Marion bartolini (47 resultados)

hardcover. Condición: Very Good. Crease on cover*.

hardcover. Condición: Very Good. Crease on cover*.

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Hardcover. Condición: Fine. No Jacket (as issued). 1st Edition. Profusely illustrated in color. Text in German and English. From the 2012-2014 exhibitions. Color inlay illustration on front cover. Clean and unmarked.

Hardcover. Condición: Acceptable. Heavy water damage. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: No Dust Jacket As Issued. Text clean and tight; NOTE: additional postage may be necessary for international shipping; 8vo 8" - 9" tall; 224 pages.

Condición: New.

Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Hardcover. Condición: New. Estado de la sobrecubierta: New. Book is still in the original shrinkwrap.

paperback. Condición: Very Good. Crease on cover*.

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: No Dust Jacket As Issued. A book that looks almost new without dustjacket as issued; 11.26 X 10.47 X 1.02 inches; 204 pages.

paperback. Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardcover. Condición: New in shrinkwrap. Olive green cloth boards with inlaid color illustration and stamped lettering. 223 pp. Mainly color illustrations. Text in French, English, and German."This one-of-a-kind book brings the work of German Expressionist artist Friedrich Karl Gotsch (19001984) to a larger, well-deserved audience. Gotsch, whose paintings are in the collections of the Brooklyn Museum and the Museum of Modern Art in New York, trained at the Dresden School of Fine Arts in the early 1920s and was inspired by the works of Oskar Kokoschka and Edvard Munch. While his early paintings follow a straightforward Expressionist style, he truly came into his own after World War II, when his work became distinct and easily recognizable: The energy, contrasting primary colors, vivid outlines, and free brushwork combine to produce powerful, spellbinding images. In addition to stunning color reproductions of his work, this book includes essays on Gotsch's art and life, illuminating the artist's creative development and the cultural milieu and influences that inspired him." -FirstSearch.…

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

1st edition. Fine copy in the original decorated cloth. Remains particularly well-preserved overall; tight, bright, clean and strong. Literally as new. Physical description; 223 pages: illustrations (chiefly color); 27 x 29 cm. Notes; Published on the occasion of an exhibition held at Artvera's Gallery, Geneva, Sept. 16, 2011-Feb. 18, 2012; some works will also be shown at the Kitzbu?hel Museum, Dec. 3, 2011-Feb. 19, 2012 and at the Kunstsammlung im Stadtmuseum Jena, Dec. 7, 2013-Feb. 23, 2014. Includes bibliographical references (page 191). Text in French, English and German. Contents; Pre?face / Sofia Kornarova -- Friedrich Karl Gotsch, expressionniste, romantique et solitaire / Marion Leuba -- Friedrich Karl Gotsch: "aucun vent ne souffle dans nos voiles" / Re?gine Bonnefoit -- Friedrich Karl Gotsch. La seconde ge?ne?ration expressionniste / Chantal Bartolini -- Un Artiste d'Allemagne du Nord, proche de la culture scandinave -- Les anne?es de formation -- Une enfance dans le Schleswig-Holstein -- Le premier enseignement d'Hans Ralfs a? Kiel -- Un jeune peintre tre?s bien informe? -- L'e?cole des beaux-arts de Dresde -- Ralfs, Munch, Die Bru?cke, Kokoschka quelles influences chez Gotsch? -- En pre?ambule -- L'apport d'Hans Ralfs -- L'apport d'Edvard Munch -- L'apport d'Oskar Kokoschka -- L'apport de Die Bru?cke -- La France: le gou?t de la ge?ome?trie et de la construction -- L'incertitude des anne?es 1930 -- 1945, une re?flexion sur la trage?die du nazisme -- La Renaissance d'apre?s-guerre -- Quelques anne?es de transition -- L'apothe?ose de l'art de Gotsch -- Le probable encouragement moral du mouvement CoBrA -- Ge?ome?trie libre: des pointes et des triangles -- La multiplication des petites formes a? l'inte?rieur d'un plus large ensemble -- L'inspiration africaine -- Mythologie et relectures d'oeuvres ce?le?bres -- Une abstraction construite -- Une abstraction lyrique -- Postlude: aquarelles et monotypes -- Gotsch, le second souffle de l'expressionnisme allemand. Summary; This book presents the work of Friedrich Karl Gotsch, an artist from the second gener-ation of Expressionists, who trained at the Dresden School of Fine Arts in the early 1920s. Influenced by Die BrUcke in his approach to form, he in fact owed the full flow-ering of his individuality and the release of his creative talent to Kokoschka. Gotsch's art enjoyed a new lease of life after the Second World War, reaching the peak of its popularity in the fifties and sixties. Starting in a straightforwardly Expressionist style, his work soon became highly individual and instantly recognisable: the energy, contrasting primary colours, vivid outlines and free brushwork combine to produce particularly powerful, spellbinding paintings. This sumptuous book-cum-catalogue includes an introductory essay on Gotsch's art by Marion Leuba, curator for the Beaune museums, followed by a further illustrated essay by the art historian Chantal Bartolini, who highlights the various stages in the artist's development over his long creative life and the cultural milieux and influences which helped forge them. These two contributions are followed by a catalogue of full-page colour plates. This retrospective of Gotsch's painting provides an opportunity to discover or rediscover an artist of the first rank within the Expressionist movement whose influence stretched beyond the borders of Schleswig-Holstein, where the Gotsch Foundation is situated, and indeed was not confined to Germany itself. Subjects; Gotsch, Friedrich Karl 1900-1984 - Exhibitions. Gotsch, Friedrich Karl 1900-1984. Expressionism (Art) - Germany - 20th century - Exhibitions. Painting, German - 20th century - Exhibitions. Wood-engraving, German - 20th century - Exhibitions. Expressionism; Painting & paintings; Individual artists. ART / Individual Artists / General. ART / History / General. 1 Kg.…

