Milton babbitt (42 resultados)

Softcover. Condición: Good condition. xii, 285 pp. Perspectives of New Music Series. Softcover. LCC: 72269.

Trade Paperback. Condición: Near Fine. Revised Ed. Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 284 pages with articles by Robert Craft, Milton Babbitt, David Lewin, Glenn E. Watkins, Boris Schwarz, Arthur Berger, Claudio Spies, writing on such things as hexachord levels, Schoenberg and the organ, Schoenberg in Soviet Russia, Pitch organization in Stravinsky, etc. Keywords: Hexachord levels, Schoenberg and the organ, Arnol Schoenberg in Soviet Russia, Pitch organization in Stravinsky.…

Softcover. The Norton Library. xvi, 365 pp. Softcover. LCC: 78103964 Good condition; on covers: light yellowing, and touches of wear on edges; light fading on pages.

Condición: Very good condition. xii, 203 pp.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. 4to. 205pp. First printing. Purple cloth boards show light bumping at bottom corners. Faint dust soiling to top of textblock, some light sunning to rear board. Unclipped (unpriced) jacket shows rubbing to the front panel, light edgewear, and some browning to the rear panel. Consists of six lectures delivered as part of the Madison Lectures series, as editited by Stephen Dembski and Joseph N. Straus.…

Softcover. Condición: Good condition. Norton Library. The Inaugural Lectures of the Ph.D. Program in Music at the City University of New York. xvi, 365 pp. Softcover. LCC: 78103964.

, Babbitt, Milton, 1916-. Milton Babbitt : words about music. Edited by Stephen Dembski and Joseph N. Straus. Madison, Wis. : University of Wisconsin Press, 1987, stated First Printing, ix, 205pp., very good dust-jacket, very good purple cloth. The Madison lectures. 9780299107901 ISBN 0299107906.

Soft cover. Condición: Near Fine. Edition Peters No.67555. Previous owners name inside front cover, otherwise a Fine unmarked copy of the Playing Score.19 pages. Shipping Category: Sheet Music.

Condición: As New. LP and Sleeve in like new condition. Album cover is slightly faded due to aging. 1974 Nonesuch Records, a Division of Warner Communications Inc. Inner sleeve included. Note: This LP is listed as a paperback. It is not.

Hardcover. Estado de la sobrecubierta: Good. LCC: 78322 Very good condition; on covers: slight color fading on spine and on extreme edges.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. This is a clean, unmarked copy with light wear to the dust jacket and mild foxing around page edges. Binding is slightly back cocked.

Paperback. Condición: Good. Copyright 1987. Ringbound facsimile of MS. Some wear to edges. Only some of my sheet music and scores are listed on ABE, visit my website to view all of my stock.

Condición: New. 2012. Paperback. . . . . .

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Pen markings on first blank page, otherwise an overall unmarked and undamaged copy with a worn dust jacket. Category: Literature Studies.

Paperback. Condición: New. Like his compositions, Milton Babbitt's writings about music have exerted an extraordinary influence on postwar music and thinking about music. In essays and public addresses spanning fifty years, Babbitt has grappled profoundly with central questions in the composition and apprehension of music. These writings range from personal memoirs and critical reviews to closely reasoned metatheoretical speculations and technical exegesis. In the history of music theory, there has been only a small handful of figures who have produced work of comparable stature. Taken as a whole, Babbitt's writings are not only an invaluable testimony to his thinking--a priceless primary source for the intellectual and cultural history of the second half of the twentieth century--but also a remarkable achievement in their own right. Prior to this collection, Babbitt's writings were scattered through a wide variety of journals, books, and magazines--many hard to find and some unavailable--and often contained typographical errors and editorial corruptions of various kinds. This volume of almost fifty pieces gathers, corrects, and annotates virtually everything of significance that Babbitt has written.The result is complete, authoritative, and fully accessible--the definitive source of Babbitt's influential ideas.…

