Morell lars (110 resultados)

Trade Paperback. Condición: Used - Good. Open copy. Scratching/scuffing on dust jacket. Sticker residue on jacket. Interior pages in very nice condition. Book has minor shelf wear. Sold as is.

hardcover. Condición: Fine copy in fine dust jacket. 1st. Oblong 4to, 110 pp., Texts in English & Danish. Profusely illustrated (ilustrador).

Softcover staple bound exhibition catalog, 28 pages; in German; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hard cover. Condición: Very good. No jacket. Text is in Swedish. Spine is cocked but secure. Cover edges are slightly worn. Cover corners are chipped. Text block and inside edges are tanned, but legibility is not impacted. Inside is unmarked.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Condición: Gut. 26 Seiten, Ausgabe von 2005, Broschur Softcover, 31 Seiten, Schutzumschlag an den Kanten leicht berieben, in gutem Zustand (siehe Foto Interne Angebotsnummer: 0129N0BUMH7 KU-566 29.01.2013 9783865601254 Auf Grund der aktuellen PPWR-Regelung der EU (Papier-Recycling mit Anmeldpflicht und hohen Kosten) können wir in der EU zur Zeit nur nach Österreich und Frankreich versenden. ! Versand in die Schweiz, Großbritannien und weltweit ist weiter möglich! Sprache: Deutsch Gewicht in Gramm: 130.…

The walls all along the stairway up to ImmendorffÆs studio - located in a neglected block of workshops, are lined with framed posters of his own production. The posters can be regarded as trophies of a kind, like a rock musicianÆs display of gold and platinum albums. They are signs of having exhibited in the right places at the right times. As for the generation of Immendorff (b. 1945), these were places such as Galerie N?chst St. Stephan (Vienna), Kunsthalle Bern, van Abbemuseum (Eindhoven) and Villa Stuck (Munich) which were important stations at the end of the 1970Æs and the beginning of the 1980Æs. Posters are an element of reality, the universe of the streets breaking into the artistÆs studio, and what this artist calls a reminiscence of his political past., English, Year2006, Illust. B/W9, Illust. Color16, ISBN 8790552199, Code 5819. Softbound, In Pristine Condition, Pages 78, Size 8 1/2öx 6ö.…

47pp. Prof. illus. Lrg. 8vo. Wraps. English-language summary.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardback. Condición: New. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland, and to declare that he therefore paints in layers -- as obviously only a sedimentary geologist can. Not only do curators and critics rarely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Yet Kirkeby himself has proclaimed, "A picture without intellectual superstructure is nothing." In "The Artist as Polyhistor", Lars Morell provides the superstructure missing from other critical accounts by examining intellectual content and allusions in the Kirkeby oeuvre from eleven disciplinary perspectives -- everything from theology to genetics and eros to crystallography. In addition, he has drawn on personal conversations with the artist, whose comments on the manuscript have also been incorporated into the final text. Morell maintains that art that is genuinely about something is necessarily full of conflict and unexpected juxtapositions. As a result, the works he has sought out here are rarely beautiful in formal terms, but instead tend to be dissonant and dynamic, featuring breaks and breaches and irreconcilable elements. With 150 handsome illustrations, chiefly in colour, and a wide-ranging but clearly written text, this volume will appeal equally to the general reader and the specialist in contemporary art.…

Condición: As New. Unread book in perfect condition.

This is the first monograph on the Stone House, conceptualised by Per Kirkeby and erected in 1996 in Jutland, Denmark; a fascinating brick building of sparse elegance, accommodating the geological collection of the university Skµrum M°lle. Presented is the genesis of the exhibition hall from the first sketches to the erection complemented by the auditorium, the observatory and the study hall. The author gives many references to sacral architecture and modern classics, such as Peter Behrens. Furthermore he reveals KirkebyÆs surprising sources of inspiration: for example the staircase in RembrandtÆs painting The Meditating Philosopher., English, Year2006, Illust. B/W15, Illust. Color2, ISBN 386560126x, Code 6094. Softbound, In Pristine Condition, Pages 32, Size 6 1/2öx 10ö.…

31pp. Prof. illus. Tall 4to. Wraps. D.j.

