Mario dunkel (80 resultados)

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Paperback. Condición: New. In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Wie Neu. Zustandsbeschreibung: ungelesen, leicht bestoßen/unused, slightly bumped. Transnational and Transdisciplinary Perspectives. Edited by Mario Dunkel & Sina A. Nitzsche. In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries. With contributions by Klaus Nathaus, Alessandro Mazzola, Nevin Sahin, Rüdiger Ritter, Maristella Feustle, Ádám Ignácz, Martha Bayles, Nicholas Alexander Brown, Sven Kube, Carlos Sanz Diaz and José Manuel Morales Tamaral, Kendra Salois, James R. Ball III, Gesa zur Nieden, Dean Vuletic, Mario Dunkel & Sina A. Nitzsche. 328 Seiten mit 12 Abb., broschiert (Studien zur Popularmusik/transcript Verlag 2018). Statt EUR 44,99. Gewicht: 523 g - Softcover/Taschenbuch.…

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Condición: Sehr gut. 328 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Englisch Gewicht in Gramm: 510.

Condición: New. 2018. 1st Edition. paperback. . . . . .

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Originalhardcover. Condición: Wie neu. 234 S., graph. Darst., Noten. Ein tadelloses Exemplar. - Addressing a range of music examples and texts, the fifteen essays in this volume explore the interaction between both conceptions of time and space and the intermedial relationship between words and music. This intermedial experimentation may serve to adopt the spatio-temporal attributes of the other medium or to comment on a forms own mediality. It has much to say about processes of literary and musical composition and reception, the role of tradition and intertextuality, and the medial constellation in which these works situate themselves. The articles here collected testify to the success of the first conference of the Word and Music Association Forum, founded in 2009 to offer graduate students and post-docs a forum for presenting and discussing work in word and music studies. - Content: Adrian Paterson: Worded or Sung? The Thirteen Teeth of Joyce's Pomes Penyeach -- John McGrath: Musical Repetition in Samuel Beckett's Ill Seen Ill Said -- Isabel Wagner: Aeolian Harps and Creators of Acoustic Spaces: Gert Jonke's Self-Reflexive Soundscapes -- Emily Petermann: The Concept of Time Implied by the Theme and Variations Form: Novels Based on Bach's Goldberg Variations -- Markus Huss: The Soundtrack of Exile: Towards an Intermedial Interpretation of Peter Weiss's Literary Works -- Christin Hoene: Sounding Through Time and Space: Music in Postcolonial South-Asian Literature -- Sarah Fekadu: Ezra Pound's Spatial Aesthetics of Music -- Beate Schirrmacher: The Use of Musical Intermediality in Creating Spatial Temporality: Gunter Grass's Novel Ein weites Feld (1995) -- Hannah Ianniello: Violence in Narratives about Jazz Musicians: Performance in Michael Ondaatje's Coming Through Slaughter -- Helen Abbott: Poetic Time and Space, or What Faure Leams from Baudelaire -- Burkhard Sauerwald: A Song and Its Checkered History of Reception and Effect: "Der gute Kamerad" by Ludwig Uhland and Friedrich Silcher -- Diana Kupfer: A Cycle of Songs, Sorrow and Citations: Earl Kim's Now and Then (1981) -- Maria Ristani: Carving Time in Rhythm: Samuel Beckett and Minimalist Music -- Judith Crispin: The Transcendence of Musical Time: Text and Temporality in Busoni's Doktor Faust and Messiaen's Saint Francois d'Assise -- Tyler Cassidy-Heacock: Poetry Traced in the Air: Electronic Mediation, Musicalized Language, and Embodiment in Leroux's Voi(rex). ISBN 9783631606988 Sprache: Englisch Gewicht in Gramm: 405.…

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Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: New. 2018. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.

