Michael thimann (61 resultados)

Softcover, 192 pages; in German; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

1. Aufl.; 320 S.; Glanzkarton; 19,5x26cm. Schulstempel; geringe Spuren; guter Zustand.

First Edition. First edition. Softcover. 192 pages. Exhibition catalog for a show that ran May 19 through September 1, 2002. Text in German. Includes numerous color and black and white illustrations. A very near fine copy in wrappers.

kart. 192 S. : zahlr. Ill. ; 28 cm Das Buch ist in einem sehr guten Zustand. Sprache: Deutsch Gewicht in Gramm: 550.

paperback. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Condición: Gut. Jahr: 2003. Einband: Klappenbroschur. Beschreibung: Aufsatzsammlung. Mit Illustrationen. Sehr gut erhalten. Sprache: de. 214 S.

Kartoniert. Condición: Sehr gut erhalten. Estado de la sobrecubierta: Sehr guter Umschlag. Grossformat ; 199 S.

Taschenbuch. Condición: Neu. Neu -Zu einer tragenden Idee der deutschen Romantik gehört die Freundschaft der Renaissance-Künstler Raffaello Sanzio (1483-1520) und Albrecht Dürer (1471-1528). Oftmals wurden die beiden Künstler zusammen und sogar »Hand in Hand« dargestellt, obwohl sie sich im Leben nie begegnet sind. Es war eine äußerst produktive Vorstellung von Dichtern, Malern und Kunsthistorikern der Romantik, dass Raffael und Dürer als geistesverwandte Ausnahmekünstler des Nordens und des Südens hätten befreundet sein können. Der Band versucht die Rekonstruktion dieser zentralen Idee in der Kunsttheorie der deutschen Romantik, die Licht auf die Entstehung von Hauptwerken der Epoche wie Friedrich Overbecks berühmtes Gemälde »Italia und Germania« wirft. 400 pp. Deutsch.…

Softcover. Condición: Good. Paperback, numerous (full page) illustrations in b/w, 4to.; Spine creased.

Broschur. Condición: neuwertig. Neuwertiger Zustand In deutscher Sprache. 192 S. pages. 28 x 23,5 cm.

8°-gr. M. Frontisp. u. 72 Abb. 297 S. OPp.m. DBild. gutes Exempl.

Paperback. Condición: New. 1.

Gr.-8°, OPpd.. 338 S. mit Ill., Ecken gering bestossen Sprache: Deutsch Gewicht in Gramm: 550.

First Edition. Fine paperback copy with french flaps Well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 298 pages : illustrations (chiefly colour) ; 28 cm. Notes; Published in conjunction with the exhibition held at J.F. Willumsen's Museum, Frederikssund, Denmark, 10 June30 December 2018. Subjects; Thorvaldsen, Bertel, 17701844 Art collections Exhibitions. Willumsen, J. F. (Jens Ferdinand), 18631958 Art collections Exhibitions. Jorn, Asger, 19141973 Art collections Exhibitions. Artists as art collectors Denmark Exhibitions. Art Private collections Denmark History. Museum studies Art and artist-built collections. 1 Kg. …

Taschenbuch. Condición: Gut. 1. Alterbedingte Gebrauchsspuren, evtl. auch gutes Mängelexemlar---. nein.

Hardcover. Quarto. Softcover. Illustrateed wraps. 173 pages : illustrations (chiefly color) ; 30 cm. German language. VG-. Tear to the spine about two thirds of the way down. Does not affect binding.

First Edition. Fine paperback copy with french flaps Well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 298 pages : illustrations (chiefly colour) ; 28 cm. Notes; Published in conjunction with the exhibition held at J.F. Willumsen's Museum, Frederikssund, Denmark, 10 June30 December 2018. Subjects; Thorvaldsen, Bertel, 17701844 Art collections Exhibitions. Willumsen, J. F. (Jens Ferdinand), 18631958 Art collections Exhibitions. Jorn, Asger, 19141973 Art collections Exhibitions. Artists as art collectors Denmark Exhibitions. Art Private collections Denmark History. Museum studies Art and artist-built collections. 1 Kg. …

Gr.-8°, Softcover/Paperback. Condición: Gut. 173 Seiten, Ohne Schutzumschlag, Einband mit kleineren Gebrauchsspuren, Buchzustand gut Sprache: Deutsch Gewicht in Gramm: 920 Katalog der Ausstellung im Museum Behnhaus Drägerhaus Lübeck, 11. Oktober 2009 bis 10. Januar 2010.

2006, original cloth with dustwrapper, 463 pp., in fine condition.

Paperback. Condición: Good. In German. Oversized softbound edition with cover flaps. Many color illustrations. No text markings noted. Ships from the United States.

Condición: New.