Soft cover. Condición: Fine. 1st Edition. 1 score (214 pages) ; 28 cm ; ISBN 9780073325026, 0073325023 ; OCLC 607092944 ; Spiral-bound collection of scores ; Contents: 1. Claude Debussy (1862-1918), "La cathédrale engloutie," no. 10 from Preludes, book I(1910)2. Claude Debussy, "Canope," no. 10 from Preludes, book II (1910-13)3. Claude Debussy, "Sarabande," from Pour le piano (1894-1901)4. Igor Stravinsky (1882-1971), Introduction to Part I, from The Rite of Spring (1913)5. Béla Bartók (1881-1945), "Song of the Harvest," no. 33 from Forty-four Violin Duets (1931)6. Béla Bartók, "Whole-tone Scale," no. 136 from Mikrokosmos, vol. 5 (1932-39)7. Béla Bartók, "Diminished Fifth," no. 101 from Mikrokosmos, vol. 4 (1932-39)8. Béla Bartók, "From the Island of Bali," no 109 from Mikrokosmos, vol 4 (1932-39)9. Anton Webern (1883-1945), Five Movements for String Quartet, op. 5, II (1909)10. Anton Webern, Five Movements For String Quartet, op. 5, III (1909)11. Arnold Schoenberg (1874-1951), "Angst und Hoffen," no. 7 from Book of The Hanging Gardens, op. 15 (1909)12. Alban Berg (1885-1935), "Schlafend trägt man mich," no. 2 from Four Songs, op. 2 (1908-1909)13. Igor Stravinsky (1882-1971), Agnus Dei, from Mass (1944-48)14. Paul Hindemith (1895-1963), Interlude in G, from Ludus tonalis (1942)15. Paul Hindemith, "Vom Tode Mariä I," from Das Marienleben (1923)16. Charles Ives (1874-1954), "The Things Our Fathers Loved," from 114 Songs (ca. 1917)17. Charles Ives, "The Cage," from 114 Songs (1906)18. Ruth Crawford Seeger (1901-1953), Diaphonic Suite no. 4, III (1930)19. Luigi Dallapiccola (1904-1975), "Contrapunctus secundus," no. 5 from Quaderno musicale di Annalibera (1952-53)20. Luigi Dallapiccola, "Quartina," no. 11 from Quaderno musicale di Annalibera (1952-53)21. Anton Webern (1883-1945), "Wie bin ich froh," no. 1 from Drei Lieder, op. 25 (1935)22. Anton Webern, Piano Variations, op. 27, II (1935-36)23. Arnold Schoenberg (1874-1951), Klavierstück, op. 33a (1929)24. Igor Stravinsky (1882-1971), "Lacrimosa," from Requiem Canticles (1966)25. Pierre Boulez (b. 1925), Structures Ia, mm. 1-39 (1952)26. Milton Babbitt (b. 1916), Composition for Twelve Instruments, mm. 1-26 (1948)27. Olivier Messiaen (1908-1992), Turangalîla Symphony, Introduction, reh. 12-22 (1946-48)28. Elliott Carter (b. 1908), String Quartet no. 2, I, mm. 35-134 (1959)29. Karlheinz Stockhausen (b. 1928), Stimmung (three pages: Formschema, one sample page of Magische Namen, and one sample page of Modelle) (1968)30. John Cage (1912-1992), Winter Music (one page) (1957)31. Witold Lutoslawski (1913-1994), Jeux vénitiens, I (1960-61)32. György Ligeti (1923-2006), Ramifications, mm. 1-44 (1968-69)33. George Rochberg (1918-2005), Music for the Magic Theater, reh. 1-17 (1965)34. Luciano Berio (1925-2003), Sinfonia, III ("In ruhig fliessender Bewegung"), mm. 1-120 (to reh. F) (1968)35. George Crumb (b. 1923), "Dream Images (Love-Death Music)," no. 11 from Makrokosmos, vol. 1 (1972-73)36. Steve Reich (b. 1936), Violin Phase (1967)37. Louis Andriessen (b. 1939), De Staat, mm. 1-161 (1972-76)38. Arvo Pärt (b. 1935), Cantus (1977)39. Augusta Read Thomas (b. 1964), Spring Song, mm. 1-41 (1995)40. Thomas Adès (b. 1971), Asyla, II, mm. 1-43 (1997)41. Kaija Saariaho (b. 1952), Ariel's Hail (2000) ; Designed for use with Understanding Post-tonal music by Miguel Roig-Francoli ; Miguel Ángel Roig-Francolí (born 1953) is a Spanish/American composer, music theorist, and pedagogue. His 1980 Cinco piezas para orquesta (Five Pieces for Orchestra), commissioned by Radio Nacional de España and written in a postmodern, neotonal style, won first prize in the National Composition Competition of the Spanish Jeunesses Musicales in 1981 and second prize at the UNESCO International Rostrum of Composers in 1982, and continues to be widely performed in Spain. ; This collection of 41 selections and excerpts represents a wide range of music from the 20th Century. Designed for use with Understanding Post-Tonal Music by Miguel Roig-Francoli; FINE. Sheet music.…

