Nina lamal (13 resultados)

Paperback. Condición: Very Good. In zeer goede staat, paperback, 222 pp., 13m9 x 21,3 x 1,7 cm., geïllustreerd met tekeningen, zwart-witfoto's en kleurenfoto's, met bibliografie en noten Wordt verzonden als brievenbuspakket.

Condición: Very Good.

Condición: new.

Hardcover. Condición: Brand New. 266 pages. 9.25x6.25x1.00 inches. In Stock.

Condición: new.

Leather Bound. Condición: New. 1st. Print, in the early modern period, could make or break power. This volume addresses one of the most urgent and topical questions in early modern history: how did European authorities use a new medium with such tremendous potential? The eighteen contributors develop new perspectives on the relationship between the rise of print and the changing relationships between subjects and rulers by analysing print's role in early modern bureaucracy, the techniques of printed propaganda, genres, and strategies of state communication. While print is often still thought of as an emancipating and disruptive force of change in early modern societies, the resulting picture shows how instrumental print was in strengthening existing power structures. Contributors: Renaud Adam, Martin Christ, Jamie Cumby, Arthur der Weduwen, Nora Epstein, Andreas Golob, Helmer Helmers, Jan Hillgärtner, Rindert Jagersma, Justyna Kilianczyk-Zieba, Nina Lamal, Margaret Meserve, Rachel Midura, Gautier Mingous, Ernesto E. Oyarbide Magan~a, Caren Reimann, Chelsea Reutchke, Celyn David Richards, Paolo Sachet, Forrest Strickland, and Ramon Voges.…

Leather Bound. Condición: New. 1st. Print, in the early modern period, could make or break power. This volume addresses one of the most urgent and topical questions in early modern history: how did European authorities use a new medium with such tremendous potential? The eighteen contributors develop new perspectives on the relationship between the rise of print and the changing relationships between subjects and rulers by analysing print's role in early modern bureaucracy, the techniques of printed propaganda, genres, and strategies of state communication. While print is often still thought of as an emancipating and disruptive force of change in early modern societies, the resulting picture shows how instrumental print was in strengthening existing power structures. Contributors: Renaud Adam, Martin Christ, Jamie Cumby, Arthur der Weduwen, Nora Epstein, Andreas Golob, Helmer Helmers, Jan Hillgärtner, Rindert Jagersma, Justyna Kilianczyk-Zieba, Nina Lamal, Margaret Meserve, Rachel Midura, Gautier Mingous, Ernesto E. Oyarbide Magan~a, Caren Reimann, Chelsea Reutchke, Celyn David Richards, Paolo Sachet, Forrest Strickland, and Ramon Voges.…

Hardcover. Condición: Brand New. 443 pages. 9.75x6.75x1.25 inches. In Stock.

Hardcover with dusjacket, 319 pages, ill. *new ISBN 9789080885578. the 500th anniversary of Christopher Plantin's birth (circa 1520-1589) Originally from Touraine, Plantin was trained as a bookbinder, but around 1549/50, he moved to Antwerp, a hub for international trade. In 1555, he laid the foundations for the largest printing company that has ever existed in Europe during the Ancien Régime. Plantin was a business genius and a talented typographer. In 1570, Philips II, king of Spain, bestowed on him the title of architypographer. Although Plantin was at times also involved in illicit activities, his company, bearing the device The Golden Compasses, became one of the most important supporters of the Counter Reformation. After his death, the business was passed on to his son-in-law Jan Moretus I, and remained in the hands of the family until the 19th century. From the outset, Plantin?s production was marked by its quality. Both his correspondence and the surviving business documents give testimony of his great ambitions, his understanding of the different buyers and markets, and his extreme care for book design. Christopher Plantin and his successors transformed the aesthetics of the Renaissance book and inaugurated the Baroque era in terms of its mise en page by mobilizing new typographical and ornamental materials and by promoting copperplate illustrations. In addition, they set up a privileged collaboration with the artist Pieter Paul Rubens. During this golden century of the Officina Plantiniana, which gave birth to more than 5,000 editions, visual temptation is combined with readability and efficiency in the shaping of the texts and book design. Published in 2021 in Antwerpen by Vereniging van Antwerpse bibliofielen. Volume 98, Nummer 2 van Gulden Passer/The Golden Compasses 0 g.…

[Antwerpen, Vereeniging van de Antwerpsche Bibliofielen, 2021]. Col. ills. Orig. hardcover (boards), d.j. 8vo. (De Gulden Passer, 98, 2 (2020)). Contributions partly in French, partly in English.

Condición: Very Good.

Antwerpen, De Gulden Passer - The Golden Compasses, 2020, in-8°, 319 pp, Publisher's cloth with original dust wrapper. Published as issue nr. 98/2 of the peiodical Gulden Passer.

Condición: gut. Christophe Plantin 1520-2020 : studies of the Officina Plantiniana at the quincentennial of Plantin's birth In deutscher Sprache. pages.