Marinus boezem (40 resultados)

First Edition. A fine copy -- like new. We provide PROTECTIVE packaging. Photos of our books are always available upon request. SELLING USED AND RARE BOOKS ON ABE SINCE 1997 AND IN OUR STORE IN THE BERKSHIRES FROM 1987 TO 2015.

Condición: Very Good. Very Good condition. (Dutch Artists, Exhibition Catalogs) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.…

paperback. Condición: As New. Used softcover like new. No spine creases, breaks, writing, highlighting or underlining. Very close to as new condition.

hardcover. Condición: Used, good. Rated only "good" due to a few pages with yellow highlighting. Small glossy white hardcover without jacket, 1982, published by the Musee de Grenoble, 233pp, in French. Slight cover wear, small name/address label on first page. **We provide professional service and individual attention to your order, daily shipments, and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA.…

Softcover. Condición: Good. Paperback met flappen.

Softcover. Condición: VG. White wraps with small color illustration and black text, French flaps inside covers. 46 pp. Color and bw illustrations. Catalog of an exhibition held at the Corcoran Gallery of Art, Washington, D.C. from June 5-August 15, 1993.

Stiff photo-pictorial wrappers (softcover), approx. 120 pp. including a large fully illustrated leporello. -Cover slightly rubbed.

Sq. 8vo, stiff stapled wrps., illustrated, 20 p. In very good condition. K12.

Soft cover. Condición: Fine. 4to, stiff wrps., illustrated, 40 p. In fine condition. K13.

; de Vleeshal; softcover, geniet; tekst van Philip Peters; afb. in zwart wit; oplage van 500 exemplaren; uitgave n.a.v. een expositie in Middelburg; n.p. (8 p.).

4to, oblong, soft cover, illustrated, 75 p. Text in Dutch and English In very good condition. K13.

Taschenbuch. Condición: Neu. absent - present TERRY FOX erinnern | Dt/engl, Campo 7, Kunst und Ethnografie | Richard/Berthet, Pierre/Boezem, Marinus u a Alpert | Taschenbuch | 160 S. | Deutsch | 2024 | Textem Verlag | EAN 9783864853104 | Verantwortliche Person für die EU: Textem Verlag GbRNora Sdun und Gustav Mechlenburg, Nora Sdun, Schäferstr. 26, 20357 Hamburg, norasdun[at]textem[dot]de | Anbieter: preigu.…

's-Gravenhage, 1989. oblong 4to. In ringfolder.

Condición: Very Good.

; Provinciaal Museum; softcover met doorschijnende omslag; ill. in zwart wit; gesigneerd met opdracht door Marinus Boezem; ongepagineerd. Goed exemplaar. Catalogus bij de tentoonstelling gehouden in het Provinciaal Museum te Hasselt, van 13-2 t/m 21-3 1982.

Hardcover. Condición: Like New. Als nieuw. Ongelezen. Hardcovercover. Rijkelijk geà llustreerd. Koffievlek op snede.

Condición: Very Good.

8vo, hb, 232 p. Rare! In fine condition. K13.

280 pp.; 21.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Critical theory publication edited by Christian Rattemeyer. Texts by Wim Beeren, Charles Harrison, Harald Szeemann, Tommaso Trini, Claudia Di Lecce, Steven ten Thije. Introduction by Teresa Gleadowe. "Afterall Books' new Exhibition Histories series responds to an increased interest in exhibition history with its inaugural volume on two of the most famous exhibitions of the 1960s: Wim Beeren's 'Op Losse Schroeven' (Stedelijk Museum, 1969) and Harald Szeemann's 'Live in Your Head : When Attitudes Become Form' (Kunsthalle Berne, also 1969). Installation photographs allow the reader to envision the exhibitions, and chronologies detail the negotiations that steered them. Also provided are reprinted reviews, bibliographies and texts from the exhibitions, newly commissioned essays and interviews with artists Marinus Boezem, Jan Dibbets, Ger van Elk, Piero Gilardi and Richard Serra, and curators Wim Bereen, Charles Harrison, Harald Szeemann and Tommaso Trini. This volume is produced by Central Saint Martins College of Art and Design, London in association with the Academy of Fine Arts, Vienna, and Van Abbemuseum, Eindhoven." -- publisher's statement. Reference : "When Attitudes Becomes Forms : Bern 1969 / Venice 2013" by Germano Celant, Thomas Demand, Rem Koolhaas, Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, Glenn Phillips. Venice, Italy : Fondazione Prada, 2013. Very Good. Inked inscription on title page. …

Limited editio nexhibition catalogue, including an actual fan, signed by Boezem. 1 of 500 copies. -(Signs of use/shef wear to the paperback cover, but the inner works and the fan are in excellent condition.). ISBN 9789073313613.

