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Paperback. Condición: new. Paperback. "Primitive Pictures" explores the relationship between early German cinema and anthropology's fascination with "primitive" cultures. At the core of this study is a mythic first contact between the camera and the non-Western body. The term that binds the two is the "primitive", referring both to cultures ostensibly existing outside of modern Time and also to a way of seeing the world via the lens. Asseka Oksiloff examines how the movie camera, with its capacity to record reality in a supposedly direct fashion, is legitimated by the primitive body in the first decades of the twentieth century. From the earliest research footage to popularized adventure footage, the film theory, the "primitive" holds out the promise of a critical space that affirms modern, technological vision. Asseka Oksiloff examines how the movie camera, with its capacity to record reality in a supposedly direct fashion, is legitimated by the primitive body in the first decades of the twentieth century. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Primitive Pictures explores the relationship between early German cinema and anthropology's fascination with 'primitive' cultures. At the core of this study is a mythic first contact between the camera and the non-Western body. The term that binds the two is the 'Primitive', referring both to cultures ostensibly existing outside of modern Time and also to a way of seeing the world via the lens. Asseka Oksiloff examines how the movie camera, with its capacity to record reality in a supposedly direct fashion, is legitimated by the primitive body in the first decades of the twentieth century. From the earliest research footage to popularized adventure footage, the film theory, the 'primitive' holds out the promise of a critical space that affirms modern, technological vision. 227 pp. Englisch.

Kartoniert / Broschiert. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. ASSEKA OKSILOFF is an Assistant Professor of German at New York University. She has written on modernist film and literary aesthetics, contemporary film, and romanticism. She is co-author of the critical anthology of early German romantic writings Theor.

Paperback. Condición: new. Paperback. "Primitive Pictures" explores the relationship between early German cinema and anthropology's fascination with "primitive" cultures. At the core of this study is a mythic first contact between the camera and the non-Western body. The term that binds the two is the "primitive", referring both to cultures ostensibly existing outside of modern Time and also to a way of seeing the world via the lens. Asseka Oksiloff examines how the movie camera, with its capacity to record reality in a supposedly direct fashion, is legitimated by the primitive body in the first decades of the twentieth century. From the earliest research footage to popularized adventure footage, the film theory, the "primitive" holds out the promise of a critical space that affirms modern, technological vision. Asseka Oksiloff examines how the movie camera, with its capacity to record reality in a supposedly direct fashion, is legitimated by the primitive body in the first decades of the twentieth century. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: new. Paperback. "Primitive Pictures" explores the relationship between early German cinema and anthropology's fascination with "primitive" cultures. At the core of this study is a mythic first contact between the camera and the non-Western body. The term that binds the two is the "primitive", referring both to cultures ostensibly existing outside of modern Time and also to a way of seeing the world via the lens. Asseka Oksiloff examines how the movie camera, with its capacity to record reality in a supposedly direct fashion, is legitimated by the primitive body in the first decades of the twentieth century. From the earliest research footage to popularized adventure footage, the film theory, the "primitive" holds out the promise of a critical space that affirms modern, technological vision. Asseka Oksiloff examines how the movie camera, with its capacity to record reality in a supposedly direct fashion, is legitimated by the primitive body in the first decades of the twentieth century. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Primitive Pictures explores the relationship between early German cinema and anthropology's fascination with 'primitive' cultures. At the core of this study is a mythic first contact between the camera and the non-Western body. The term that binds the two is the 'Primitive', referring both to cultures ostensibly existing outside of modern Time and also to a way of seeing the world via the lens. Asseka Oksiloff examines how the movie camera, with its capacity to record reality in a supposedly direct fashion, is legitimated by the primitive body in the first decades of the twentieth century. From the earliest research footage to popularized adventure footage, the film theory, the 'primitive' holds out the promise of a critical space that affirms modern, technological vision.