39pp. Prof. illus. 4to. Wraps. Parallel texts in English and German.

Condición: New. 2005. Hardcover. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland. This work examines intellectual content in the Kirkeby oeuvre from eleven disciplinary perspectives - everything from theology to genetics and eros to crystallography. Num Pages: 294 pages, illus. BIC Classification: AC; AGB. Category: (P) Professional & Vocational. Dimension: 256 x 248 x 29. Weight in Grams: 1548. . . . . .…

Gr.8°, OKart. mit farbig illustr. OU; 26 (6) Seiten mit Zeichnungen und fotografischen Abbildungen. Erste Auflage von 500 Exx. ISBN 3865601251. - Umschlag an Ecken und Kanten angestoßen. Sauberes Exemplar.

Condición: New. In English.

Hardcover. Condición: new. Hardcover. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland, and to declare that he therefore paints in layers -- as obviously only a sedimentary geologist can. Not only do curators and critics rarely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Yet Kirkeby himself has proclaimed, "A picture without intellectual superstructure is nothing." In "The Artist as Polyhistor", Lars Morell provides the superstructure missing from other critical accounts by examining intellectual content and allusions in the Kirkeby oeuvre from eleven disciplinary perspectives -- everything from theology to genetics and eros to crystallography. In addition, he has drawn on personal conversations with the artist, whose comments on the manuscript have also been incorporated into the final text. Morell maintains that art that is genuinely about something is necessarily full of conflict and unexpected juxtapositions. As a result, the works he has sought out here are rarely beautiful in formal terms, but instead tend to be dissonant and dynamic, featuring breaks and breaches and irreconcilable elements. With 150 handsome illustrations, chiefly in colour, and a wide-ranging but clearly written text, this volume will appeal equally to the general reader and the specialist in contemporary art. Not only do curators and critics rarely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

1. Aufl./500 Ex. (Sehr gut erhalten - neuwertig, ungelesen / in very good condition - as new) Sprache: Deutsch Gewicht in Gramm: 400 Broschur m. Schutzumschlag / Softcover with dust-jacket.

1. Okrt., Ou., 78 S., 8°; 2. Okrt., 67 S., Gr8°. (1. gutes Exemplar; 2. Leichte Altersspuren, hinterer Deckel und bis S. 58 leichte Impression, sonst gutes Exemplar). Abgabe der 2 Titel nur zusmmen. Als kostenlose Zugabe: Reinhard Mucha, Austellungskatalog, Institut für Auslandsbeziehungen 1997. Okrt., 47 S., Gr8°. (leichte Altersspuren, gutes Exemplar)., 1. With a Catalogue Raisonnee; 2. Avec biographie, bibliographie, expositions et liste des oeuvres: Zugabe: Biographie, Ausstellungen, Bibliographie. 1500 gr. 0.0. …

Condición: As New. Unread book in perfect condition.

Condición: New. 2005. Hardcover. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland. This work examines intellectual content in the Kirkeby oeuvre from eleven disciplinary perspectives - everything from theology to genetics and eros to crystallography. Num Pages: 294 pages, illus. BIC Classification: AC; AGB. Category: (P) Professional & Vocational. Dimension: 256 x 248 x 29. Weight in Grams: 1548. . . . . . Books ship from the US and Ireland.…

Condición: New.

Condición: new.

Hardcover. Condición: Brand New. 293 pages. 9.75x9.50x1.00 inches. In Stock.

Wrappers. Condición: Very Good. 58 pages. Paperback journal format. Texts in Danish with a brief summary in English at the rear. Moderate wear overall, particularly at the corners. The previous owner's bookplate (designed by American artist and theater impressario Robert Wilson) remains affixed to the penultimate page, but there are no other internal markings. The original price label is affixed to the rear cover. Bound in stiff illustrated paper covers.…

141, (3)pp. Prof. illus. Sm. oblong 4to. Wraps.` Published in conjunction with an exhibition at Kunsthallen Brandts Klædefabrik, Odense, April-June 1997.

The Aarhuus Stiftsbogtrykkerie Group/CCI-Stibo 1997. Small 4to. 39 pages. Orig. softcover. Very Good+. * Text in German and English.