Merry pawlowski (46 resultados)

Softcover. Condición: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

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Hardback. Condición: New. Joseph Conrad and Material Culture offers a fresh approach to Conrad's work, especially his African fictions, by grounding its discussion in the importance of material culture and its role in shaping the literary art form in modernity. Opening with the description of a uniquely carved African tusk as both a work of art and an object of material culture, Merry M. Pawlowski traces the scenes of African life displayed on that tusk to establish the major themes of her study of selected works of Conrad's fiction and nonfiction. These themes include the presence of transculturation in colonial Africa, the transformation of the African fetish into the commodity fetish, the exploitation of the African continent through mapping, exploration, and trade, and the rise of the transcendent commodity. Employing cartographic, materialist, psychoanalytic, and postcolonial theories as frameworks, Pawlowski offers new insights using details, liminal presences, in Conrad's texts enhanced by key illustrations to expand those details as revelatory of the broader material culture invoked by the text. The brief mention of a Huntley and Palmers biscuit tin, the single reference to the Great Exhibition of 1851, the intriguing hint of a vile scramble for loot, are a few examples of tantalizing textual presences. Pawlowski explores the presence of material culture through teasing out gaps, silences, and hints deployed in Conrad's works. Revealing the rich context on which Conrad drew as he wrote, this book offers an opportunity for the reader to enter Conrad's world through envisioning the defamiliarizing spaces from which he drew inspiration for his art.This book is volume 31 of the series Conrad: Eastern and Western Perspectives, edited by Wieslaw Krajka.…

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Hardcover. Condición: new. Hardcover. Joseph Conrad and Material Culture offers a fresh approach to Conrad's work, especially his African fictions, by grounding its discussion in the importance of material culture and its role in shaping the literary art form in modernity. Opening with the description of a uniquely carved African tusk as both a work of art and an object of material culture, Merry M. Pawlowski traces the scenes of African life displayed on that tusk to establish the major themes of her study of selected works of Conrad's fiction and nonfiction. These themes include the presence of transculturation in colonial Africa, the transformation of the African fetish into the commodity fetish, the exploitation of the African continent through mapping, exploration, and trade, and the rise of the transcendent commodity. Employing cartographic, materialist, psychoanalytic, and postcolonial theories as frameworks, Pawlowski offers new insights using details, liminal presences, in Conrad's texts enhanced by key illustrations to expand those details as revelatory of the broader material culture invoked by the text. The brief mention of a Huntley and Palmers biscuit tin, the single reference to the Great Exhibition of 1851, the intriguing hint of a vile scramble for loot, are a few examples of tantalizing textual presences. Pawlowski explores the presence of material culture through teasing out gaps, silences, and hints deployed in Conrad's works. Revealing the rich context on which Conrad drew as he wrote, this book offers an opportunity for the reader to enter Conrad's world through envisioning the defamiliarizing spaces from which he drew inspiration for his art.This book is volume 31 of the series Conrad: Eastern and Western Perspectives, edited by Wieslaw Krajka. Joseph Conrad and Material Culture offers a fresh approach to Conrads work, especially his African fictions, by grounding its discussion in the importance of material culture and its role in shaping the literary art form in modernity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Hardcover. Condición: Brand New. 350 pages. 8.75x5.75x1.00 inches. In Stock.

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Hardback. Condición: New. Joseph Conrad and Material Culture offers a fresh approach to Conrad's work, especially his African fictions, by grounding its discussion in the importance of material culture and its role in shaping the literary art form in modernity. Opening with the description of a uniquely carved African tusk as both a work of art and an object of material culture, Merry M. Pawlowski traces the scenes of African life displayed on that tusk to establish the major themes of her study of selected works of Conrad's fiction and nonfiction. These themes include the presence of transculturation in colonial Africa, the transformation of the African fetish into the commodity fetish, the exploitation of the African continent through mapping, exploration, and trade, and the rise of the transcendent commodity. Employing cartographic, materialist, psychoanalytic, and postcolonial theories as frameworks, Pawlowski offers new insights using details, liminal presences, in Conrad's texts enhanced by key illustrations to expand those details as revelatory of the broader material culture invoked by the text. The brief mention of a Huntley and Palmers biscuit tin, the single reference to the Great Exhibition of 1851, the intriguing hint of a vile scramble for loot, are a few examples of tantalizing textual presences. Pawlowski explores the presence of material culture through teasing out gaps, silences, and hints deployed in Conrad's works. Revealing the rich context on which Conrad drew as he wrote, this book offers an opportunity for the reader to enter Conrad's world through envisioning the defamiliarizing spaces from which he drew inspiration for his art.This book is volume 31 of the series Conrad: Eastern and Western Perspectives, edited by Wieslaw Krajka.…