Condición: New. 2012. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. Noten. Klavier. Spielpartitur 4 S. .

Condición: New.

31,5 x 31,5 cm. OSchallplatte. OKarton-Cover. Cover nachgedunkelt und an den Kanten etwas berieben, kleiner Besitzaufkleber am Backcover (Good), Schallplatte in gutem Zustand (Very Good). Ordentliches Exemplar. Nonesuch H-71280.

Soft cover. Condición: Fine. Estado de la sobrecubierta: None, As Issued. Special Edition. 1st Printing. Signed. 72 pages. Published in 2005. Rare Milton Babbitt collectible item. A fine copy of the Souvenir Program of the Boston Symphony Orchestra 2004/2005 Season Souvenir Program, signed by Milton Babbitt. Pictorial softcovers, as issued. Without DJ, as issued. A rare signature by the late great American composer, obtained on the occasion of the world premiere performance of his "Concerti For Orchestra" by the Boston Symphony Orchestra. Commissioned by BSO, conducted by Music Director James Levine, with the composer in attendance on January 13, 2005. There is a brilliant and illuminating five-page Essay by musicologist Robert Kirzinger - written in consultation with the composer - on the piece and Milton Babbitt's place in contemporary music, if he may deservedly say so himself, accompanied with illustrations. Plus, a lovely group portrait of Babbitt with James Levine and fellow greats Elliott Carter, Charles Wuorinen, and Leon Kirchner, some of whose works were also commissioned and first performed by BSO. A great memento/souvenir of a magnificent historic performance. An absolute "must-have" collectible, not just memorabilia, item for Milton Babbitt collectors. This copy of the Souvenir Program is very prominently, neatly, and beautifully signed and inscribed in black ink-pen on the Program Schedule page by Milton Babbitt. It is signed directly on the page itself, not on a tipped-in page. The recipient, who is named, attended the performance, is a lifelong BSO patron, and cannot be named here at his request. As far as we know, this is the only such signed and inscribed copy of this historic program available online and is in especially fine condition: Clean, crisp, and bright. Please note: Milton Babbitt did NOT do public signings. He signed for private individuals only. A very rare signed copy thus. One of the greatest composers of the 20th century and our time. A fine copy. Signed by Author.…

Paperback. Condición: Brand New. 517 pages. 9.00x6.00x1.25 inches. In Stock.

Paperback. Condición: New. Like his compositions, Milton Babbitt's writings about music have exerted an extraordinary influence on postwar music and thinking about music. In essays and public addresses spanning fifty years, Babbitt has grappled profoundly with central questions in the composition and apprehension of music. These writings range from personal memoirs and critical reviews to closely reasoned metatheoretical speculations and technical exegesis. In the history of music theory, there has been only a small handful of figures who have produced work of comparable stature. Taken as a whole, Babbitt's writings are not only an invaluable testimony to his thinking--a priceless primary source for the intellectual and cultural history of the second half of the twentieth century--but also a remarkable achievement in their own right. Prior to this collection, Babbitt's writings were scattered through a wide variety of journals, books, and magazines--many hard to find and some unavailable--and often contained typographical errors and editorial corruptions of various kinds. This volume of almost fifty pieces gathers, corrects, and annotates virtually everything of significance that Babbitt has written.The result is complete, authoritative, and fully accessible--the definitive source of Babbitt's influential ideas.…