masen jacob (191 resultados)

Condición: New.

Condición: New.

Broschiert. Condición: Gut. 144 S. ; Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 70.

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gebundene Ausgabe. Condición: Gut. 158 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Leichte altersbedingte Anbräunung des Papiers. Text in ALTDEUTSCHER SCHRIFT. Sprache: Deutsch Gewicht in Gramm: 135.

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Gebunden. Condición: New.

Buch. Condición: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Kartoniert / Broschiert. Condición: New.

Gebunden. Condición: New.

Taschenbuch. Condición: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Buch. Condición: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Relié. Condición: Bon. Autre édition. In-12, plein veau, dos lisse orné, triple filet sur les plats, tranches dorées, [1] f., lxxii-269-[3] pp. La Sarcothée, évoque Adam et Eve et leur expulsion du Paradis. Ce poème en latin est à l'origine d'une polémique lancée par le critique écossais William Lauder qui accusa Milton de plagiat. Le volume contient entre autre une longue introduction en français sur la Sarcothée. ''Nouvelle édition très intéressante'', Oberlé, Poètes néo-latins en Europe, 426. Petit manque de peau sur un coin. . (Catégories : Littérature ). 245.

Couverture rigide. Condición: Bon. Paris, Barbou, 1757, in-12 (15,9x9cm), 108pp.-1f.-192pp.-2ff., veau marbré époque, dos lisse orné avec pièce de titre grenat, tranches rouges, coins usés, début de fente, frottements aux charnières. Texte en latin avec sa traduction française en seconde partie, jolie vignette au titre représentant une imprimerie par Papillon Édition parisienne de 1757 publiée par Barbou, ce volume présente la Sarcothée de Jacob Masen, long poème néo-latin retraçant la chute d'Adam et Ève et l'expulsion du Paradis terrestre, accompagné d'une traduction française due à l'abbé Dinouart, et précédé d'un texte critique comparant l'ouvrage au Paradis perdu de Milton, dans le contexte de la polémique soulevée au XVIIIe siècle par William Lauder qui accusait le poète anglais d'avoir plagié Masenius, ce qui confère à cette édition un intérêt littéraire et historique particulier. M8-A.

Condición: Bueno. 8º, 108+192+[4] p, pasta de época levemente rozada en bordes, pequeña rotura en extremo superior de plano anterior, hierros en lomo, ruedas en cantos, cortes tintados. Versión latina y francesa del poema de Masen, en quien, según algunos, se inspiró Milton para su "Paraíso perdido".

0. Kl.8°. 5 Bll., 809 (recte 807), 24 S., 10 Bll. (Index und Errata). Ldr der Zt. Einband berieben und etwas fleckig; Kapitale mit größeren Fehlstellen; Ecken bestoßen; kleiner Wurmgang am hint. Deckel; Schließbänder fehlen; teils etwas braunfleckig; hs. Besitzvermerk von 1729 am Titel. 2 Bll. mit geringf. Randausriß, dort minimaler Buchstabenverlust in den Marginalien. Ohne den gestoch. Titel. - Kat.StaBi Köln I.70.310. la 0,570 gr.

5 Bl., 809 ., 24 S., 10 Bl. Pgmt. .d Zt (Rücken fehlt). dabei: Meelbaum, J. Sylva Academica, sive de Antiquitate Urbis et Academiae Trevirorum discursus. Ex Variis Veteribvs, Et nouis auctoritatibus SS. Patrum, Canonum, Legum, Iureconsultorum, Medicorum, Historicorum, Oratorum, Po etarum, aliorum que doctorum virorum, viuis item & certis monumentis, solidis que rationibus compilatus, Et Multarum rerum interuenientium, atque tam ob grauitatem & iucinditatem, scitu dignarum compendio adornatus. (Trier )Reuland 1657 4 Bl., 198 S.,1 Bl. Hln. d. 19. Jhdts. Stempel auf Titel , gebräunt, locker etwas fleckig, handgezeichnetes Exlibris und langer Eintrarg auf Innedeckeln aus dem, 18. Jhdt.