Hardcover. Condición: new. Hardcover. Joseph Conrad and Material Culture offers a fresh approach to Conrad's work, especially his African fictions, by grounding its discussion in the importance of material culture and its role in shaping the literary art form in modernity. Opening with the description of a uniquely carved African tusk as both a work of art and an object of material culture, Merry M. Pawlowski traces the scenes of African life displayed on that tusk to establish the major themes of her study of selected works of Conrad's fiction and nonfiction. These themes include the presence of transculturation in colonial Africa, the transformation of the African fetish into the commodity fetish, the exploitation of the African continent through mapping, exploration, and trade, and the rise of the transcendent commodity. Employing cartographic, materialist, psychoanalytic, and postcolonial theories as frameworks, Pawlowski offers new insights using details, liminal presences, in Conrad's texts enhanced by key illustrations to expand those details as revelatory of the broader material culture invoked by the text. The brief mention of a Huntley and Palmers biscuit tin, the single reference to the Great Exhibition of 1851, the intriguing hint of a vile scramble for loot, are a few examples of tantalizing textual presences. Pawlowski explores the presence of material culture through teasing out gaps, silences, and hints deployed in Conrad's works. Revealing the rich context on which Conrad drew as he wrote, this book offers an opportunity for the reader to enter Conrad's world through envisioning the defamiliarizing spaces from which he drew inspiration for his art.This book is volume 31 of the series Conrad: Eastern and Western Perspectives, edited by Wieslaw Krajka. Joseph Conrad and Material Culture offers a fresh approach to Conrads work, especially his African fictions, by grounding its discussion in the importance of material culture and its role in shaping the literary art form in modernity. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condición: New. Joseph Conrad and Material Culture offers a fresh approach to Conrad's work, especially his African fictions, by grounding its discussion in the importance of material culture and its role in shaping the literary art form in modernity. Opening with the description of a uniquely carved African tusk as both a work of art and an object of material culture, Merry M. Pawlowski traces the scenes of African life displayed on that tusk to establish the major themes of her study of selected works of Conrad's fiction and nonfiction. These themes include the presence of transculturation in colonial Africa, the transformation of the African fetish into the commodity fetish, the exploitation of the African continent through mapping, exploration, and trade, and the rise of the transcendent commodity. Employing cartographic, materialist, psychoanalytic, and postcolonial theories as frameworks, Pawlowski offers new insights using details, liminal presences, in Conrad's texts enhanced by key illustrations to expand those details as revelatory of the broader material culture invoked by the text. The brief mention of a Huntley and Palmers biscuit tin, the single reference to the Great Exhibition of 1851, the intriguing hint of a vile scramble for loot, are a few examples of tantalizing textual presences. Pawlowski explores the presence of material culture through teasing out gaps, silences, and hints deployed in Conrad's works. Revealing the rich context on which Conrad drew as he wrote, this book offers an opportunity for the reader to enter Conrad's world through envisioning the defamiliarizing spaces from which he drew inspiration for his art.This book is volume 31 of the series Conrad: Eastern and Western Perspectives, edited by Wieslaw Krajka.…

Hardback. Condición: New. Joseph Conrad and Material Culture offers a fresh approach to Conrad's work, especially his African fictions, by grounding its discussion in the importance of material culture and its role in shaping the literary art form in modernity. Opening with the description of a uniquely carved African tusk as both a work of art and an object of material culture, Merry M. Pawlowski traces the scenes of African life displayed on that tusk to establish the major themes of her study of selected works of Conrad's fiction and nonfiction. These themes include the presence of transculturation in colonial Africa, the transformation of the African fetish into the commodity fetish, the exploitation of the African continent through mapping, exploration, and trade, and the rise of the transcendent commodity. Employing cartographic, materialist, psychoanalytic, and postcolonial theories as frameworks, Pawlowski offers new insights using details, liminal presences, in Conrad's texts enhanced by key illustrations to expand those details as revelatory of the broader material culture invoked by the text. The brief mention of a Huntley and Palmers biscuit tin, the single reference to the Great Exhibition of 1851, the intriguing hint of a vile scramble for loot, are a few examples of tantalizing textual presences. Pawlowski explores the presence of material culture through teasing out gaps, silences, and hints deployed in Conrad's works. Revealing the rich context on which Conrad drew as he wrote, this book offers an opportunity for the reader to enter Conrad's world through envisioning the defamiliarizing spaces from which he drew inspiration for his art.This book is volume 31 of the series Conrad: Eastern and Western Perspectives, edited by Wieslaw Krajka.…

Condición: As New. Unread book in perfect condition.

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Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condición: New. In English.

Condición: New. In English.

Condición: New. This work probes Woolf's fiction and non-fiction from "Mrs. Dalloway" (1927) to "Between the Acts" (1941), for her responses not only to the growing menaces of dictators abroad, but also to mounting evidence of fascist ideology at home in England. Num Pages: 255 pages, biography. BIC Classification: 2AB; DSBH; DSK; JPFQ. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 216 x 140 x 13. Weight in Grams: 475. . 2001. Hardback. . . . .…

Condición: New. pp. 241 Softcover reprint of the original 1st ed. 2001 edition NO-PA16APR2015-KAP.

Condición: New. pp. 256.

Paperback. Condición: Brand New. 241 pages. 8.50x5.51x0.58 inches. In Stock.

Taschenbuch. Condición: Neu. Virginia Woolf and Fascism | Resisting the Dictators' Seduction | Merry Pawlowski | Taschenbuch | xiv | Englisch | 2001 | Palgrave MacMillan UK | EAN 9781349420964 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …