Mclellan kevin (60 resultados)

Paperback. Condición: Good. Poetry. LGBTQIA Studies. How are we to live in a world where people and countries pretend to know the answers? McLellan refuses to fall prey to this illusion, and his haunting, delicate, yet muscular poems probe the infinite layers of self, family, love, loss, illness, and (above all) what it means to combine-and-transcend them all and find meaning and power. Says Donald Revell, In his beautiful ORNITHEOLOGY, Kevin McLellan exclaims a bold prospect of actual spiritual health for these dispiriting days. Cole adds that McLellan has constructed an amazingly delicate world of resilient fragility. She says: The word ornitheology, in addition to winning 'title of the year, ' perfectly captures this book--it's aerial, and it's reverent; it's full of grace, and it glides. And it's full of birds It's also full of great line-breaks, intricate repetitions, flickering moments, and an expanded sense of sky. …

Paperback. Condición: Good. Poetry. LGBTQIA Studies. How are we to live in a world where people and countries pretend to know the answers? McLellan refuses to fall prey to this illusion, and his haunting, delicate, yet muscular poems probe the infinite layers of self, family, love, loss, illness, and (above all) what it means to combine-and-transcend them all and find meaning and power. Says Donald Revell, In his beautiful ORNITHEOLOGY, Kevin McLellan exclaims a bold prospect of actual spiritual health for these dispiriting days. Cole adds that McLellan has constructed an amazingly delicate world of resilient fragility. She says: The word ornitheology, in addition to winning 'title of the year, ' perfectly captures this book--it's aerial, and it's reverent; it's full of grace, and it glides. And it's full of birds It's also full of great line-breaks, intricate repetitions, flickering moments, and an expanded sense of sky. …

Paperback. Condición: Good. Sky. Pond. Mouth. is a book that doesn't take much for granted--boundaries, solidity, distinctions between plants and humans, lasting companionship, faith, enduring self, health. This is a poetry of ontology, permeable and mutually dependent. Every noun is potentially non-I and I. The isolated being is the connected being and vice-versa in a constant turn-over of needing & peace-of-mind, needing & peace-of-mind. Starting with the book's title, physical and emotional qualities free-range between the animate and inanimate as though the world is written with dotted lines. Freedom, McLellan quotes A.R. Ammons, might be "identity without identity," an untethering even from untethering. In the long poem "Winterberries," as an example, "The wind made the light and an ash / tree seem one, animated yet mortal, / and then it ceased. For a moment / I thought the statue in the park / was me, not of me. (Sometimes one / needs to tell someone to go away.)" The sensual and the corporeal are geographic.It's not always comfortable. It's frankly a bit lonesome. In Sky. Pond. Mouth, a person might well be "benthic," or located at the bottom of a large water body. The climate setting is dialed to thawing solitude and to the temperature on the ocean floor. In "Clouds," a pond "stretches out" in the speaker's chest as the consequence of the loss of love, that is, of being in love for five minutes. In the forest setting of the prose poem "A Definition of Loss," trees are equipped with "mouth holes too," forming an orchestra which the poet joins as a soloist. Although this tree-and-human ensemble wouldn't be possible without his bravely different perceptions, the speaker's not certain that his fellow performers actually hear him. A theme of Sky. Pond. Mouth is patience: it's worth it. The drifting away from set forms is necessary for knowing more, knowing better, knowing how to know. Staying unbroken or holding the expected form only blocks our perceptions because, as McLellan says, DNA strands and a pair of eyes "know things despite their connectedness." In the Ecosystems section early in this book, there's a series of persona poems in which the speaker crosses over to a plant (swamp rose, pink lady's slipper, sheep laurel), a member of a marshland or renter of the unmown, not so much a flowerbed or community garden club. These plants contemplate celibacy or reject labels and judgment. Resembling illustrations of single specimens from a botanical book, they're like the poems in the book as a whole: distinct. McLellan doesn't repeat himself in this collection of prose poetry to lyric poems to longer sectioned exposition. With chiseled line breaks, intriguing meta-poetic levels, and punctuation like seed pods, these poems, if we look twice, might flourish outside the book's margin, past the grow light of the screen, even (especially) other borderlines we haven't begun to imagine.Alexandria PearyNew Hampshire Poet LaureateJudge of 2024 Granite State Poetry PrizeJanuary 5, 2024.…

Condición: very_good.

