Martin lesley editor (16 resultados)

31 x 24,5 cm ; Leinen. Condición: Gut. 224 S. ; Photojournalism 1995. Großformatige Hardcoverausgabe mit Schutzumschlag, Text in englischer, deutscher und französischer Sprache, 224 Seiten mit zahlreichen Fotos. Gutes Exemplar (good Condition). hw761 ISBN: 1888001046.

paperback. Condición: Good. tight, uncreased spine, shelf and edge wear, corners bumped, highlighting, packaged in cardboard box for shipment, tracking on U.S. orders.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. First Edition. 1st printing; 120 pp.; color plates, 4to.: Bright, sharp copy with no ownership markings. Light smudging to DJ, not clipped: Well packaged in a box, ships with tracking.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. A nice hardcover with a crisp dust jacket, a tight binding and an unmarked text.Stated first editionFrom a private smoke free collection. Shipping within 24 hours, tracking number and delivery Confirmation.

hardcover. Condición: Like New. Like New. First Edition. Publisher: Aperture, New York, 2005. FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. As new. Pristine.

Original Cloth. Condición: Very Good. Estado de la sobrecubierta: Fine. First Edition. Unread copy with jacket in protective cover. One faint mark on the page edges but no other faults. Includes 'The Slab Boys' by Rankin, 'Hare's House' by Rendell, 'Interior, with Corpse' by Lovesey and 'Stitched Up' by Davis along with eleven other stories and a foreword by Natasha Cooper. First printing.…

Hardcover. Condición: Clean & Unmarked. A very clean and straight copy. No dust jacket, as issued. 204 pp.

Paperback. Condición: Brand New. 280 pages. 7.81x5.06x0.67 inches. In Stock.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Paperback. Condición: Brand New. 280 pages. 7.81x5.06x0.67 inches. In Stock.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

hardcover. Condición: Like New. First Edition. Publisher: Aperture, New York, 2005. FINE Hardcover in illustrated boards, as issued. First Edition. First Printing. As new. Pristine.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. First edition, first printing. Signed in black ink on title page by Robbins and Becher. Hardcover. Photographically illustrated paper-covered boards with matching dust jacket. Photographs and text by Andrea Robbins and Max Becher. Essays by Maurice Berger and Lucy Lippard. Edited by Lesley A. Martin. Includes a chronology, list of exhibitions, collections, and bibliography. Designed by Francesca Richer. 156 pp., with 118 four-color plates and seven additional illustrations, printed on thick matte paper. 10-3/8 x 12 inches. New in publisher's shrink-wrap (slit open for signature). From the publisher: "Andrea Robbins and Max Becher draw on a rich visual vocabulary gleaned as much from travel brochures, postcards, and National Geographic as from the photography of Walker Evans, Edward Curtis, and Stephen Shore. In doing so, Robbins and Becher produce work that functions as surreal nonfiction, using documentary images to examine contradictions of place and cultural identity. In the words of the artists, 'The primary focus of our work is what we call the transportation of place--situations in which one limited or isolated place strongly resembles another distant one. Everywhere, not only in the new world, such situations are accumulating and accepted as genuine locales. Traditional notions of place, in which culture and geographic location neatly coincide, are being challenged by legacies of slavery, colonialism, holocaust, immigration, tourism, and mass-communication. Whether the subject is Germany in Africa, Germans dressing as Native Americans, American towns dressed as Germany, New York in Las Vegas, New York in Cuba, or Cuba in exile, our interest tends to be a place out of place with its various causes and consequences.' The work posits vital questions for a globalized world: What are the larger implications of 'ideological passing,' when one culture assumes the skin of another? And what role can photography play as a document in context where cultural signification is entirely fluid? Curator and author Maurice Berger examines the work of Robbins and Becher against the background of race and identity, but also of Surrealism. Lucy Lippard discusses the development of the husband-and-wife team's work together, as well as looking specifically at the ideas of location, landscape, and manufactured place. 'Robbins and Becher's choice of subjects is brilliant, edifying, and always unexpected. . . . They seek out the visually varied symptoms of disruption and dislocation, exposing the bizarre manifestations of colonialism and its post-colonial counterpart--global tourism.' -Lucy Lippard" Signed by Author.…