Michele stanco (18 resultados)

Brossura. Condición: Usato -Ottimo. Stanco Michele, Il caos ordinato. Tensioni etiche e giustizia poetica in Shakespeare, Carocci 2011.In-8 (Cm 22x15), pp. 191, brossura edit. Collana Lingue e letterature Carocci/102. Numero al dorso, ordinari segni del tempo, Ottimo.Â.

Brossura. Condición: Usato - Ottimo. Michele Stanco: Il caos ordinato. Carocci, 2009pp. 191.

Paperback. Condición: New. Paperback in like new condition. Unused shop stock with minor shelf-wear, no faults. AD. Used.

Condición: COME NUOVO. Roma, Carocci Ed. cm.15x22, pp.191, brossura con cop.ill. Collana Lingue e Letterature,102.

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Kartoniert / Broschiert. Condición: New.

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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - While Plato extols inspired poetry (as opposed to poetry produced by means of technique), Aristotle conceives of poetry only in terms of technê. Underlying the opposition between inspiration and technique are two different approaches to 'form': inspiration is concerned with the impression of ideas or forms within the poet's psyche (the author's forma mentis), whereas technique deals with the transposition of the artist's idea into the material form of the work (the forma operis). This dual view of form, and of its complex relation to matter, may be said to lie at the basis of a dual approach to aesthetic issues - a psychological and a textual one. Taking their cue from this opposition, the essays gathered here explore some of the most momentous phases in the history of aesthetics, from Graeco-Roman philosophy and oratory to Renaissance poetry and literary criticism, from neoclassical poetics to Romantic and Victorian views on inspired visions, to recent issues in neuroaesthetics, philosophy of art and literary linguistics. In so doing, they collectively point to the irremediable and continuing dualism of a critical tradition that has alternately emphasized the ideal elements of beauty and the material constituents of art.…

Taschenbuch. Condición: Neu. Inspiration and Technique | Ancient to Modern Views on Beauty and Art | Michele Stanco (u. a.) | Taschenbuch | Englisch | 2007 | Peter Lang | EAN 9783039103140 | Verantwortliche Person für die EU: Kolibri 360 GmbH, Ettore-Bugatti-Str. 6-14, 51149 Köln, produktsicherheit[at]kolibri360[dot]de | Anbieter: preigu. …

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Paperback. Condición: New.

Paperback. Condición: New.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -While Plato extols inspired poetry (as opposed to poetry produced by means of technique), Aristotle conceives of poetry only in terms of technê. Underlying the opposition between inspiration and technique are two different approaches to 'form': inspiration is concerned with the impression of ideas or forms within the poet's psyche (the author's forma mentis), whereas technique deals with the transposition of the artist's idea into the material form of the work (the forma operis). This dual view of form, and of its complex relation to matter, may be said to lie at the basis of a dual approach to aesthetic issues - a psychological and a textual one. Taking their cue from this opposition, the essays gathered here explore some of the most momentous phases in the history of aesthetics, from Graeco-Roman philosophy and oratory to Renaissance poetry and literary criticism, from neoclassical poetics to Romantic and Victorian views on inspired visions, to recent issues in neuroaesthetics, philosophy of art and literary linguistics. In so doing, they collectively point to the irremediable and continuing dualism of a critical tradition that has alternately emphasized the ideal elements of beauty and the material constituents of art. 360 pp. Englisch.…

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -While Plato extols inspired poetry (as opposed to poetry produced by means of technique), Aristotle conceives of poetry only in terms of technê. Underlying the opposition between inspiration and technique are two different approaches to ¿form¿: inspiration is concerned with the impression of ideas or forms within the poet¿s psyche (the author¿s forma mentis), whereas technique deals with the transposition of the artist¿s idea into the material form of the work (the forma operis). This dual view of form, and of its complex relation to matter, may be said to lie at the basis of a dual approach to aesthetic issues ¿ a psychological and a textual one. Taking their cue from this opposition, the essays gathered here explore some of the most momentous phases in the history of aesthetics, from Graeco-Roman philosophy and oratory to Renaissance poetry and literary criticism, from neoclassical poetics to Romantic and Victorian views on inspired visions, to recent issues in neuroaesthetics, philosophy of art and literary linguistics. In so doing, they collectively point to the irremediable and continuing dualism of a critical tradition that has alternately emphasized the ideal elements of beauty and the material constituents of art.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 360 pp. Englisch.…