Montaldo l (17 resultados)

hardcover. Condición: As New. Like New. 2005. Tan paper covered boards with blue cloth spine and gold spine titles; jacket has light shelf wear; 8vo - over 7 3/4" to 9 3/4" tall; Interior is clean and unmarked; illustrated throughout; 157 pages. Additional shipping charges may be required for international or expedited orders.…

hardcover. Condición: Very Good. signed and inscribed by photographer Harry Hinkle, hardcover with dust jacket, tight, pages clear and bright, shelf and edge wear, corners bumped, packaged in cardboard box for shipment, tracking on U.S. orders.

Hardcover. Condición: New.

Paperback. Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: Good. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN.

Condición: New. pp. 176, Maps.

Condición: New. pp. 176 Illus., Maps.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: NEAR FINE. Dust Jacket Included. First Edition. First Edition. NF/NF. 2005. University Press of Kentucky, Lexington. Unmarked. Hardcover. Near Fine cover, clean & bright. Signed by the photographer, no inscription. Binding tight, solid & square. Near Fine photographic dust jacket; minimal wear; not price-clipped. 157 pp. 9x11.5 in. Illustrated Kentucky map endpapers; b&w photographs printed by offset lithography on acid-free paper in South Korea. Photographic study of the Abbey of Our Lady of Gethsemani, the Trappist monastery where Thomas Merton lived and wrote for twenty-seven years, w/ essays by Merton scholar Monica Weis, an introduction by Jonathan Montaldo, and a foreword by Brother Patrick Hart, OCSO. Harry L. Hinkle photographed the monastic grounds, hermitages, and the surrounding Kentucky knobs. Ships in box from the USA, quickly & w/care. _____________________________________________________________________________________________________________________________ SYNOPSIS & HISTORY: Published in 2005 by The University Press of Kentucky, Thomas Merton's Gethsemani: Landscapes of Paradise is a photography monograph examining the Trappist monastery where the renowned contemplative monk lived and wrote for twenty-seven years. The volume integrates black-and-white photography of the restricted monastic grounds, hermitages, and surrounding Kentucky knobs with analytical essays by Merton scholar Monica Weis. The resulting visual exploration bridges religious biography and landscape photography, demonstrating how the physical environment profoundly shaped the subject's spiritual development and his influential writings on nature and contemplation. The physical volume is an oversize quarto, bound in blue cloth over tan boards with silver gilt lettering stamped to the spine. Publisher designs include a photographic dust jacket, illustrated Kentucky map endpapers detailing the monastic grounds, and black-and-white photographs printed via offset lithography on acid-free paper in South Korea. The volume features the verified signature of fine art photographer Harry L. Hinkle upon the half-title page. Produced by the scholarly publisher for the Commonwealth of Kentucky, the work draws upon access granted to the photographer to document areas of the Abbey of Our Lady of Gethsemani typically closed to the public. The text is supplemented by an introduction from Jonathan Montaldo and a foreword by Brother Patrick Hart, OCSO, anchoring the photographic record within theological scholarship and firsthand monastic experience. Harry L. Hinkle (ilustrador).…

531 p., 39 tav., 16 cm, tela editoriale.

Genova, 1994, 8vo stralcio con copertina posticcia muta, pp. 125/126 con 3 tabelle e 5 grafici. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo ?® composto da tre pagine. Quando la rivista di provenienza non viene indicata ? perch? ci ?® sconosciuta. - !! ATTENTION !!: : NOT A BOOK : ?Äúextract?Äù or ?Äúexcerpt?Äù means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from?Äù ?Äúto", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.…

In 16° (cm. 16,2 x 11); pagg. 531; con 6 carte, 100 schizzi e 64 illustrazioni fotografiche su tavole f.t.; tela originale a stampa. VG. ** Prima edizione, ottimo esemplare. Questa guida fa parte della collana "Guida dei Monti d'Italia CAI - TCI".

Milano, CAI/ TCI, 1981, 16mo legatura editoriale in tutta tela con titoli in blu al dorso e al piatto anteriore, doppio segnacolo n seta, pp. 531 con 6 cartine, 100 schizzi in nero nel testo e 64 tavole fuori testo (Guide dei Monti d'Italia). Ottimo stato.

Tokyo, Shinsen-sha, octobre 1970-septembre 1973, 258x182mm, 120-160pp, couvertures illustrées ainsi que les vignettes par Genpei Akasegawa du n°1 au n°24, puis par Fujio Akatsuka du n°25 au n°36, textes critiques, 6 planches imprimées en photogravures en frontispice du no.1 au no.24Broché, dos carré, couverture illustrée.Revue critique du cinéma d'avant-garde, expérimental. Textes sur : J-L Godard, Buñuel, Pasolini, J-P Sartre, Gillo Pontecorvo, Satyajit Ray, Dziga Vertov, Luchino Visconti, Mikhail Il'ich Romm, Giuliano Montaldo, Robert Enrico, Louis Malle, Pier Paolo Pasolini, Joseph Losey, Kijû Yoshida, Toshio Matsumoto, Kôji Wakamatsu, Kaneto Shindô, Masahiro Shinoda, Akio Jissôji, cinéma russe, cinéma grecque et d'autres, chroniques, articles de fond sur l'Histoire, la Sociologie, ou la Politique du monde entier.Frontispice en photogravure :No.4-no.9, Takuma Nakahira et Masao Matsuda.No.10-no.13, Takuma Nakahira et Genpei Akasegawa.No.14 : Genpei Akasegawa, Kôji Wakamatsu, Masao Adachi.No.15 : Genpei Akasegawa. No.16-no.24, Chronique « Sakura Graph » texte, manga et photos par Genpei Akasegawa.Réf.The 70s in Japan 1968-1982, Museum of Modern Art, Saitama, 2012, p.140-141. (103260).…