Paperback. Condición: Good. Sky. Pond. Mouth. is a book that doesn't take much for granted--boundaries, solidity, distinctions between plants and humans, lasting companionship, faith, enduring self, health. This is a poetry of ontology, permeable and mutually dependent. Every noun is potentially non-I and I. The isolated being is the connected being and vice-versa in a constant turn-over of needing & peace-of-mind, needing & peace-of-mind. Starting with the book's title, physical and emotional qualities free-range between the animate and inanimate as though the world is written with dotted lines. Freedom, McLellan quotes A.R. Ammons, might be "identity without identity," an untethering even from untethering. In the long poem "Winterberries," as an example, "The wind made the light and an ash / tree seem one, animated yet mortal, / and then it ceased. For a moment / I thought the statue in the park / was me, not of me. (Sometimes one / needs to tell someone to go away.)" The sensual and the corporeal are geographic.It's not always comfortable. It's frankly a bit lonesome. In Sky. Pond. Mouth, a person might well be "benthic," or located at the bottom of a large water body. The climate setting is dialed to thawing solitude and to the temperature on the ocean floor. In "Clouds," a pond "stretches out" in the speaker's chest as the consequence of the loss of love, that is, of being in love for five minutes. In the forest setting of the prose poem "A Definition of Loss," trees are equipped with "mouth holes too," forming an orchestra which the poet joins as a soloist. Although this tree-and-human ensemble wouldn't be possible without his bravely different perceptions, the speaker's not certain that his fellow performers actually hear him. A theme of Sky. Pond. Mouth is patience: it's worth it. The drifting away from set forms is necessary for knowing more, knowing better, knowing how to know. Staying unbroken or holding the expected form only blocks our perceptions because, as McLellan says, DNA strands and a pair of eyes "know things despite their connectedness." In the Ecosystems section early in this book, there's a series of persona poems in which the speaker crosses over to a plant (swamp rose, pink lady's slipper, sheep laurel), a member of a marshland or renter of the unmown, not so much a flowerbed or community garden club. These plants contemplate celibacy or reject labels and judgment. Resembling illustrations of single specimens from a botanical book, they're like the poems in the book as a whole: distinct. McLellan doesn't repeat himself in this collection of prose poetry to lyric poems to longer sectioned exposition. With chiseled line breaks, intriguing meta-poetic levels, and punctuation like seed pods, these poems, if we look twice, might flourish outside the book's margin, past the grow light of the screen, even (especially) other borderlines we haven't begun to imagine.Alexandria PearyNew Hampshire Poet LaureateJudge of 2024 Granite State Poetry PrizeJanuary 5, 2024.…

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Very Good.

Paperback. Condición: Very Good. Trade paperback binding. Very good. Light wear to covers/corners. Support Last Word Books & Press and independent booksellers. Thank you for supporting Last Word Books and independent bookstores.

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

softcover. Condición: Fine copy. 1st. 8vo, 77 pp.

Paperback or Softback. Condición: New. Sky.Pond.Mouth. Book.

Condición: New.

Paperback or Softback. Condición: New. Ornitheology. Book.

paperback. Condición: Very Good. Fast Shipping - Safe and Secure 7 days a week.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: New.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

Paperback. Condición: Brand New. 140 pages. 6.00x0.33x8.00 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Condición: New.

Soft cover. Condición: Very Good. No Dust Jacket. This quarterly publication is clean and unmarked in very good condition. Vol.6. 78 pages.

Chapbook. Condición: Fine. No Dust Jacket. 1st Edition. This is Number six in the Editors Series. This sewn chapbook is clean, unmarked and in fine condition. This is copy number 84 out of 125 copies. 25 pages. Signed by Author(s).