The third edition of a celebrated work by Jacob Masen (1606-1681), a Jesuit theologian, poet and historian; it was compiled for use in Jesuit dramatic presentations and is still used today as an index for understanding Baroque imagery and emblematics. The book features an engraved title page. Antiqua typeface; the title page contains a woodcut device with the motto "In manibus Dei Sortes Meae"; other pages are decorated with woodcut initials and tailpieces. Provenance: The title page has an ownership note of the Cistercian monastery of Osek in North Bohemia (Ossegg in German) and a later ownership stamp of a Jesuit college. The front endpaper has a simple recent bookplate of Petr Vopenka (1935-2015), a Czech mathematician and philosopher. A complete copy. /// Parchment binding with coloured edges; hardback, [16]+[56]+1122+[72] pp., 12° (10 x 17.5 cm), cover worn and discoloured, ribbons missing, parchment backstrip damaged, chipped and unskillfully fixed with sturdy paper and adhesive tape, bottom head-cap only partially preserved, top edge partly darkened, endpapers yellowed and worn, front endpaper has old call numbers written with pen and a few pencil notes, title page has old call numbers, ca 30 pages tanned, some pages yellowed or foxed, other signs of wear and age are rare (small ink/water stain, minor creases etc.), condition: good Book Language/s: Latin.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1652 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 65 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 65.

rigide. Condición: Bon. Adjecta est lamentationum Jeremiae paraphrasis, auctore D. Grenan, 1 vol. in-12 reliure de l'époque pleine veau marbré, dos lisse orné, triple filet doré d'encadrement en plats, toutes tranches dorées, Apud J. Barbou, Londini Et venit Parisiis (Londres et Paris), 1771, 1 f., lxxii-269 pp. et 1 f. n. ch. Cette édition de la "Sarcothée" (du grec Sarkos et Thea), oeuvre du jésuite Masenius (Jacob Masen, 1606-1681) est précédée de longues "Observations sur le Paradis Perdu de Milton & sur la Sarcothée de Masenius", extraites du Journal étranger d'octobre 1754, et d'autres observations extraites des Mémoires de Trévoux, insérées par l'abbé Dinouart. Le critique écossais William Lauder avait accusé Milton de plagiat ; l'accusation était fausse mais attira l'attention sur le poème de Masénius. Bon état (reliure lég. frottée, ex-libris en garde) Langue: Latin.

Parisiis, Apud J. Barbou, 1771, in-12 (16x9,5cm), 1f.-LXXII-269pp.-1f., veau marbré époque, dos lisse, triples filets aux plats, tranches dorées, manque la pièce de titre, charnière fendillée, coins usés. De la bibliothèque de L. Dimier avec son cachet au titre et signature en page de garde. Édition parisienne de 1771 chez Barbou, ce volume réunit la Sarcothée du jésuite allemand Jacob Masen (Masenius, 1606-1681), poème néo-latin retraçant la chute d'Adam et Ève qui fut parfois rapproché du Paradis perdu de Milton, le panégyrique en vers de l'empereur Charles Quint, un traité sur la poésie héroïque et, en appendice, la paraphrase latine des Lamentations de Jérémie par Bénigne Grenan, offrant ainsi une version enrichie par rapport à l'édition de 1757 qui ne contenait que le poème et sa traduction française, et témoignant de l'importance accordée au XVIIIe siècle à la poésie latine humaniste et à sa mise en perspective critique. On accusa Milton de plagiat et l'éditeur apporte quelques précisions dans l'avertissement. M8-A.

Leather Bound. Condición: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1652. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 68, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 68.

Leather Bound. Condición: New. Language: Latin. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1661. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages: - 68, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 68.

Leather Bound. Condición: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1661. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 76, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 76.

Tum de Heroica Poesi Tractatus, auctore Masenio. Adjecta est Lamentationum Jeremiae Paraphrasis, Auctore D. Grenan. London, J. Barbou 1771. LXXII, 269 S., Lederband. Kl.-8vo. Rücken mit Läsuren in den Gelenken teils aufgeplatzt, berieben. Innen schön.

Condición: 0. Ökumenischer Versuch, der protestantischerseits scharf kritisiert wurde" (Dünnhaupt IV, 2690); erschien zuerst 1669 in Köln. - Der Jesuit, Theologe u. Dichter Jacob Masen (1606-81) trat 1629 in Trier in die Gesellschaft Jesu ein, studierte Theologie und unterrichtete in Trier Poetik und Rhetorik. Seit 1641 unterrichtete er lateinische Sprache, Literatur und Rhetorik an den Jesuitenkollegien in Köln, Trier, Münster, Aachen und Düsseldorf. In Köln legte er die großen Gelübde ab (1648) und war anschließend als Priester und theol. Schriftsteller tätig. Masen, der neben Jakob Bidermann als bedeutendster Jesuitendramatiker des Barock gilt, wirkte zudem als Historiker, Theologe und Poetiker. - Kapitale m. kl. Wurmspuren. Vorderdeckel m. kl. Stoßspur. - Dünnhaupt IV, 2691, 23.3 (Berlin SB, Wien UB. - Sonst bisher nicht erfaßt"); vgl. De Backer/S. V, 692, 25 (nur die Erstausgabe u. eine 1752 in Linz erschienene Ausgabe). la Gewicht in Gramm: 350 8°. 6 Bll., 296 S., Ldr. d. Zt. a. 5 Bünden m. reicher Rückenverg. u. goldgepr. Rückenschild.

