Mark richard ashton (8 resultados)

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Very Good/ Fine. First Edition By This Publisher.. 224 pages. The contents include: The Secret of Sebek by Robert Bloch, In the Left Wing by Mark Schorer & August Derleth, The Necromantic Tale by Clark Ashton Smith, Battle of the Wizards by L. Ron Hubbard, Young Goodman Brown by Nathaniel Hawthorne, Casting the Runes by M. R. James, The Disappearance of Mrs. Macrechem by Richard Marsh, So Sweet as Magic by Bruce Elliott, and, Apprentice Magician by E. Hoffman Price, >>Cover creasing & scuffing Size: 12mo - over 6¾" - 7¾" tall. PHOTO Cover. (ilustrador). Book.…

Hardcover. Condición: Very Good. No Dust Jacket. Hardcover without dust jacket, in very good condition. Page block is lightly tanned and blemished. Pages and text are clear and unmarked throughout. LW. Used.

Paperback. Condición: Brand New. 2004 edition. 144 pages. 9.75x6.75x0.50 inches. In Stock.

Hardcover. Condición: As New. 184 pages. Though little known in the English-speaking world, Johann Bernhard Fischer vo n Erlach (1656-1723) was one of the most important and influential European baro que architects. The buildings that he designed for the emperor of Austria and hi s courtiers reveal an element of theatricality?an element that author Esther G ordon Dotson probes in this attractive volume.In his architectural design s, Fischer incorporated devices from ceremonial pageantry and scene design, cont rolled lighting effects, and a sense of dramatic progression in approaching and moving through a building. Dotson identifies these various elements in her close reading of Fischer's structures, and splendid new photographs, taken by Mark Ri chard Ashton, bring them to life on the printed page. The author also delves int o Fischer's past and his writings to explainthe impacthis awareness of archi tectural history, his early employment by designers of street-festival pageants and his relationships with others involved in such staged productionshad upon? ?his architectural designs. Dotson guides readers in discovering the theatrical qualities in Fischer's buildings, illuminating their conceptual liveliness, vari ety, drama, and enduring beauty.…

Hardcover. Condición: New. Though little known in the English-speaking world, Johann Bernhard Fischer von Erlach (1656-1723) was one of the most important and influential European baroque architects. The buildings that he designed for the emperor of Austria and his courtiers reveal an element of theatricalityâ"an element that author Esther Gordon Dotson probes in this attractive volume.In his architectural designs, Fischer incorporated devices from ceremonial pageantry and scene design, controlled lighting effects, and a sense of dramatic progression in approaching and moving through a building. Dotson identifies these various elements in her close reading of Fischer's structures, and splendid new photographs, taken by Mark Richard Ashton, bring them to life on the printed page. The author also delves into Fischer's past and his writings to explain the impact his awareness of architectural history, his early employment by designers of street-festival pageants and his relationships with others involved in such staged productions had upon his architectural designs. Dotson guides readers in discovering the theatrical qualities in Fischer's buildings, illuminating their conceptual liveliness, variety, drama, and enduring beauty.…

221 pp.; 30.7 x 24.2 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; November 1971 issue of Studio International, with a cover specially designed for this issue by Allen Jones. Edited by Peter Townsend. Contents include: "Some Concern in fine art education - II," by Linda Morris, Digby Jacks, Charles Harrison; "Report from Vienna," by Kristian Sotriffer; "Correspondence;" "News and Notes;" "Edward Ihnatowicz's Senster," by Jonathan Benthall; "PASTA MOMA, or the strike-bound Modern," by Jeannie Weiffenbach; "Notes on a piece by Barry Le Va - Extended vertex meetings: blocked; blown outward;" "Some Memories of Mondrian," by Nelly van Doesburg; "Aspects of Islamic pattern," by Keith Albarn; "An Interview with Dennis Oppenheim," by Willoughby Sharp; "UK Commentary," by Mark Haworth-Booth, Norbert Lynton, Richard Morphet; "The Synoptic Loft," by Dore Ashton; "The State and the arts in Great Britain," by Andrew Faulds MP "Supplement: new and recent art books," reviews by John Gage, Tim Hilton, William Vaughan, Tim Clark, Peter Wollen, Peter Gidal, Andrew Forge, Frank Whitford, and Laura Mulvey. Very Good. Light edge-wear and dusting of covers. Contents clean and unmarked.…

[20] pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held August 10 - September 7, 1991. Curated and with an essay by Ralph Rugoff. Artists include Alan Belcher, Dennis Cooper, Jim Isermann, John Coplans, Jessica Diamond, Jeanne Dunning, Rotimi Fani-Kayode, Bob Flanagan, Sheree Rose, Lyle Ashton Harris, Richard Hawkins, Mike Kelley, Mark Kroening, Cary Liebowitz, Paul McCarthy, Raymond Pettibon, Jack Pierson, Johnny Pixchure, Aura Rosenberg, Jim Shaw, Cindy Sherman, Laurie Simmons, Tom of Finland, Jeffrey Vallance, Anne Walsh, and Sue Williams. Includes exhibition checklist. Very Good. Contents clean and unmarked. …