Oostveldt bram (48 resultados)

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Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

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Paperback. Condición: Brand New. 224 pages. 9.21x6.14x1.00 inches. In Stock.

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hardcover. Condición: New. 1st.

Paperback. Condición: Brand New. 208 pages. 9.68x6.87x1.18 inches. In Stock.

Condición: New. Stijn P.M. Bussels is Professor of Art History and Head of the Department of Art History at Leiden University Centre of the Arts in Society.Bram Van Oostveldt is Associate Professor at the Department of Art, Music and Theatre Studies at Ghent Univ.

Hardcover. Condición: Brand New. 168 pages. 11.30x8.78x0.75 inches. In Stock.

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Paperback. Condición: Good. 1. Potloodaantekeningen Dutch English This scholarly volume examines the performing arts in eighteenth-century Austria, offering new historical insights and methodological approaches. The contributions explore theatre, music and performance practices within their cultural and socio-political contexts, and propose innovative ways of studying archival material and historiography in the field of performing arts.…

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Hardcover. Condición: new. Hardcover. In art history, the Belgian romantic artist Antoine Joseph Wiertz (1806-65) is often considered as the prototype of the artist as a "failure". Contemporaries described his colossal and melodramatic works as an odd and monstrous potpourri lacking focus and escaping all aesthetic categories. This disparaging for his work already began in 1839 when Wiertz exhibited his Greeks and Trojans fighting over the body of Patroclus at the Paris Salon. After seeing the painting, the Parisian critic Eduard Thierry wrote that "the step from the sublime to the ridiculous has been completely trespassed", while Charles Baudelaire described Wiertz as this idiot whose paintings were as large as his stupidity. Until deep in the twentieth century, this criticism would set the tone for the Wiertz study and reception, often labeling him as a curiosity and an outcast operating within the margins of contemporary artistic circles. This collection of essays corrects this cliche of Wiertz as an outsider. The first part of the book studies his oeuvre within an international art historical context focusing on the diverse genres and media he practiced. The second part focuses on the Musee Wiertz as one of the earliest examples of the artist museum as a new nineteenth-century phenomenon. Written by internationally renowned scholars, this book provides a new and exciting perspective on this fascinating but hardly studied artist. The first part of this book studies the oeuvre of the Belgian Romantic painter Antoine Wiertz (1806-1865) within an international art historical context, while the second part focuses on the Musee Wiertz as one of the earliest examples of the artist museum. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Condición: New. 2025. 1st Edition. hardcover. . . . . .

Hardcover. Condición: VG+. Matte color-printed boards with the title in white lettering down a purple spine. Pages: (9), 2-199. Profusely illustrated with color, black-and-white, and true-tone images. "Contrary to what Kant believed about the Dutch (and their visual culture) as "being of an orderly and diligent position" and thus having no feeling for the sublime, this book argues that the sublime played an important role in seventeenth-century Dutch visual culture. By looking at different visualizations of exceptional heights, divine presence, political grandeur, extreme violence, and extraordinary artifacts, the authors demonstrate how viewers were confronted with the sublime, which evoked in them a combination of contrasting feelings of awe and fear, attraction and repulsion. In studying seventeenth-century Dutch visual culture through the lens of notions of the sublime, we can move beyond the traditional and still widespread views on Dutch art as the ultimate representation of everyday life and the expression of a prosperous society in terms of calmness, neatness, and order. The book will be of interest to scholars working in art history, visual culture, architectural history, and cultural history." Contents are as follows: Hupsos: Franciscus Junius and the Reception of On the Sublime -- Sublimis and le merveilleux: Dramatizing, Performing, and Picturing Phaethon's Fall -- Vreese Godts: The Sublime and the Disappearance of God -- Sublime Landscapes and Seascapes -- Magnificence: The Politics of Architecture -- The Medusean Gaze: Terror and the Sublime -- Wonder by Touch.…

Condición: New.

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Condición: New.

Condición: New. pp. 256.