Hardback. Condición: New. Illustrated. Reading is apparently the greatest proof of refinement when viewed within the context of the social climb of the visual artist. It is only as reader that the artist can participate in the exclusive culture of clerics, humanists, rulers and courtiers. How did it come about that such a figure was integrated into the general history-of-knowledge context of research on the early modern period - in order to outline what artists' reading specifically entails. Based on the history of knowledge, the contributions to this volume will then correspondingly elucidate various aspects of how, in the early modern period, artists' education, knowledge, reading and libraries were related to the ways in which they presented themselves.The volume endeavours at long last to go beyond merely publishing inventories by investigating the problem of artists' libraries with a fundamentally stronger emphasis on a discourse-analytical and history-of-knowledge approach.Contributors include: Rainer Bayreuther, Maria Berbara, Cécile Beuzelin, Heiko Damm, Annette de Vries, Kelly Donahue-Wallace, Angela Dressen, Lex Hermans, Eckhard Leuschner, Alexander Marr, Martin Papenbrock, Tico Seifert, Eva Struhal, Michael Thimann, Huub van der Linden, Elsje van Kessel, Iris Wenderholm, and Claus Zittel.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Illustrated. Reading is apparently the greatest proof of refinement when viewed within the context of the social climb of the visual artist. It is only as reader that the artist can participate in the exclusive culture of clerics, humanists, rulers and courtiers. How did it come about that such a figure was integrated into the general history-of-knowledge context of research on the early modern period - in order to outline what artists' reading specifically entails. Based on the history of knowledge, the contributions to this volume will then correspondingly elucidate various aspects of how, in the early modern period, artists' education, knowledge, reading and libraries were related to the ways in which they presented themselves.The volume endeavours at long last to go beyond merely publishing inventories by investigating the problem of artists' libraries with a fundamentally stronger emphasis on a discourse-analytical and history-of-knowledge approach.Contributors include: Rainer Bayreuther, Maria Berbara, Cécile Beuzelin, Heiko Damm, Annette de Vries, Kelly Donahue-Wallace, Angela Dressen, Lex Hermans, Eckhard Leuschner, Alexander Marr, Martin Papenbrock, Tico Seifert, Eva Struhal, Michael Thimann, Huub van der Linden, Elsje van Kessel, Iris Wenderholm, and Claus Zittel.…

Hardback. Condición: New. Illustrated. Reading is apparently the greatest proof of refinement when viewed within the context of the social climb of the visual artist. It is only as reader that the artist can participate in the exclusive culture of clerics, humanists, rulers and courtiers. How did it come about that such a figure was integrated into the general history-of-knowledge context of research on the early modern period - in order to outline what artists' reading specifically entails. Based on the history of knowledge, the contributions to this volume will then correspondingly elucidate various aspects of how, in the early modern period, artists' education, knowledge, reading and libraries were related to the ways in which they presented themselves.The volume endeavours at long last to go beyond merely publishing inventories by investigating the problem of artists' libraries with a fundamentally stronger emphasis on a discourse-analytical and history-of-knowledge approach.Contributors include: Rainer Bayreuther, Maria Berbara, Cécile Beuzelin, Heiko Damm, Annette de Vries, Kelly Donahue-Wallace, Angela Dressen, Lex Hermans, Eckhard Leuschner, Alexander Marr, Martin Papenbrock, Tico Seifert, Eva Struhal, Michael Thimann, Huub van der Linden, Elsje van Kessel, Iris Wenderholm, and Claus Zittel.…

Hardcover. Condición: New. &Uumlber den AutorHeiko Damm is a research assistant at the Johannes Gutenberg University of Mainz. He received his PhD in Art history from the Freie Universitat Berlin with a dissertation on Santi di Tito (1536-1603) und die Reform de.

Hardback. Condición: New. Illustrated. Reading is apparently the greatest proof of refinement when viewed within the context of the social climb of the visual artist. It is only as reader that the artist can participate in the exclusive culture of clerics, humanists, rulers and courtiers. How did it come about that such a figure was integrated into the general history-of-knowledge context of research on the early modern period - in order to outline what artists' reading specifically entails. Based on the history of knowledge, the contributions to this volume will then correspondingly elucidate various aspects of how, in the early modern period, artists' education, knowledge, reading and libraries were related to the ways in which they presented themselves.The volume endeavours at long last to go beyond merely publishing inventories by investigating the problem of artists' libraries with a fundamentally stronger emphasis on a discourse-analytical and history-of-knowledge approach.Contributors include: Rainer Bayreuther, Maria Berbara, Cécile Beuzelin, Heiko Damm, Annette de Vries, Kelly Donahue-Wallace, Angela Dressen, Lex Hermans, Eckhard Leuschner, Alexander Marr, Martin Papenbrock, Tico Seifert, Eva Struhal, Michael Thimann, Huub van der Linden, Elsje van Kessel, Iris Wenderholm, and Claus Zittel.…

Buch. Condición: Neu. Neuware.