Natalia majluf (51 resultados)

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

paperback. Condición: Very Good.

Softcover, 52 pages; in Spanish; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Condición: Very Good. Lima, Peru: Museo de Arte de Lima, 1996. Very Good, with light shelfwear to printed wraps and small pink stain to bottom of text block. 33 b&w photographic reproductions. In English and Spanish. Published for the exhibition at Museo de Arte de Lima in 1996. NO internal markings and NOT ex-library. Book.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: New. 2023 ALAA Book Award, Association for Latin American Art/Arvey Foundation A fascinating account of the modern reinvention of the image of the Indian in nineteenth-century literature and visual culture, seen through the work of Peruvian painter Francisco Laso. One of the outstanding painters of the nineteenth century, Francisco Laso (1823-1869) set out to give visual form to modern Peru. His solemn and still paintings of indigenous subjects were part of a larger project, spurred by writers and intellectuals actively crafting a nation in the aftermath of independence from Spain. In this book, at once an innovative account of modern indigenism and the first major monograph on Laso, Natalia Majluf explores the rise of the image of the Indian in literature and visual culture. Reading Laso's works through a broad range of sources, Majluf traces a decisive break in a long history of representations of indigenous peoples that began with the Spanish conquest. She ties this transformation to the modern concept of culture, which redefined both the artistic field and the notion of indigeneity. As an abstraction produced through indigenist discourse, an icon of authenticity, and a densely racialized cultural construct, the Indian would emerge as a central symbol of modern Andean nationalisms. Inventing Indigenism brings the work and influence of this extraordinary painter to the forefront as it offers a broad perspective on the dynamics of art and visual culture in nineteenth-century Latin America.…

Condición: As New. Unread book in perfect condition.

Condición: new.

Paperback. Condición: new. Paperback. 2023 ALAA Book Award, Association for Latin American Art/Arvey Foundation A fascinating account of the modern reinvention of the image of the Indian in nineteenth-century literature and visual culture, seen through the work of Peruvian painter Francisco Laso. One of the outstanding painters of the nineteenth century, Francisco Laso (18231869) set out to give visual form to modern Peru. His solemn and still paintings of indigenous subjects were part of a larger project, spurred by writers and intellectuals actively crafting a nation in the aftermath of independence from Spain. In this book, at once an innovative account of modern indigenism and the first major monograph on Laso, Natalia Majluf explores the rise of the image of the Indian in literature and visual culture. Reading Laso's works through a broad range of sources, Majluf traces a decisive break in a long history of representations of indigenous peoples that began with the Spanish conquest. She ties this transformation to the modern concept of culture, which redefined both the artistic field and the notion of indigeneity. As an abstraction produced through indigenist discourse, an icon of authenticity, and a densely racialized cultural construct, the Indian would emerge as a central symbol of modern Andean nationalisms. Inventing Indigenism brings the work and influence of this extraordinary painter to the forefront as it offers a broad perspective on the dynamics of art and visual culture in nineteenth-century Latin America. The great nineteenth-century artist Francisco Lasos paintings of indigenous subjects were part of a larger project, spurred by writers and intellectuals actively crafting a Peruvian nation in the aftermath of independence from Spain. This book is both an innovative account of modern indigenism and the first major monograph on Laso. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condición: New. 2025. paperback. . . . . .

Condición: New.

Paperback. Condición: Brand New. 280 pages. 10.00x7.00x1.20 inches. In Stock.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: New.

Condición: New. In English.

Cloth. Condición: Fine Condition. Fine Condition. 396 pp., 355 illustrations 250 in color, maps, bibliography, and index. Hardcover, bound in cloth covered boards and wrapped in an illustrated paper dustjacket. Tight binding, sharp edges and corners on the boards, bright jacket now encased in a Mylar sleeve, and a clean, unmarked interior. Published on the occasion of the exhibition from the Metropolitan Museum of Art, New York NY September 29-December 12, 2004. Book.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: new. Hardcover. One of the outstanding painters of the nineteenth century, Francisco Laso (1823-1869) set out to give visual form to modern Peru. His solemn and still paintings of indigenous subjects were part of a larger project, spurred by writers and intellectuals actively crafting a nation in the aftermath of independence from Spain. In this book, at once an innovative account of modern indigenism and the first major monograph on Laso, Natalia Majluf explores the rise of the image of the Indian in literature and visual culture. Reading Laso's works through a broad range of sources, Majluf traces a decisive break in a long history of representations of indigenous peoples that began with the Spanish conquest. She ties this transformation to the modern concept of culture, which redefined both the artistic field and the notion of indigeneity. As an abstraction produced through indigenist discourse, an icon of authenticity, and a densely racialized cultural construct, the Indian would emerge as a central symbol of modern Andean nationalisms.Inventing Indigenism brings the work and influence of this extraordinary painter to the forefront as it offers a broad perspective on the dynamics of art and visual culture in nineteenth-century Latin America. A fascinating account of the modern reinvention of the image of the Indian in nineteenth-century literature and visual culture, seen through the work of Peruvian painter Francisco Laso. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Hardback. Condición: New. 2023 ALAA Book Award, Association for Latin American Art/Arvey Foundation A fascinating account of the modern reinvention of the image of the Indian in nineteenth-century literature and visual culture, seen through the work of Peruvian painter Francisco Laso. One of the outstanding painters of the nineteenth century, Francisco Laso (1823-1869) set out to give visual form to modern Peru. His solemn and still paintings of indigenous subjects were part of a larger project, spurred by writers and intellectuals actively crafting a nation in the aftermath of independence from Spain. In this book, at once an innovative account of modern indigenism and the first major monograph on Laso, Natalia Majluf explores the rise of the image of the Indian in literature and visual culture. Reading Laso's works through a broad range of sources, Majluf traces a decisive break in a long history of representations of indigenous peoples that began with the Spanish conquest. She ties this transformation to the modern concept of culture, which redefined both the artistic field and the notion of indigeneity. As an abstraction produced through indigenist discourse, an icon of authenticity, and a densely racialized cultural construct, the Indian would emerge as a central symbol of modern Andean nationalisms. Inventing Indigenism brings the work and influence of this extraordinary painter to the forefront as it offers a broad perspective on the dynamics of art and visual culture in nineteenth-century Latin America.…

Condición: As New. Unread book in perfect condition.

Condición: new.

Condición: New.

Soft cover. Condición: Near Fine. Small sw. 8vo, stiff wrps., b/w photographs, 116 p., first edition In near fine condition. K12.

Condición: New.

Condición: New.