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Publicado por Rowman & Littlefield Publishers, 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
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ISBN 10: 1538175096 ISBN 13: 9781538175095
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Añadir al carritoCondición: New. Series: Performance Philosophy. Num Pages: 336 pages, 1 black & white illustrations, biography. BIC Classification: AN; HP. Category: (G) General (US: Trade). Dimension: 159 x 219 x 25. Weight in Grams: 598. . 2016. 1st ed. 2016. Hardcover. . . . .
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ISBN 10: 1538175096 ISBN 13: 9781538175095
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Añadir al carritoTaschenbuch. Condición: Neu. The Theatre of Death - The Uncanny in Mimesis | Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor | Mischa Twitchin | Taschenbuch | xiii | Englisch | 2020 | Palgrave Macmillan | EAN 9781349693481 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
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Añadir al carritoCondición: New. Series: Performance Philosophy. Num Pages: 336 pages, 1 black & white illustrations, biography. BIC Classification: AN; HP. Category: (G) General (US: Trade). Dimension: 159 x 219 x 25. Weight in Grams: 598. . 2016. 1st ed. 2016. Hardcover. . . . . Books ship from the US and Ireland.
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Publicado por Palgrave Macmillan, London, 2016
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Añadir al carrito15.5x21.5 cm. xiii(13) + 336 pages. Hard cover. Good condition. The book is in : English.
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Publicado por Bloomsbury Publishing (UK), 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
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Publicado por Bloomsbury Publishing Plc, Lanham, MD, 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
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Añadir al carritoHardcover. Condición: new. Hardcover. Embodying Wittgensteins own aphorism of youd be surprised, this collection of original essays by both artists and academics explores the significance of Wittgensteins writings across a diverse field of performance practices, including poetics and choreography, theatre, and psychotherapy, as well as reflections on political thought and ChatGPT. Fundamentally, the collection shifts the discussion of philosophy and performance away from the well-established distinction between Analytic and Continental traditions to offer examples of Wittgensteins inspiration in and for the different practices that are explored in each essay. Between Wittgensteins proposals in the Tractatus that the world is all that is the case and in the Philosophical Investigations that words are also deeds, how might the thought of philosophical questions already inform those of and for performance? How do conceptions of the limits of the one articulate those of the other? And how might such questions be not simply a matter of philosophy or performance alone, but indeed of and for performance philosophy? Contributors: Ne Barros, Charles Bernstein, Simon Bowes, Jonathan Burrows, Miles Champion, Will Daddario, Veronika Darida, Francoise Davoine, Peter S. Dillard, Signe Gjessing, Kenneth Goldsmith, Derek Gottlieb, Anthony Howell, Sam Kinchin-Smith, Alice Lagaay, Sue MacLaine, Ray Monk, Bernard Mueller, Marjorie Perloff, Tom Raworth, Max Richter, Bo Tarenskeen, The Aesthetics Group (Dublin), Mischa Twitchin, Lukas M. Verburgt, Peter Verburgt. This collection of original essays by both artists and academics explores the significance of Wittgensteins writings across a diverse field of performance practices, including poetics and choreography, theatre, and psychotherapy, as well as reflections on political thought and ChatGPT. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Bloomsbury Publishing Plc, Lanham, MD, 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
Librería: CitiRetail, Stevenage, Reino Unido
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Añadir al carritoHardcover. Condición: new. Hardcover. Embodying Wittgensteins own aphorism of youd be surprised, this collection of original essays by both artists and academics explores the significance of Wittgensteins writings across a diverse field of performance practices, including poetics and choreography, theatre, and psychotherapy, as well as reflections on political thought and ChatGPT. Fundamentally, the collection shifts the discussion of philosophy and performance away from the well-established distinction between Analytic and Continental traditions to offer examples of Wittgensteins inspiration in and for the different practices that are explored in each essay. Between Wittgensteins proposals in the Tractatus that the world is all that is the case and in the Philosophical Investigations that words are also deeds, how might the thought of philosophical questions already inform those of and for performance? How