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Paperback. Condición: new. Paperback. This book focuses on the role of popular music in the rise of populism in Europe, centring on the music-related processes of sociocultural normalisation and the increasing prevalence of populist discourses in contemporary society. In its innovative combination of approaches drawing from (ethno)musicology, sociology, and political science, as well as media and cultural studies, this book develops a culture-oriented approach to populism. Based on shared research questions, an original theoretical framework and a combination of innovative methodologies that pay attention to the specific socio-historical contexts, taking into account musical material as well as processes of reception, the five chapters in this volume offer detailed analyses of the nexus of popular music and populism in Hungary, Italy, Austria, Sweden and Germany. All of these countries have seen a marked increase in populist parties and discourses over the last years, as well as significant interactions between populism and popular music. This book will be essential reading for those investigating popular music as a crucial aspect in the study of populism as a cultural phenomenon in Europe.The Open Access version of this book, available at , has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license. This book focuses on the role of popular music in the rise of populism in Europe, centering on the music-related processes of sociocultural normalization and the increasing prevalence of populist discourses in contemporary society. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback. Condición: New.

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Soft cover. Condición: Very Good. 2011 Rodopi paperback edition. Light reading wear else very good condition. From the cover: The main section of this volume of essays addresses the topic of 'Performativity in Literature and Music', a subject of high contemporary relevance since a substantial part of recent reflections in the humanities are concerned with the performance aspect of cultural activities, particularly in the arts. This decisive reorientation of scholarly interests in the arts, trendily called the 'performative turn', has yielded significant contributions to an increasingly refined understanding of artistic processes from an up-to-date perspective, and specifically what has been called the 'crisis of the work concept' has sharpened our awareness of the need of finding the 'proper' object of such scholarly investigations, which, as in most traditional studies, cannot be exclusively the written documents of our cultural heritage, but additionally, and essentially so, their actualizations in performance situations. This volume for the first time offers a set of careful case studies from a wide range of artistic genres (narrative fiction, poetry, opera, instrumental music, songs, jazz) and historical phases (from Elizabethan verse to 21st-century HD opera performances) which give detailed insight into consequences of addressing issues of performativity in the field of word and music studies. Closely examined examples range, in music, from the romantic reception of Bach and the opera singer Maria Malibran through Mahler and Schoenberg to Brigitte Fassbaender, Philip Glass and Charles Mingus, and, in literature, from Sidney through Yeats and Celan to Katherine Mansfield, Alejo Carpentier and Toni Morrison. In addition, the volume contains a smaller section on 'Surveying the Field' of word and music studies which includes an essay of general reflection on interart relationships and an attempt at identifying new features of the 'musicalization of fiction'. This collection of essays will be relevant to students and scholars from a wide variety of fields: performance studies, intermediality studies, art theory, musicology, voice studies, literary criticism, and philosophy. Contents: Performativity in Literature and Music Performativity and the Musical Work of Art by Tobias Janz Text vs. Act: The Bearbeitungsfrage and the 'Romantic Baroque' by David Francis Urrows The Act of Performance as Mahlerian Topic by Robert Samuels Politics, Music and Irony in Alejo Carpentier's Novel La consagracion de la primavera (The Rite of Spring) by Katia Chornik Musical Performativity in the Fiction of Katherine Mansfield by Delia da Sousa Correa Rhythmical Ambivalence of Poetry Performance: The Case of Elizabethan Verse by Walter Bernhart 'Music will keep out temporary ideas': W. B. Yeats's Radio Performances by Adrian Paterson 'The Invisible' / 'The Inaudible': Aspects of Performativity in Celan and Leibowitz by Axel Englund Romantic Opera and the Virtuoso by Simon Williams Sexing Song: Brigitte Fassbaender's Winterreise by Lawrence Kramer Vocal Embodiment and Performing Language in Waiting for the Barbarians: Philip Glass's Adaptation of J. M. Coetzee's Novel by Michael Halliwell Operatic Hyperreality in the Twenty-First Century: Performance Documentation in High-Definition Quality by Bernhard Kuhn Jazz Novels and the Textualization of Musical Performance by Emily Petermann Charles Mingus and Performative Composing by Mario Dunkel Wittgenstein and Schoenberg on Performativity of Music as Method for Philosophy by Katrin Eggers Surveying the Field Seeing Words and Music as a Painter Might: The Interart Aesthetic by Peter Dayan Milan Kundera's Polyphonic Novels and the Poetics of Divestment by David Mosley.…

gr-8°. 234 S. OPp. Mit Widmung., sonst neuwertig.