12° , Leder. Editio altera. [4] Bl., 572 [i.e. 576] S., [4] Bl. VD17 12:104318L Mehrfach aufgelegte, vom jesuitischen Theologen und Historiker Jacob Masen (1601 od. 1606 - 1683) besorgte, Bearbeitung der Exerzitien des Ignatius von Loyola, hier als Trierer editio altera a.d. Jahr 1686. Mit Kupfertitel und 8 ganzseitigen Kupferstichen. Dreiseitiger Goldschnitt. Titelblatt in rot und schwarz. Leder d. Zt. Vorderdeckel m. kl. Wurmspur. S. 59/60 am Außensteg eingerissen, Schnitt d. Seiten 105 - 110 verkürzt (minimaler Buchstabenverlust). Moderate Seitennachdunkelung, Bindung fest, Text sauber. Mit Stempel und Rückensignatur einer aufgelösten Klosterbibliothek. --- "M.s philologisch-pädagogische Leistung besteht in einer Synthese des Schulciceronianismus, der traditionellen Grundlage für das Disputationswesen und die theologische Kontroverse, mit den neuen Stilmoden attizistischer breviloquentia" und manieristischer argutia" in der Nachfolge von Emanuele Tesauro und Justus Lipsius. Mit einem Programm von Musteranthologien, Stilanalysen und Übungsaufgaben eröffnete M. den Jesuitenkollegien die Chance, im Sprachenstudium und in der dichterischen Produktion Anschluß an die neuen ästhetischen Normen der überkonfessionellen respublica literaria sowie der Höfe zu finden. Antike Rhetorik und mittelalterliche Bibelallegorese sind die beiden Grundpfeiler von M.s Dichtungs- und Emblemtheorie, die sich noch zur Grundlegung der deutschen Poetik (z. B. Georg Philipp Harsdörffer) bis zur Aufklärung als tragfähig erwiesen. Die Qualität eines Dramas, eines Gedichts oder eines Emblems hing nach M. von der Originalität der Gedankenverbindung und der Fähigkeit ab, über die literale Verständnisebene auf einen transzendenten Sinn zu verweisen. Dichtung, Emblematik und Predigt waren somit ingeniöses Gedankenspiel und Mittel zur Gotteserkenntnis zugleich. M.s Schauspiele sind nicht nur Illustrationen seiner Poetik; sie verdanken ihren Erfolg der Aktualität ihrer Themen (Sozial- und Fürstenkritik, konfessionsübergreifende Friedensmotive) und bühnenwirksamer Komik." (NDB 16, S. 353f.) atx asc12°120 la Gewicht in Gramm: 530.

[Manuscript binding] MASEN, Jacob. Meditata concordia Protestantium cum Catholicis in una Confessione Fidei. Cologne: Johannes Busaeus, 1661. Octavo. Engraved title-page. [16], 126, [1] pp. Contemporary limp vellum binding formed from a reused medieval manuscript leaf; covers slightly toned and rubbed, but sound and very attractive. An exceptionally handsome example of a seventeenth-century book bound in a genuine thirteenth-century theological manuscript. The wrapper is formed from a vellum leaf written in a fine mid- to late-thirteenth-century Gothic bookhand, with red rubrication and paragraph marks, preserving part of the Catena aurea on the Gospel of St Luke, the celebrated patristic commentary compiled by Thomas Aquinas in the 1260s. The dense scholastic script, alternating authorities, and careful rubrication indicate that the fragment once formed part of a substantial university or monastic codex, very likely produced in northern France, the Low Countries, or the Rhineland. The reuse of such a leaf as binding material reflects a widespread early-modern practice by which obsolete or damaged medieval manuscripts were cut up to serve as durable wrappers for printed books. In this case the result is particularly striking: the warm patina of the vellum, the clarity of the hand, and the survival of rubricated headings give the volume a strong visual presence and preserve a tangible witness to high medieval scholastic culture. The printed text itself is an irenic Jesuit treatise by Jacob Masen, seeking theological concord between Protestants and Catholics in the aftermath of the Thirty Years' War. The combination is historically resonant: a Counter-Reformation work devoted to confessional reconciliation encased in a fragment of one of the central monuments of medieval Catholic exegesis. A fine and evocative hybrid object, uniting thirteenth-century manuscript scholarship with seventeenth-century theological controversy, and a particularly attractive survival of manuscript waste in binding.