marclay christian (230 resultados)

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Acceptable. General wear, a good reading copy. shelf wear. bumped edges. worn spine Hardcover.

paperback. Condición: Used; Very Good. Philadelphia, 2004; illustrated paper covers; mild corner wear; spine exposed with back strip missing; 8vo, 7 3/4"-9 3/4" tall; notations inside front cover; interior in very good condition; Interior is clean and unmarked; not paginated.

Hardcover. Condición: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

Condición: New.

Audio CD. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Audio CD. Condición: Good. Audio CD. Case is bumped/creased/worn. GOOD Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condición: Good. 3 volumes published in a magazine format.

Condición: As New. Unread book in perfect condition.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

paperback. Condición: As New. First Paperback Edition. Publisher: Parkett, Zurich, 2004. FINE softcover in illustrated/pictorial wraps, as issued. Text in English and German. First Softcover Edition, First Printing.

Hardback. Condición: New. Seeing and imagining music in a pandemic: a dialogue of found scenes and inspired sounds between two protagonists of experimental musicKnown for his ability to locate music and sound in the most unexpected contexts, artist Christian Marclay (born 1955) began photographing the emptied London streets when the world shut down in the spring of 2020. He found the quiet-the absence of all the city sounds-both haunting and peaceful. On his daily walks, he began to imagine that there might be music in the landscape. He snapped a photo of an iron gate adorned with decorative white balls as it reminded him of a musical score. He sent it to his friend, the composer Steve Beresford (born 1950), and asked: "How would this sound on the piano?" Beresford responded a few hours later with a recording. Over the course of the spring, he took more photographs which inspired more music.This book collects the dialogue between Marclay and Beresford, which could only take place virtually during lockdown. In his introduction, Marclay writes, "I realized that all my pictures were of enclosures: gates, fences, windows, closed stores. A view of the world behind barriers." The correspondence between image, sound and its notation breaks through those barriers, expanding space in magical ways. Call and Response is a testament to how the world at large can be not only reflected in image but translated into sound.

Hardback. Condición: New. Seeing and imagining music in a pandemic: a dialogue of found scenes and inspired sounds between two protagonists of experimental musicKnown for his ability to locate music and sound in the most unexpected contexts, artist Christian Marclay (born 1955) began photographing the emptied London streets when the world shut down in the spring of 2020. He found the quiet-the absence of all the city sounds-both haunting and peaceful. On his daily walks, he began to imagine that there might be music in the landscape. He snapped a photo of an iron gate adorned with decorative white balls as it reminded him of a musical score. He sent it to his friend, the composer Steve Beresford (born 1950), and asked: "How would this sound on the piano?" Beresford responded a few hours later with a recording. Over the course of the spring, he took more photographs which inspired more music.This book collects the dialogue between Marclay and Beresford, which could only take place virtually during lockdown. In his introduction, Marclay writes, "I realized that all my pictures were of enclosures: gates, fences, windows, closed stores. A view of the world behind barriers." The correspondence between image, sound and its notation breaks through those barriers, expanding space in magical ways. Call and Response is a testament to how the world at large can be not only reflected in image but translated into sound.

Paperback. Condición: new. Paperback. Christian Marclay's Fire & Water was conducted in 2012 in Beppu, Japan-a city known as the 'Nine Hells' for its intense volcanic and seismic activity. Along the length of the pier jutting out into Beppu's harbor, Marclay installed 100 banners to which 100 differently tuned bells were attached. Marclay's project, surveyed in this volume in images and on an audio CD, offers a new perception of the city. Christian Marclay has exhibited widely, including solo exhibitions at White Cube, London (2015), Whitney Museum of American Art (2010), Barbican, London (2005), Fredericianum, Kassel (2003), Walker Art Centre, Minneapolis (2004), Tate Modern, London (2004), San Francisco Museum of Modern Art (2002), and Kunsthaus Zurich, Zurich (1997). He was awarded the Golden Lion at the 2011 Biennale di Venezia for The Clock. This ArtBook CD is an innovative work made of sound and pictures. This title is part of the Dis Voir, Zagzig Series. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New.

