Mcrae rod (9 resultados)

Paper Back. Condición: Fine. No Jacket. 1st. 63pp.; SC dark beige w/black sepia photocover; fine condition w/clean, tight pgs. "Rod's a gay photo artist who scores a hit with gay town Sydney" illus. isbn 9780854492763. McRae, Rod (photos) (ilustrador).

Condición: New.

Taschenbuch. Condición: Neu. A Parliament of Monsters, the animal body as art and entertainment | Rod McRae | Taschenbuch | 92 S. | Englisch | 2014 | LAP LAMBERT Academic Publishing | EAN 9783659591495 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu. …

Condición: New.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -I propose that it is because of the authenticity of taxidermy, and the empathy it garners in the viewer, that puts this medium in a unique position to recharge the conservation and climate change debate. This work explores the journey humans and animals have made together since antiquity, a torrid history of exploitation and interdependence and how this journey informs the way we reference the Animal Body in art and entertainment today. My question is; in these times of climate change fatigue - can I create and exhibit artworks using the medium of taxidermy that will talk to a broad audience and add to the general conservation debate Given the level of fatigue in and around the climate change exacerbated by big industry, the conservative press and small thinking politicians, it would seem timely to explore new ways to engage the public in conservation issues more generally and climate stress in particular. I argue that conventional methods in producing sculpture, specifically stone, wood, resin, plaster, clay or steel cannot and do not provoke the same emotional response in the viewer as the use of the animals own skin. 92 pp. Englisch.…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - I propose that it is because of the authenticity of taxidermy, and the empathy it garners in the viewer, that puts this medium in a unique position to recharge the conservation and climate change debate. This work explores the journey humans and animals have made together since antiquity, a torrid history of exploitation and interdependence and how this journey informs the way we reference the Animal Body in art and entertainment today. My question is; in these times of climate change fatigue - can I create and exhibit artworks using the medium of taxidermy that will talk to a broad audience and add to the general conservation debate Given the level of fatigue in and around the climate change exacerbated by big industry, the conservative press and small thinking politicians, it would seem timely to explore new ways to engage the public in conservation issues more generally and climate stress in particular. I argue that conventional methods in producing sculpture, specifically stone, wood, resin, plaster, clay or steel cannot and do not provoke the same emotional response in the viewer as the use of the animals own skin. …

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -I propose that it is because of the authenticity of taxidermy, and the empathy it garners in the viewer, that puts this medium in a unique position to recharge the conservation and climate change debate. This work explores the journey humans and animals have made together since antiquity, a torrid history of exploitation and interdependence and how this journey informs the way we reference the Animal Body in art and entertainment today. My question is; in these times of climate change fatigue - can I create and exhibit artworks using the medium of taxidermy that will talk to a broad audience and add to the general conservation debate Given the level of fatigue in and around the climate change exacerbated by big industry, the conservative press and small thinking politicians, it would seem timely to explore new ways to engage the public in conservation issues more generally and climate stress in particular. I argue that conventional methods in producing sculpture, specifically stone, wood, resin, plaster, clay or steel cannot and do not provoke the same emotional response in the viewer as the use of the animals own skin.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 92 pp. Englisch. …

Condición: New. Print on Demand.

Condición: New. PRINT ON DEMAND.