1st edition. Fine copy in the original decorated cloth. Remains particularly well-preserved overall; tight, bright, clean and strong. Literally as new. Physical description; 223 pages: illustrations (chiefly color); 27 x 29 cm. Notes; Published on the occasion of an exhibition held at Artvera's Gallery, Geneva, Sept. 16, 2011-Feb. 18, 2012; some works will also be shown at the Kitzbu?hel Museum, Dec. 3, 2011-Feb. 19, 2012 and at the Kunstsammlung im Stadtmuseum Jena, Dec. 7, 2013-Feb. 23, 2014. Includes bibliographical references (page 191). Text in French, English and German. Contents; Pre?face / Sofia Kornarova -- Friedrich Karl Gotsch, expressionniste, romantique et solitaire / Marion Leuba -- Friedrich Karl Gotsch: "aucun vent ne souffle dans nos voiles" / Re?gine Bonnefoit -- Friedrich Karl Gotsch. La seconde ge?ne?ration expressionniste / Chantal Bartolini -- Un Artiste d'Allemagne du Nord, proche de la culture scandinave -- Les anne?es de formation -- Une enfance dans le Schleswig-Holstein -- Le premier enseignement d'Hans Ralfs a? Kiel -- Un jeune peintre tre?s bien informe? -- L'e?cole des beaux-arts de Dresde -- Ralfs, Munch, Die Bru?cke, Kokoschka quelles influences chez Gotsch? -- En pre?ambule -- L'apport d'Hans Ralfs -- L'apport d'Edvard Munch -- L'apport d'Oskar Kokoschka -- L'apport de Die Bru?cke -- La France: le gou?t de la ge?ome?trie et de la construction -- L'incertitude des anne?es 1930 -- 1945, une re?flexion sur la trage?die du nazisme -- La Renaissance d'apre?s-guerre -- Quelques anne?es de transition -- L'apothe?ose de l'art de Gotsch -- Le probable encouragement moral du mouvement CoBrA -- Ge?ome?trie libre: des pointes et des triangles -- La multiplication des petites formes a? l'inte?rieur d'un plus large ensemble -- L'inspiration africaine -- Mythologie et relectures d'oeuvres ce?le?bres -- Une abstraction construite -- Une abstraction lyrique -- Postlude: aquarelles et monotypes -- Gotsch, le second souffle de l'expressionnisme allemand. Summary; This book presents the work of Friedrich Karl Gotsch, an artist from the second gener-ation of Expressionists, who trained at the Dresden School of Fine Arts in the early 1920s. Influenced by Die BrUcke in his approach to form, he in fact owed the full flow-ering of his individuality and the release of his creative talent to Kokoschka. Gotsch's art enjoyed a new lease of life after the Second World War, reaching the peak of its popularity in the fifties and sixties. Starting in a straightforwardly Expressionist style, his work soon became highly individual and instantly recognisable: the energy, contrasting primary colours, vivid outlines and free brushwork combine to produce particularly powerful, spellbinding paintings. This sumptuous book-cum-catalogue includes an introductory essay on Gotsch's art by Marion Leuba, curator for the Beaune museums, followed by a further illustrated essay by the art historian Chantal Bartolini, who highlights the various stages in the artist's development over his long creative life and the cultural milieux and influences which helped forge them. These two contributions are followed by a catalogue of full-page colour plates. This retrospective of Gotsch's painting provides an opportunity to discover or rediscover an artist of the first rank within the Expressionist movement whose influence stretched beyond the borders of Schleswig-Holstein, where the Gotsch Foundation is situated, and indeed was not confined to Germany itself. Subjects; Gotsch, Friedrich Karl 1900-1984 - Exhibitions. Gotsch, Friedrich Karl 1900-1984. Expressionism (Art) - Germany - 20th century - Exhibitions. Painting, German - 20th century - Exhibitions. Wood-engraving, German - 20th century - Exhibitions. Expressionism; Painting & paintings; Individual artists. ART / Individual Artists / General. ART / History / General. 1 Kg.…

Hardcover. Condición: Brand New. multilingual edition. 224 pages. French language. 11.26x10.47x1.02 inches. In Stock.

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