: 648. . 2014. 1st Edition. Paperback. . . . .

Condición: New. In.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. Explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits. Series: Rethinking Art's Histories. Num Pages: 304 pages, 45 black & white illustrations. BIC Classification: AC; APFA. Category: (P) Professional & Vocational. Dimension: 157 x 232 x 18. Weight in Grams: 648. . 2014. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. 1st edition. 304 pages. 9.25x6.25x0.75 inches. In Stock.

Hardcover. Condición: Brand New. 192 pages. 11.50x9.50x0.98 inches. In Stock.

hardcover. Condición: New. Special order item direct from the distributor.

Paperback. Condición: New. Flesh Cinema: The corporeal turn in American avant-garde cinema explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning. Drawing upon unpublished archival materials, this book provides a rich account of the intimate artistic collaborations that inspired these films. Merging close readings with historical and biographical analysis, Flesh Cinema argues that queer forms of friendship were essential to the innovative representations of bodies on-screen. In doing so, it provides a fresh take on avant-garde cinema for film and art scholars and students.

Condición: New.

Hardback. Condición: New. Sticky Pictures examines and celebrates the evolving work of Montreal-based artist Janet Werner. In her paintings, Werner builds a constellation of spatial and figurative explorations drawn from fashion magazines and art history to create collage-like composite figures that slip easily between articulations of beauty, gender, psychology and emotion. Werner's painterly operations are both unsettling and seductive, revealing the conditions of perception and looking as passageways to understanding the intensity of the world at hand. Werner's unique combination of abstraction, fictional portraiture, and the rich history of painting are explored in Sticky Pictures through texts by art and media historians, as well as an interview with the artist.Janet Werner's work has been featured in international solo exhibitions from New York to Los Angeles and as far away as Cape Town. Her work was included in the Prague Biennale in 2003 and is featured in the collections of the Musée national des beaux-arts du Québec, Musée d'art contemporain in Montreal, The Art Gallery of Ontario in Toronto, Winnipeg Art Gallery, the Canadian Embassy in Berlin, the University of Lethbridge, Owens Art Gallery in Sackville, the Mendel Art Gallery in Saskatoon, Dunlop Art Gallery in Regina, McEvoy Foundation for the Arts in San Francisco, and numerous private and corporate collections. Werner lives and works in Montreal.

Paperback. Condición: new. Paperback. Flesh Cinema: The corporeal turn in American avant-garde cinema explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning. Drawing upon unpublished archival materials, this book provides a rich account of the intimate artistic collaborations that inspired these films. Merging close readings with historical and biographical analysis, Flesh Cinema argues that queer forms of friendship were essential to the innovative representations of bodies on-screen. In doing so, it provides a fresh take on avant-garde cinema for film and art scholars and students. -- . Explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. Flesh Cinema: The corporeal turn in American avant-garde cinema explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning. Drawing upon unpublished archival materials, this book provides a rich account of the intimate artistic collaborations that inspired these films. Merging close readings with historical and biographical analysis, Flesh Cinema argues that queer forms of friendship were essential to the innovative representations of bodies on-screen. In doing so, it provides a fresh take on avant-garde cinema for film and art scholars and students.

Paperback. Condición: Brand New. 1st edition. 304 pages. 9.25x6.25x0.75 inches. In Stock. This item is printed on demand.