Hardcover. Condición: new. Hardcover. Seeing and imagining music in a pandemic: a dialogue of found scenes and inspired sounds between two protagonists of experimental musicKnown for his ability to locate music and sound in the most unexpected contexts, artist Christian Marclay (born 1955) began photographing the emptied London streets when the world shut down in the spring of 2020. He found the quietthe absence of all the city soundsboth haunting and peaceful. On his daily walks, he began to imagine that there might be music in the landscape. He snapped a photo of an iron gate adorned with decorative white balls as it reminded him of a musical score. He sent it to his friend, the composer Steve Beresford (born 1950), and asked: How would this sound on the piano? Beresford responded a few hours later with a recording. Over the course of the spring, he took more photographs which inspired more music.This book collects the dialogue between Marclay and Beresford, which could only take place virtually during lockdown. In his introduction, Marclay writes, "I realized that all my pictures were of enclosures: gates, fences, windows, closed stores. A view of the world behind barriers." The correspondence between image, sound and its notation breaks through those barriers, expanding space in magical ways. Call and Response is a testament to how the world at large can be not only reflected in image but translated into sound. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Three softcover books in printed paper slipcase; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Paperback. Condición: new. Paperback. For 20 years, Parkett presented unparalleled explorations and discussions of important international contemporary artists by esteemed writers and critics. These investigations continue in issue No. 70, which features collaborations by Swiss-American visual artist and composer Christian Marclay, Polish painter Wilhelm Sasnal and British video artist and photographer Gillian Wearing. Each of these artists has carved out a unique manner of working with the mediums of sculpture, painting and photography, respectively. As well, each artist extends the use of film and video to reflect political, social or popular culture. Authors include Ingrid Schaffner, Philip Sherburne, and Philippe Vergne on Marclay; Meghan Dailey, Gregor Jansen and Adam Szymczyk on Sasnal; and Gordon Burn and Dan Cameron on Gillian Wearing, with a conversation between Cay Sophie Rabinowitz and Wearing. Also in this issue: Greg Hilty on Rebecca Warren, Dominic van den Boogerd on Aernout Mik, Catherine Wood on Mark Leckey, Carolee Thea on Joan Jonas, and an insert by Nic Hess. To celebrate Parkett's 20th Anniversary, this year's three issues (No. 70, 71, 72) will feature special contributions by both artists and writers on the current state of materiality in contemporary art. Scholarly writers look back to how earlier generations of artists employed materials and how this differs from so many contemporary artists' material engagements today. Collaborating artists of the past two decades contribute anecdotes, drawings and photographs commemorating their experiences with Parkett. Best of all is the inclusion of an additional fourth collaborating artist who will participate in a discussion about his or her relationship to materiality and will create a new Parkett edition: with Franz West in issue No. 70, Pipilotti Rist No. 71 and Alex Katz in issue No. 72. For Parkett No. 71, the featured collaborating artists will be Swiss installation and video artist Olaf Breuning; British conceptualist Keith Tyson; and American painter Richard Phillips. For 20 years, "Parkett presented unparalleled explorations and discussions of important international contemporary artists by esteemed writers and critics. These investigations continue in issue #70, which features collaborations by Swiss-American visual artist and composer Christian Marclay, Polish painter Wilhelm Sasnal, and British video artist and photographer Gillian Wearing. Each of these artists has carved out a unique manner of working with the mediums of sculpture, painting, and photography, respectively. As well, each artist extends the use of film and video to reflect political, social, or popular culture. Authors include Ingrid Schaffner, Philip Sherburne, and Philippe Vergne on Marclay; Meghan Dailey, Gregor Jansen, and Adam Szymczyk on Sasnal; and Gordon Burn and Dan Cameron on Gillian Wearing, with a conversation between Cay Sophie Rabinowitz and Wearing. Also in this issue: Greg Hilty on Rebecca Warren, Dominic van den Boogerd on Aernout Mik, Catherine Wood on Mark Leckey, Carolee Thea on Joan Jonas, and an insert by Nic Hess. To celebrate "Parkett's 20th Anniversary, this year's three issues (#70,71, 72) will feature special contributions by both artists and writers on the current state of materiality in contemporary art. Scholarly writers look back to how earlier generations of artists employed materials and how this differs from so many contemporary artists' material engagements today. Collaborating artists of the past two decades contribute anecdotes, drawings, and photographs commemorating their experiences with "Parkett. Best of all is the inclusion of an additional fourth collaborating artist who will participate in a discussion about his or her relationship tomateriality and will create a new "Parkett edition: with Franz West in i Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Very Good. Hardcover book in very good condition. No dust jacket as issued. Some defects to front cover, otherwise in beautiful condition. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience.

