nancy lassalle (28 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. First Edition. 157 pages.

Soft cover. Condición: Good. No Jacket. Unpaginated. Well illustrated with B&W photos. Includes Calenda 1972 - 1975; Repertory. Light wear. Text clean, no tears.

Hardcover. Condición: Fine. First Edition. Hardcover. First edition. Blue cloth boards with gilt title to spine and front cover. Fine, without dust jacket, as issued. 157 pages. Illustrated. BOB/111716.

Hardcover. Condición: Near Fine. 8vo 8" - 9" tall; 157 pages; HC in publisher's dark blue cloth with title lettring brightly in gilt to cover and spine. Inscibed by authors Harvey Simmonds and Lois Silverstein to a couple who assited in the early phases of the book. Bright fresh copy. About Fine; Signed by Author.

119 pages. Paperback: H 26.25cm x L 21.5cm. Pictorial covers lightly rubbed; slight scuffing at spine ends and covers' fore-edge corner tips. Interior pages are bright and clean. Binding is firm. ISBN 0974878200.

Hardcover. Condición: Fine. Estado de la sobrecubierta: No DJ. Hardcover. Crisp and clean copy. Lacks jacket (as issued?). Book.

Paperback. Condición: New. In 1961, Nancy Lassalle was given permission to photograph a two-day teachers seminar led by George Balanchine (1904-83) at the School of American Ballet. The workshop, funded by the Ford Foundation, was intended to elevate the level of ballet education across the United States by offering the highest standard of training to future dancers. Teachers came from around the country to learn directly from Balanchine. The 14 photographs show Mr. Balanchine demonstrating various ballet positions, doing pliés, making slight adjustments on students, at once articulating his command of the art as well as his generous desire to share that knowledge. They offer a rare glimpse behind the scenes of a pivotal moment in the history of American dance when ballet's greatest choreographer is deeply engaged with his most fundamental calling: teaching dancers to dance.

Softcover. First Edition. Clean and bright pages, tight binding as rarely opened, light edge wear to softcovers Clean and bright pages, tight bi.

Soft cover. Condición: Near Fine. Original publisher's medium gray-blue paper wrappers with staple binding. Color photographic illustration of ballet dancers on front cover. 9" x 11 3/4." Thirty-six pages, complete. Many black-and-white illustrations, complete. Pages are virtually pristine and intact except for almost imperceptible toning. Covers are virtually pristine and intact except for light age toning, tiny stains on front and back, and slight wear to extremities. A Near Fine copy. This is a promotional program for the New York City Ballet (NYCB) for c. 1986-1987. Lincoln Kirstein is listed as NYCB's Director. The following are some of the contents: "Responsibilities of Repertory" by Otis Stuart (article about NYCB and its repertory); "Dressing a Ballet" by Toni Bentley (article about NYCB's costume designers and costume designs); NYCB Ballet Calendar for 1985-1987; credits for NYCB officers and staff; black-and-white photographic portrait illustrations; and stills and show credits for NYCB productions such as Shadows, Songs of the Auvergne, Quiet City, Piccolo Balletto, Brahms-Schoenberg Quartet, Swan Lake, Slaughter on Tenth Avenue, Prodigal Son, Interplay, Episodes, and Dances at a Gathering. NYCB was founded by George Balanchine and Lincoln Kirstein in 1948. It became closely associated with the School of American Ballet (SAB), a ballet dance school that was founded in 1934 by Balanchine, Kirstein, and Edward Warburg. Both NYCB and SAB are still in business and work closely together to this day.

Soft cover. Condición: Near Fine. Flat and clean with a good binding. Slight wear, no markings.

48 n. n. pages. With a lot of illustrations. Illustrated original softcover binding. 30x23 cm Within: "New Members of the New York City Ballet" (8 pages with illustrations). Sprache: Englisch Gewicht in Gramm: 800.

Softcover. Condición: Fine in wraps. 4to. Illustrated. Companion to the Exhibition.

Hard Cover. Condición: vg. 1st Edition. bookplate from New York City Ballet SIGNED (not inscribed) by Lincon Kirstein on free front endpage; 157pp including index; text clean; binding solid; gilt lettering on front & spine of navy cover; no dj. Signed by author. Hardcover.

Near Fine condition. No edition stated. Lincoln Edward Kirstein (May 4, 1907 ? January 5, 1996) was an American writer, impresario, art connoisseur, philanthropist, and cultural figure in New York City, noted especially as co-founder of the New York City Ballet. He developed and sustained the company with his organizing ability and fundraising for more than four decades, serving as the company's general director from 1946 to 1989. According to the New York Times, he was "an expert in many fields," organizing art exhibits and lecture tours in the same years.[1].

