Maya stanfield mazzi (75 resultados)

Paperback. Condición: New. 5.75 X 0.5 X 9 inches; Book has scratched lower corner on front and 2 small dings on spine, internally this is an as new book, purchased from the publisher.

Paperback. Condición: Very Good. 5.75 X 0.5 X 9 inches; Book has scratched lower corner on front and 2 small dings on spine, internally this is an as new book, purchased from the publisher.

paperback. Condición: Fine.

Paperback. Condición: Fine. 5.75 X 0.5 X 9 inches; Bottom cover corner with a small ding, else a new book purchased from the publisher.

Condición: New. Brand New.

Condición: New.

Paperback. Condición: New. Rethinking the role of the artist and recovering the work of unacknowledged creators in colonial societyThis volume addresses and expands the role of the artist in colonial Latin American society, featuring essays by specialists in the field that consider the ways society conceived of artists and the ways artists defined themselves. Broadening the range of ways that creativity can be understood, contributors show that artists functioned as political figures, activists, agents in commerce, definers of a canon, and revolutionaries.Chapters provide studies of artists in Peru, Mexico, and Cuba between the sixteenth and early nineteenth centuries. Instead of adopting the paradigm of individuals working alone to chart new artistic paths, contributors focus on human relationships, collaborations, and exchanges. The volume offers new perspectives on colonial artworks, some well known and others previously overlooked, including discussions of manuscript painting, featherwork, oil painting, sculpture, and mural painting.Most notably, the volume examines attitudes and policies related to race and ethnicity, exploring various ethnoracial dynamics of artists within their social contexts. Through a decolonial lens not often used in the art history of the era and region,Collective Creativity and Artistic Agency in Colonial Latin America examines artists' engagement in society and their impact within it.Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.…

hardcover. Condición: Very Good. The copy shows minor external wear, but is in otherwise clean condition.

hardcover. Condición: Fine.

Hardcover. Condición: New. 6 X 0.75 X 9.25 inches; Excellent book.

Condición: like_new. Pages are clean and not marred by notes or folds of any kind. Like New! 100% Satisfaction Guarantee!! **Ships SWIFTLY!**.

Condición: As New. Unread book in perfect condition.

Paperback or Softback. Condición: New. Collective Creativity and Artistic Agency in Colonial Latin America. Book.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: New. Brand New.

Paperback. Condición: New. When Christianity was imposed on Native peoples in the Andes, visual images played a fundamental role, yet few scholars have written about this significant aspect. Object and Apparition proposes that Christianity took root in the region only when both Spanish colonizers and native Andeans actively envisioned the principal deities of the new religion in two- and three-dimensional forms. The book explores principal works of art involved in this process, outlines early strategies for envisioning the Christian divine, and examines later, more effective approaches.Maya Stanfield-Mazzi demonstrates that among images of the divine there was constant interplay between concrete material objects and ephemeral visions or apparitions. Three-dimensional works of art, specifically large-scale statues of Christ and the Virgin Mary, were key to envisioning the Christian divine, the author contends. She presents in-depth analysis of three surviving statues: the Virgins of Pomata and Copacabana (Lake Titicaca region) and Christ of the Earthquakes from Cusco.Two-dimensional painted images of those statues emerged later. Such paintings depicted the miracle-working potential of specific statues and thus helped to spread the statues' fame and attract devotees. ""Statue paintings"" that depict the statues enshrined on their altars also served the purpose of presenting images of local Andean divinities to believers outside church settings.Stanfield-Mazzi describes the unique features of Andean Catholicism while illustrating its connections to both Spanish and Andean cultural traditions. Based on thorough archival research combined with stunning visual analysis, Object and Apparition analyzes the range of artworks that gave visual form to Christianity in the Andes and ultimately caused the new religion to flourish.…

hardcover. Condición: Good. Book is bent.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. Rethinking the role of the artist and recovering the work of unacknowledged creators in colonial societyThis volume addresses and expands the role of the artist in colonial Latin American society, featuring essays by specialists in the field that consider the ways society conceived of artists and the ways artists defined themselves. Broadening the range of ways that creativity can be understood, contributors show that artists functioned as political figures, activists, agents in commerce, definers of a canon, and revolutionaries.Chapters provide studies of artists in Peru, Mexico, and Cuba between the sixteenth and early nineteenth centuries. Instead of adopting the paradigm of individuals working alone to chart new artistic paths, contributors focus on human relationships, collaborations, and exchanges. The volume offers new perspectives on colonial artworks, some well known and others previously overlooked, including discussions of manuscript painting, featherwork, oil painting, sculpture, and mural painting.Most notably, the volume examines attitudes and policies related to race and ethnicity, exploring various ethnoracial dynamics of artists within their social contexts. Through a decolonial lens not often used in the art history of the era and region,Collective Creativity and Artistic Agency in Colonial Latin America examines artists engagement in society and their impact within it.Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Addresses and expands the role of the artist in colonial Latin American society. Broadening the range of ways that creativity can be understood, contributors show that artists functioned as political figures, activists, agents in commerce, definers of a canon, and revolutionaries. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: new.

Paperback. Condición: Brand New. reprint edition. 249 pages. 9.00x5.75x0.50 inches. In Stock.

Condición: New. 2023. Reprint. paperback. . . . . .

Condición: New. In English.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Paperback. Condición: Brand New. reprint edition. 241 pages. 8.75x6.00x0.75 inches. In Stock.