Hardback. Condición: New. Marclay fuses art and technology to draw on the sounds and images of life on SnapchatIn Sound Stories, American artist and composer Christian Marclay (born 1955) fuses art and technology, using Snapchat videos as raw material. Featuring texts by Max Maxwell, this book documents the collaboration between the artist and Snapchat in an innovative project mixing the sounds and images of everyday life found on the multimedia messaging app, aggregating unattributed stories. Using algorithms created by a team of engineers at Snap Inc., Marclay experiments with millions of publicly posted Snapchat videos to create five immersive audiovisual installations, two of which are interactive. The Organ, a five-octave keyboard and its bench, allows the spectators to trigger video segments and their matched sounds onto the wall. Rooted in a sampling aesthetic fundamental to Marclay's work, these installations respond to the storytelling available on Snapchat and visitors' sounds and movements in the gallery space.

Hardcover. Condición: new. Hardcover. Marclay fuses art and technology to draw on the sounds and images of life on SnapchatIn Sound Stories, American artist and composer Christian Marclay (born 1955) fuses art and technology, using Snapchat videos as raw material. Featuring texts by Max Maxwell, this book documents the collaboration between the artist and Snapchat in an innovative project mixing the sounds and images of everyday life found on the multimedia messaging app, aggregating unattributed stories. Using algorithms created by a team of engineers at Snap Inc., Marclay experiments with millions of publicly posted Snapchat videos to create five immersive audiovisual installations, two of which are interactive. The Organ, a five-octave keyboard and its bench, allows the spectators to trigger video segments and their matched sounds onto the wall. Rooted in a sampling aesthetic fundamental to Marclays work, these installations respond to the storytelling available on Snapchat and visitors sounds and movements in the gallery space. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condición: New. Marclay fuses art and technology to draw on the sounds and images of life on SnapchatIn Sound Stories, American artist and composer Christian Marclay (born 1955) fuses art and technology, using Snapchat videos as raw material. Featuring texts by Max Maxwell, this book documents the collaboration between the artist and Snapchat in an innovative project mixing the sounds and images of everyday life found on the multimedia messaging app, aggregating unattributed stories. Using algorithms created by a team of engineers at Snap Inc., Marclay experiments with millions of publicly posted Snapchat videos to create five immersive audiovisual installations, two of which are interactive. The Organ, a five-octave keyboard and its bench, allows the spectators to trigger video segments and their matched sounds onto the wall. Rooted in a sampling aesthetic fundamental to Marclay's work, these installations respond to the storytelling available on Snapchat and visitors' sounds and movements in the gallery space.

Soft cover. Condición: Very good. No jacket. Mild shelf wear. Inside pages are clean, bright, and unmarked.

Paperback. Condición: Brand New. paperback/cd mu edition. 63 pages. 8.50x6.50x0.25 inches. In Stock.

Softcover. Condición: Fine. Glossy photography magazine. Contents include: Christian Marclay; Erwin Wurm; Jacques Tati; Sophie Calle, et al/ Subscriber condition. Fine condition. Light shelf-wear and bumping to corners. Size: 9.5" x 12". 128 pages. Text unmarked. Binding is tight, covers and spine fully intact. Slight shelf-wear and bumping to corners. Quantity Available: 1. Shipped Weight: 3-4 Pounds. Category: Art::Fashion & Photography; Inventory No: 024592.

Condición: New.

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Trade Paperback. Condición: Near Fine. Book is in excellent condition with a bump at the upper front corner as the only flaw. Blue 1/4 cloth binding. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Heavily illustrated, prints and photos throughout.