Hardcover. Condición: Very Good. Oversized hardcover, with clear plastic DJ, housed in brown slipcase. Gray cloth over boards. Covers are clean and tight -- clearly the DJ and slipcase have done their jobs well. DJ is sunned along spine. Fits snug to boards. Slipcase (made from a heavy paper) has some light staining, but otherwise remains in good condition. Title page not dated. Copyright page dated 1983. 407 pages. Final page states printing information and "First Edition 2000 copies". Pages are free of marks or tears. A lovely copy. Please e-mail us with questions or to request photos. This is an oversized book. Extra shipping charges may be required for international or priority delivery.

Unpaged - 48 pages plus covers. Staple-bound paperback: H 30.25cm x L 22.75cm. Paper covers rubbed; some scuffing at edges and along spine fold. Interior pages are clean. Binding is firm. Pages 4-18 feature b/w portrait photos of principal leads including Jacques d'Amboise, Karin von Aroldingen, Merrill Ashley, Anthony Blum, Jean-Pierre Bonnefoux [Jean-Pierre Bonnefous], Suzanne Farrell, Allegra Kent, Sara Leland, Peter Martins, Kay Mazzo, Patricia McBride, Francisco Moncion, Helgi Tomasson, Edward Villella, and Robert Weiss; pages 19-37 have smaller portraits of soloists and corps de ballet, stage performances, etc.; production staff on pages 38-39; page 40 "Calendar 1972-1975" listing performances scheduled from May 1972 through June 1975; "Repertory" on pages 41-47; New York City Ballet Orchestra roster and concluding credits on page 48. Laid-in is eight page staple-bound insert with its front cover featuring "New Members of the New York City Ballet" (headshot photos of Bart Cook, Joseph Duell, plus seven others on recto along with larger verso portrait photo of Adam Luders), pages 3-6 "Repertory" citing 1975 and 1976 performances, and concluding article "Viennese Waltzes" by George Jackson on pages 7-8.

Hardcover. Condición: Very Good. . . . . Op. Spine lightly scuffed; otherwise vg+. No dj. 157 pp.

Hardcover. Condición: Very Good. 407p. (1). Limited to 2000 copies. A fresh clean copy in its original slipcase. Tear in the slipcase along the top on each side.

Hardcover. Condición: Fine. First edition. 157pp. Illustrated from black and white photographs. Fine.

Hardcover. Condición: Fine. First edition. Small quarto. 157pp. Illustrated from black and white photographs. Fine, lacking a dust jacket.

Softcover. First Edition; First Printing. Near Fine in wraps. ; 8vo 8" - 9" tall.

Paperback. Condición: New. In 1961, Nancy Lassalle was given permission to photograph a two-day teachers seminar led by George Balanchine (1904-83) at the School of American Ballet. The workshop, funded by the Ford Foundation, was intended to elevate the level of ballet education across the United States by offering the highest standard of training to future dancers. Teachers came from around the country to learn directly from Balanchine. The 14 photographs show Mr. Balanchine demonstrating various ballet positions, doing pliés, making slight adjustments on students, at once articulating his command of the art as well as his generous desire to share that knowledge. They offer a rare glimpse behind the scenes of a pivotal moment in the history of American dance when ballet's greatest choreographer is deeply engaged with his most fundamental calling: teaching dancers to dance.

Hardcover. Condición: Very good +. Estado de la sobrecubierta: very good +. first edition. 9 x 12 in. 407 pp. Linen boards with paper spine label. Condition is VERY GOOD+ ; covers spotless with no wear but spine is toned. Binding tight, text pristine. Original Mylar DJ is VERY GOOD+ ; very clean, no damage, a touch rubbed. Original plain card slipcase hasa tear with tape, but is clean and otherwise undamaged. Extra shipping may apply. Dance/Art. RGR.

1995, in-8 broché, 56pp; illustré - très bon état.

Condición: New. Satisfaction Guaranteed or your money back.

Condición: New. Satisfaction Guaranteed or your money back.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Very Good. First edition. Small quarto. Slight offsetting on front fly from a clipping, corners a little bumped, very good or better, probably issued without dustwrapper. Inscribed by co-author Lasselle to the actress Marian Seldes on the front fly. A small original gelatin silver photograph (2.5" x 3.5") of Kirstein by Carl Van Vechten has been affixed with tape (in the margin only) on the front pastedown and labeled along the edge of the image by the photographer: "L.K. [-] Carl Van Vechten." In the image Kirstein is pictured in front of a painting of a gondola, and clings to a long pole pretending to pole a gondola.