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.…

80 pp.; 27.5 x 20.8 cm.; sewn bound; black-and-white; edition size 3500; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Stedelijk Museum, Amsterdam, December 21, 1979 - February 10, 1980. Traveled to Museum Boymans van Beuningen, Rotterdam, February 29 - April 13, 1980 Kölnische Kunstverein, Köln, April 30 - June 1, 1980 and Museum voor Hedendaagse Kunst, Gent, June 15 - August 30, 1980. With a foreword by Edy de Wilde, and texts by Dorine Mignot, Ursula Wevers, and the artist. Profusely illustrated in color and black-and-white, featuring many video stills. Artists include Giovanni Anselmo, Keith Arnatt, John Baldessari, Joseph Beuys, Alghiero Boetti, Marinus Boezem, Stanley Brouwn, Daniel Buren, Pierpaolo Calzolari, Jan Dibbets, Gino De Dominicis, Ger van Elk, Barry Flanagan, Gilbert & George, Wolf Knoebel, Gary Kuehn, Richard Long, Walter de Maria, Mario Merz, Dennis Oppenheim, Klaus Rinke, Ulrich Rückriem, Richard Serra, Robert Smithson, Franz Erhard Walther, Lawrence Weiner, Gilberto Zorio. Includes statements and descriptions of works, biography, and bibliography. Texts in Dutch and English. Very Good / Fine. Light cover wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

Erste Auflage. 23 x 24 cm. 100 unpaginierte S., Leporello (21 Blatt). OKarton. Einband leicht berieben, sonst gutes Exemplar. Mit einem Vorwort von Bernhard Holeczek und einem Text von Richard W. Gassen. Durchgehend mit s/w Abbildungen versehen.

Brossura. Condición: ottimo. prima edizione. BOEZEM Marinus (Leerdam 1934) Gorinchem, Kustcentrum 'Badhuis', 1975, 14,6x10,4 cm, softcover, pp. [20], typographical cover, 16 black and white photographic images. Text by Antoinette Hilgemann-de Stigter. Catalog published on the occasion of the exhibition (Gorinchem, Kustcentrum 'Badhuis', 7 June - 31 July 1975).…

Hardcover. Condición: Very Good. Text in dutch, 4to, hardcover, 548 pages, illustrated, very good copy. Book design by Irma Boom.

Hardcover. Condición: Very Good. Hardcover, 546 p. : ill. ; 23 cm. Very good. Text in Dutch and English. With original advertising band (light wear).

Bussum, Thot, 1999. 548 pp. Col. & b./w. ills. Hardcover.Dutch & English text.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the descri.…

240 pp.; 22.5 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. This book does not attempt to be objective since the awareness of objectivity is false consciousness. The book, made up of photographs and written documents, bases its critical and editorial assumptions on the knowledge that criticism and iconographic documents give limited vision and partial perception of artistic work. The book, when it reproduces the documents of artistic work, refutes the linguistic mediation of photography. The book, even though it wants to avoid the logic of consumption, is a consumer's item. . This book produces a collection of already old material. . In this book there is no need to reflect in order to seek a unitary and reassuring value, immediately refuted by the the authors themselves, rather there is the necessity to look into it for the changes, limits, precariousness and instability of artistic work." -- text from Celant's introduction "Stating That." Includes artists Walter de Maria, Michelangelo Pisteletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Lawrence Weiner, Luciano Fabro, Bruce Nauman, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra. Text in Italian. Fair / Good. Two 3 cm. tears to upper spine edge. Moderate rubbing and light yellowing of covers. Moderate Foxing on inside front and back covers and scattered throughout the interior. Name of previous owner in ink on first free inside page. 1 cm. dog ear to corner of folded interior of back cover.…

Paperback. Condición: As New.