do conceptions of the limits of the one articulate those of the other? And how might such questions be not simply a matter of philosophy or performance alone, but indeed of and for performance philosophy? Contributors: Ne Barros, Charles Bernstein, Simon Bowes, Jonathan Burrows, Miles Champion, Will Daddario, Veronika Darida, Francoise Davoine, Peter S. Dillard, Signe Gjessing, Kenneth Goldsmith, Derek Gottlieb, Anthony Howell, Sam Kinchin-Smith, Alice Lagaay, Sue MacLaine, Ray Monk, Bernard Mueller, Marjorie Perloff, Tom Raworth, Max Richter, Bo Tarenskeen, The Aesthetics Group (Dublin), Mischa Twitchin, Lukas M. Verburgt, Peter Verburgt. This collection of original essays by both artists and academics explores the significance of Wittgensteins writings across a diverse field of performance practices, including poetics and choreography, theatre, and psychotherapy, as well as reflections on political thought and ChatGPT. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Idioma: Inglés
Publicado por Palgrave Macmillan UK Dez 2016, 2016
ISBN 10: 1137478713 ISBN 13: 9781137478719
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
EUR 139,09
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Añadir al carritoBuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book is concerned with such questions as the following: What is the life of the past in the present How might 'the theatre of death' and 'the uncanny in mimesis' allow us to conceive of the afterlife of a supposedly ephemeral art practice How might a theatrical iconology engage with such fundamental social relations as those between the living and the dead Distinct from the dominant expectation that actors should appear life-like onstage, why is it that some theatre artists - from Craig to Castellucci - have conceived of the actor in the image of the dead Furthermore, how might an iconology of the actor allow us to imagine the afterlife of an apparently ephemeral art practice This book explores such questions through the implications of the twofold analogy proposed in its very title: as theatre is to the uncanny, so death is to mimesis; and as theatre is to mimesis, so death is to the uncanny.Walter Benjamin once observed that: 'The point at issuein the theatre today can be more accurately defined in relation to the stage than to the play. It concerns the filling-in of the orchestra pit. The abyss which separates the actors from the audience like the dead from the living.' If the relation between the living and the dead can be thought of in terms of an analogy with ancient theatre,how might avant-garde theatre be thought of in terms of this same relation 'today' 352 pp. Englisch.
Idioma: Inglés
Publicado por Palgrave Macmillan UK Sep 2020, 2020
ISBN 10: 1349693480 ISBN 13: 9781349693481
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
EUR 139,09
Cantidad disponible: 2 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book is concerned with such questions as the following: What is the life of the past in the present How might 'the theatre of death' and 'the uncanny in mimesis' allow us to conceive of the afterlife of a supposedly ephemeral art practice How might a theatrical iconology engage with such fundamental social relations as those between the living and the dead Distinct from the dominant expectation that actors should appear life-like onstage, why is it that some theatre artists - from Craig to Castellucci - have conceived of the actor in the image of the dead Furthermore, how might an iconology of the actor allow us to imagine the afterlife of an apparently ephemeral art practice This book explores such questions through the implications of the twofold analogy proposed in its very title: as theatre is to the uncanny, so death is to mimesis; and as theatre is to mimesis, so death is to the uncanny.Walter Benjamin once observed that: 'The point at issuein the theatre today can be more accurately defined in relation to the stage than to the play. It concerns the filling-in of the orchestra pit. The abyss which separates the actors from the audience like the dead from the living.' If the relation between the living and the dead can be thought of in terms of an analogy with ancient theatre,how might avant-garde theatre be thought of in terms of this same relation 'today' 352 pp. Englisch.
Librería: moluna, Greven, Alemania
EUR 119,56
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Añadir al carritoCondición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Mischa Twitchin is a lecturer in Theatre and Performance at Goldsmiths, University of London, UK. Besides his academic work, he is a founder-member of the performance collective Shunt.        .
Librería: moluna, Greven, Alemania
EUR 119,56
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Añadir al carritoCondición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Mischa Twitchin is a lecturer in Theatre and Performance at Goldsmiths, University of London, UK. Besides his academic work, he is a founder-member of the performance collective Shunt.        .